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IMDbPro

As Faces de Toni Erdmann

Título original: Toni Erdmann
  • 2016
  • 16
  • 2 h 42 min
AVALIAÇÃO DA IMDb
7,3/10
54 mil
SUA AVALIAÇÃO
POPULARIDADE
4.317
603
As Faces de Toni Erdmann (2016)
Winfried doesn't see much of his working daughter Ines. The suddenly student-less music teacher decides to surprise her with a visit after the death of his old dog. It's an awkward move because serious career woman Ines is working on an important project as a corporate strategist in Bucharest. The geographical change doesn't help the two to see more eye to eye. Practical joker Winfried loves to annoy his daughter with corny pranks. What's worse are his little jabs at her routine lifestyle of long meetings, hotel bars and performance reports. Father and daughter reach an impasse, and Winfried agrees to return home to Germany.
 
Enter flashy Toni Erdmann: Winfried's smooth-talking alter ego. Disguised in a tacky suit, weird wig and even weirder fake teeth, Toni barges into Ines' professional life, claiming to be her CEO's life coach. As Toni, Winfried is bolder and doesn't hold back, but Ines meets the challenge. The harder they push, the closer they become. In all the madness, Ines begins to understand that her eccentric father might deserve some place in her life after all..
Reproduzir trailer2:03
13 vídeos
99+ fotos
Comédia peculiarDrama psicológicoComédiaDrama

Um pai jocoso tenta se reconectar com sua filha trabalhadora, criando um alter-ego ultrajante e fingindo ser seu treinador de vida.Um pai jocoso tenta se reconectar com sua filha trabalhadora, criando um alter-ego ultrajante e fingindo ser seu treinador de vida.Um pai jocoso tenta se reconectar com sua filha trabalhadora, criando um alter-ego ultrajante e fingindo ser seu treinador de vida.

  • Direção
    • Maren Ade
  • Roteirista
    • Maren Ade
  • Artistas
    • Sandra Hüller
    • Peter Simonischek
    • Michael Wittenborn
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,3/10
    54 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    4.317
    603
    • Direção
      • Maren Ade
    • Roteirista
      • Maren Ade
    • Artistas
      • Sandra Hüller
      • Peter Simonischek
      • Michael Wittenborn
    • 171Avaliações de usuários
    • 324Avaliações da crítica
    • 93Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 1 Oscar
      • 59 vitórias e 85 indicações no total

    Vídeos13

    Official Trailer
    Trailer 2:03
    Official Trailer
    The Cakes Are Bettter
    Clip 1:52
    The Cakes Are Bettter
    The Cakes Are Bettter
    Clip 1:52
    The Cakes Are Bettter
    That Was Real Fear
    Clip 1:04
    That Was Real Fear
    I Could Lift You Up
    Clip 0:53
    I Could Lift You Up
    Are You Happy
    Clip 0:59
    Are You Happy
    Substitue Daughter
    Clip 0:53
    Substitue Daughter

    Fotos158

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 152
    Ver pôster

    Elenco principal61

    Editar
    Sandra Hüller
    Sandra Hüller
    • Ines Conradi
    Peter Simonischek
    Peter Simonischek
    • Winfried
    Michael Wittenborn
    Michael Wittenborn
    • Henneberg
    Thomas Loibl
    Thomas Loibl
    • Gerald
    Trystan Pütter
    Trystan Pütter
    • Tim
    Ingrid Bisu
    Ingrid Bisu
    • Anca
    Hadewych Minis
    Hadewych Minis
    • Tatjana
    Lucy Russell
    Lucy Russell
    • Steph
    Victoria Cocias
    Victoria Cocias
    • Flavia
    Alexandru Papadopol
    Alexandru Papadopol
    • Dascalu
    Victoria Malektorovych
    Victoria Malektorovych
    • Natalja
    • (as Viktoria Malektorovych)
    Ingrid Burkhard
    Ingrid Burkhard
    • Annegret
    Jürg Löw
    • Gerhard
    Ruth Reinecke
    • Renate
    Nicolas Wackerbarth
    • Coach Leopold
    Mihai Manolache
    • Mann am Ölfeld
    Radu Bânzaru
    • Bogdan
    Niels Bormann
    Niels Bormann
    • Kurierfahrer
    • Direção
      • Maren Ade
    • Roteirista
      • Maren Ade
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários171

    7,353.9K
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    10

    Avaliações em destaque

    7saintetiennelee

    Not as bad as the reviews on here...

