Mistério em River King

I like Burns, he does all he can with this part. But, I detest movies with no conclusion, and this one is one of those. You could leave at any time, and know as much as those of us dumb enough to stick it out to the end.

Great visuals, good music. Beautiful winter scenes. A couple of nasty guys who you'd like to see put in their place. A nice Streep-clone girlie figure. She's engaged to one of they nasty guys. But, why is she in the story at all? Even a ghost is thrown into the cast.

Odd love scenes .... he and she are just talking, then suddenly sucking face like they were magnetized. When they pull apart, you almost miss the "plop" sound from cartoons. They swear off each other, agree to call it quits, and then get right back to swapping spit.

I can see why this went straight to DVD .... somebody had the brains to save the distribution and promO costs, and cut their losses.

The movie had everything set up to be a great feature, but instead turned out to be a dud. Very disappointing.

It starts out with a body found in the river. Two cops find it (one being Ed Burns). They flip flop from being completely inept to actually caring. While they're not sure what to do with the body, they notice a strange feature on the corpse's chest. Ed Burns takes this case seriously as everyone else wants to dismiss it so quickly as a suicide or accident. This is the great plot build up. The rest is downhill.

Movie is still nice to watch if you like Ed Burns but a drag on entertainment.

As a thriller, The River King is as fast paced as thawing ice. Its intensity is in the isolation and disillusionment of a man who is determined to uncover the truth, though nothing is what it seems.

The body of a teenage boy is discovered in an ice-clogged river and two local cops from the bumbling school of "what do we do now?" investigate his death. An accident, suicide or homicide? Seems straightforward, except that one of the cops is seeing things that aren't there and a photography teacher is developing some eerie pictures. A conspiracy, misperception, or paranormal haunting? This intriguing film that uses sleight of hand to make you think it is about one thing, when it is actually about another.

No extras on the DVD.

THE RIVER KING is a high profile film that went directly to DVD without the benefit of a theater run. It is anyone's guess why a film of this quality should not make it commercially while there are so many less well-made movies that linger on the screens for weeks or months. The film is well acted, well directed, beautifully photographed and well scored.

The possible reason for its lack of attention may have been due to some test screenings where the audience was asked to evaluate. Despite all of the fine points of the film the problem lies in the screen adaptation by David Kane of the haunting novel by Alice Hoffman. Too many loose ends do not a story make and in the final analysis it is difficult to converse with someone who has not seen the film just what it is about.

Ostensibly, THE RIVER KING is about a private prep school out in the snowy fields of somewhere, a place where secret societies still haze, faculty are still under the control of the school's funders, and appearances are far more important than truths. Abel (Edward Burns) is called in to investigate the found drowned body of a student, and with his partner (John Kapelos) the two detectives suspect foul play - suicide, murder, hazing. Their investigation includes questioning the victim's only friend Carlin (Rachelle Lefevre) and one photography and English Lit teacher Betsy (Jennifer Ehle). But as the investigation proceeds, Abel has flashbacks to his childhood memories of his own older brother's suicide, dark secrets that have haunted him, and it is this psychic matrix which serves as the canvas for him to resolve the case as well as to relate to the various characters within the confines of the prep school.

Many of the questions raised by the narrative remain unanswered by this frustrating script, but the actors bring as much involvement and credibility as they are able to create a film of mystery and self-realization in the snow and ice of the fields around the school. For those who wish more, reading Hoffman's novel will be more satisfying. Grady Harp

(*) Review title inspired by lyrics of "Riverside" by Agnes Obel Slow (occasionally too slow) but ultimately rewarding, nonetheless. That is probably the best and most honest way to describe "The River King". It's an old-fashioned murder mystery, although with supernatural touches and intense psychological overtones. The plot isn't nowhere near original, but it's absorbing from start to finish and there's a lovely end-twist, and - moreover - the filming locations and soundtrack are staggering, and the performances are more than good.

In a quiet and remote snowy town in Nova Scotia (what a beautiful region), the body of a student at an elite private boarding school is found in the river. The school's board, as well as the local Chief of Police, quickly wrap up the incident as a tragic suicide to avoid a massive scandal. Honest officer Abel Grey, however, strongly suspects it was a murder, and maybe even with some elite citizen and questionable hazing rituals involved. Abel's curiosity is not appreciated, and he is soon blamed for still having a hard time with his own brother's suicide. Still, Abel finds some evidence to keep the investigation open, and he also gets help from a lovely teacher at the school.

Edward Burns and Jennifer Ehle (who looks an astounding lot like a young Meryl Streep) are excellent, and what I really appreciate the most was how director Nick Milling subtly touches upon philosophical themes.