Requiem

Top notch performance by Sandra Huller, who thoroughly deserved the Silver Bear for the best actress in this film at the Berlin Film Festival. A very good film on epilepsy and mental illness, not possession by the evil spirits. Ms Huller has been consistently performing well in the films,such as "In the Aisles" and "Toni Erdmann."

This movie doesn't have a clear message. Instead the title "requiem" really shows what this is about: looking at a person's life in every aspect of it. So the storytelling has to be much more from a distant viewpoint. Some may call this documentary-style as it seems to show a real social case study. Personally it reminded me a little bit of the early Scorseses style of movie-making (e.g. taxi driver): neutral viewpoint, but still subtle messages within, and finally the big clash in the ending, when all strings of the story developed throughout the movie come together.

For me, this is the best way of doing such a movie. First everything feels so normal as you watch the movie. In the end extreme situations begin to develop. Because you know the context, even it is a really extreme situation, it seems to be not at all inexplicable but very real, which it actually was. I could personally feel the helplessness with this situation, because I could not blame anybody in the movie, there was not a side who did anything wrong on purpose. All are just human beings, who are presented perfectly and believable through very good acting. The final shot of the girl's face with background organ music expresses many feelings I have about the movie.

All in all it is a very good movie, but of course it still does not feel as great as some of the best movies of the time. 9 stars

In the 70's, in the countryside of Germany, the epileptic Michaela Klingler (Sandra Hüller) joins the pedagogy course in the university against the will of her pious mother Marianne {Imogen Kogge). However her father Karl Klingler (Burghart Klaußner) rents a room in a sorority house and the religious Michaela travels to Tübingen. Along the semester, Michaela befriends her former high school mate Hanna Imhof (Anna Blomeier) that forces her to seek medical assistance and falls in love for the student of chemistry Stefan Weiser (Nicholas Reinke). When Michaela has a crisis, she stops using the necessary drugs and believes she is possessed by demons, and her health gets worse. She decides to seek out the priest Martin Borchert (Jens Harzer) that believes in exorcism instead of the progressive parochial priest Gerhard Landauer (Walter Schmidinger) that tries to convince her to go to a psychologist. When she has an intense breakdown, her mother together with priest Borchert decide to exorcise her with tragic consequences.

"Requiem" is an impressive dramatic movie about the fight between religion and science. In accordance with the introduction of this film, the story would be based on a true event. The acting is wonderful, giving credibility to the plot, and the dialogs and characters present a great discussion between the dogmatic religion and reason. Michaela is very well developed and it is easy to understand her confused state of mind since she had a repressed and overprotected upbringing. Hannah represents the logic and the reason; Marianne and priest Borchert represent the backward and dogmatic side of the church; Karl and priest Landauer represent the in-between these two sides. "Requiem" is not a pleasant or entertaining feature but highly recommended for fans of a powerful drama with magnificent acting and the excellent German cinema. My vote is seven.

Title (Brazil): "Requiem"

To be frank I completely disagree with the above critique. I found this film quite moving and very sad - I still can't stop thinking about.

I thought the way it was shot moved it along fairly nicely and was thankfully fairly anti- Hollywood which was a nice relief. Of course most Americans will probably not enjoy it because it's too subtle, nothing explodes and they actually have to think for a change rather than being told how to feel. If Hollywood had done this film it would have been all moody lighting, scary music and SFX - it would have been just another badly done version of The Exorcist (which I think is also a great film).

I think what I found the most interesting was that because this film was done in such an understated manner, you could actually understand what Michaella was going through in a much more realistic, believable manner.

There is a beautiful scene where near the end of the film Michaella's boyfriend takes her to her parents house because she is in such a bad state. She is soon surrounded by her parents and two priest all praying and chanting at her trying to exorcise her demons - her boyfriend steps away as he really doesn't know where to put himself or what to do as he watches the chanting - he looks like he is witnessing the dark ages of superstition; all completely anachronistic to the time he lives in.

Documentary style was a great choice - there were no true good or bad guys. And Michaella truly believed that she was possessed. So in a really strange way it was more an analysis of faith and belief. At the end of the day she, her family and the creepy priest all absolutely believed that she was possessed therefore she was.

Was that a good or bad thing, considering that nowadays most people barely believe anything at all?

Maybe she did fight an epic battle against demons for our souls like Saint Margarita - can anyone prove otherwise?

Phew this is hard to put into words.

At first I thought the cinematography was stunning, beautifully shot and the period was captured perfectly - I felt like I was watching a film shot in 1972 and it brought back early memories of the 70s.

The script was wonderfully subtle, there was absolutely no judgements about the characters. It would have been very easy to show the mother as a cruel an twisted woman but instead you could empathise with her, she thought she was doing the best for her daughter and that made the whole thing more tragic but also more real and beautiful.

To me the central message of the film was that life, however short is something to celebrate. The girl makes references to St Katarina who only lived a short time but did many wonderful things. She may not have escaped her strict and cruel mother for long but at least she did it and had a wonderful time for a while.

I kept having to tell myself they were actors. The depiction of the girl's first kiss at college was unlike any other I've seen. They captured the clumsiness and true feeling of the situation perfectly.

And finally the soundtrack - you'd think that deep purple wrote 'Anthem' for this film. Earlier we see her dancing ecstatically to the track when she's finally free at college and then we later see the relevance when it's used to play out at the end of the film.

I'm not sure I'll ever see a better film that this and I recommend it to anyone who occasionally likes to be moved by a movie.