    But it is hard going. Ultimately I'm glad I stayed with it but it tests your patience to the limit at times. It's not a 1 rating like some reviewers are saying. But it's certainly not a 10 either. It's far too long to enable it to get anywhere that kind of rating. There seems to be so many meaningless scenes that could have been trimmed. There are certain moments that for me were laugh out loud. Ines played by Sandra Huller is fantastic. It's made me want to see more of her work. Talk of an Hollywood remake on here. I can only assume it will be a very very different film. There is no way ever a scene for scene remake would make it out of Hollywood. Give the original a go first, it's different!!
    6johntheholder

    Toni Erdmann fails due to serious lack of character empathy , long duration and not much entertainment.

    I love films , so I had to go watch one of the most talked about films of 2016 with all this fuss and awards going on about it.

    As other IMDBers have already mentioned, the expectations were high enough , and I sort of demanded a good film. I cannot say I got that.

    The story (which isn't really a story) roughly, is about a woman whose job is basically firing people off of other companies --- and her father who is bizarrely present and around her throughout most of the film , making awkward but somewhat distant jokes , supposedly to help her have a better life.

    Toni Erdmann is a bizarre film for sure. Nothing wrong with that, just stating a fact. It's a film that shows us instead of telling us things. Which is respectful, elegant and admirable in a way and that's a plus for Maren Ade.

    There are admirable things in Toni Erdmann , but for me there are also big flaws that reduced the overall viewing experience.

    The fatal flaw to name, is the starkness and the extreme cold atmosphere of this film and all its characters. For me a film must offer entertainment , in the broad sense. Meaning that a film has to give us a variety of good things that'll "warm us". Good soundtrack , interesting and empathizing characters , a good atmosphere and locations , and of course a solid story that'll surround us and in the end win us with its charm so we'll want to re watch the film after it starts to rust in our memory.

    I don't want to watch Toni Erdmann again. There was no charm that won me and so just one preview is enough. I didn't connect with the characters much , not that I don't have common things ,most of us get modern life's problems , and we have common issues with fiction characters who aren't too happy with their life. Its a safe bet. But this doesn't mean you connect with the characters as well.

    Toni Erdmann felt very much like you are inside a fridge, sitting in there and viewing stuff in a cold environment. Too cold. Also it runs too long at 2 hours and 40 minutes for the particular story told. For the kind of praise it got , I expected better characters , better dialogues and in the whole a better picture.

    The direction in its practical sense of camera placement and movement was mediocre and so was the photography which was pretty basic so don't expect "good pictures".

    The admirable things about it, was the good acting, mostly by the father "Toni" but the daughter was modestly good as well in her role. The originality of the film's approach to the father-daughter relationship was another good thing. And lastly the film's themes and questions/problems addressed by the director/scriptwriter Maren Ade. The story had meaning behind it sure, but it was too elegant about those themes (the corporate world vs human values and what matters for modern man vs what should really matter.) These are honorable themes and Maren Ade seems like a decent person to explore and show us a few troubling things in the hope to awaken us, but as a film it was mediocre. Of course that's just my opinion, but I have to say there are some rules in Film making , and mrs Ade neglected a few of them.

    6/10
    9corneliu-ticu

    Are we Humans or are we dancer

    I liked this movie a lot. I met "these" people over the last 25 years in Bucharest and in Germany.

    In this "new global world", the most of the time everybody is so deep into the details of "knowing how to be" because everybody is already like this, that if you take a step back and watch from a different angle you might wonder if anyone still remembers what it is to be a human. To remember the pleasure of feeling secure and loved by the ones that are guaranteed to be the ones that will do so. And finally if you get the right angle, you have to admit that everyone around you looks ridiculously, trying to find the detail in the detail that would make a difference, even if everybody does everything identically and there is obviously nothing else. The game about being a tough global business-woman/man, up to the most disgusting proofs to be the tougher one, is finally just flat and meaningless.

    The whole story is wonderful true. The actors are doing a fantastic job making you feel the frustration and discomfort that should be seen and felt by everyone living in such a world. It is not a slow movie ... it is the shortest version of an never-ending slow life with nothing that would make your heart pound for the true meanings.

    This movie brought two points to my mind. Einstein defined madness: - Trying the same thing again and again while expecting a different outcome. - Google was build on the simple idea that everybody is searching for something that everybody is already mentioning... Try to type "Apple" in the Google search field
    6nowego

    Very Long Slow and Satisfying

    Initially I didn't know what to make of this movie and while billed as a comedy, there really isn't much that I found laugh out load funny about it until the last third of the movie. There are lots of awkward moments, that some could find funny, but others will not like them.

    Most will find this very depressing and will turn it off after the first 60 minutes or so, I nearly did, but thankfully I kept watching and really enjoyed the last third of the movie.

    As a father I can speak from experience when I say fathers will do anything to make their children happy and this shows through in this movie. I felt the father's whole misguided aim was to connect with his daughter and try to cheer her up. He can see she is very unhappy with her life. He fails most of the time, but continues to try throughout the movie with sometimes interesting and funny results.

    Overall I found this quite a deep, thoughtful and very German movie. Watch lots of German movies and you will know what I mean.

    I would be very hesitant to watch it twice.
    10kamille-roboter

    False teeth and the thing about happiness

    Toni Erdmann starts slow and is in general a movie that takes its time. 162 minutes might suggest an overlong or very slow paced film, but in this 162 minutes we get a firework-like examination of a relationship between a father and a daughter. And yes, Toni Erdmann is a comedy. There are some moments that are so hilarious, that they gained applause mid film from the audience at my screening. But it is also a tragedy. A really complex one actually. There is so much loneliness in those characters, so much longing. Toni Erdmann is constantly entertaining, extremely well acted and emotionally compelling. A masterpiece of German cinema.

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    Comédia peculiar
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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The animal costume worn by Winfried is the Kukeri, a common animal totem in Bulgaria that is believed to scare away evil spirits. It was made from the real hair of long-haired goats and according to actor Peter Simonischek was extremely hot and heavy and smelled like a goat stable. With the exception of the scene when Winfried has the head removed, it was worn by a stuntman.
    • Erros de gravação
      When the father gives his daughter her birthday gift, there are some jars in the table which change position between shots.
    • Citações

      Winfried Conradi alias Toni Erdmann: You have to do this or that, but meanwhile life is just passing by

    • Cenas durante ou pós-créditos
      Apart from the production companies there are no opening credits, and the movie's title is only shown after all the end credits.
    • Conexões
      Featured in Film '72: Episode #46.3 (2017)
    • Trilhas sonoras
      Heute hier, morgen dort
      Written by Gary Bolstad and Hannes Wader

    Principais escolhas

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    Perguntas frequentes18

    • How long is Toni Erdmann?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 9 de fevereiro de 2017 (Brasil)
    • Países de origem
      • Alemanha
      • Áustria
      • Mônaco
      • Romênia
      • França
      • Suíça
      • Bélgica
    • Centrais de atendimento oficiais
      • Komplizen Film (Germany)
      • Official site (Germany)
    • Idiomas
      • Francês
      • Alemão
      • Inglês
      • Romeno
    • Também conhecido como
      • Toni Erdmann
    • Locações de filme
      • Bucareste, Romênia(main location)
    • Empresas de produção
      • Komplizen Film
      • Coop99 Filmproduktion
      • KNM
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • € 3.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 1.479.387
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 15.972
      • 25 de dez. de 2016
    • Faturamento bruto mundial
      • US$ 12.002.864
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 42 min(162 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
      • Dolby Atmos
    • Proporção
      • 1.85 : 1

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