Eleição

There can be no denying that Hak Se Wui (Election in English) is a well made and well thought out film. The film uses numerous clever pieces of identification all the time playing with modernity yet sticking to tradition – a theme played with throughout the film Where John Woo's Hong Kong films are action packed and over the top in their explosive content as seen in Hard Boiled (1992) and when Hong Kong films do settle down into rhythms of telling the story from the 'bad' point of view, they can sometimes stutter and just become merely unmemorable, a good example being City on Fire (1987).

Election is a film that is memorable for the sheer fact of its unpredictable scenes, spontaneous action and violence that are done in a realistic and tasteful (if that's the right word) manner as well as the clever little 'in pieces' of film-making. It's difficult to spot during the viewing but Election is really constructed in a kind of three act structure: there is the first point of concern involving the actual election and whoever is voted in is voted in – not everyone likes the decision but what the Uncles say, goes. The second act is the retrieving of the ancient baton from China that tradition demands must be present during the inauguration with the final third the aftermath of the inauguration and certain characters coming up with their own ideas on how the Triads should and could be run. Needless to say; certain events and twists occur during each of the three thirds, some are small and immaterial whereas some are much larger and spectacular.

Election does have some faults with the majority coming in the opening third. Trying to kill off time surrounding an election that only takes a few minutes to complete was clearly a hard task for the writers and filmmakers and that shows at numerous points. I got the feeling that a certain scene was just starting to go somewhere before it was interrupted by the police and then everyone gets arrested. This happens a few times: a fight breaks out in a restaurant but the police are there and everyone is arrested; there's a secret meeting about the baton between the Triads but the police show up and everyone gets arrested; some other Triads are having a pre-election talk but the police show up and guess what? You know.

Once the film gets out of that rut that I thought it would, it uses a sacred baton as a plot device to get everybody moving. The baton spawns some good fight scenes such as the chasing of a truck after it's been hotwired, another chase involving a motorbike and a kung-fu fight with a load of melee weapons in a street – the scenes are unpredictable, realistic and violent but like I said, they are in a 'tasteful' manner. Where Election really soars is its attention to that fine detail. When the Triads are in jail, the bars are covered with wire suggesting they're all animals in cages as that's how they behave on the outside when in conflict. Another fine piece of attention to detail is the way the Uncles toast using tea and not alcohol, elevating themselves above other head gangsters who'd use champagne (The Long Good Friday) and also referencing Chinese tradition of drinking tea to celebrate or commemorate.

Election is a good film that is structured well enough to enjoy and a film that has fantastic mise-en-scene as you look at what's going on. Some of the indoor settings and the clothing as well as the buckets of style that is poured on as the search and chase for the baton intensifies. The inauguration is like another short film entirely and very well integrated into the film; hinting at Chinese tradition in the process. I feel the best scene is the ending scene as it sums it up perfectly: two shifty characters fishing and debating the ruling of the Triads all the while remaining realistic, unpredictable and violent: in a tasteful manner, of course.

The essential appeal of gangster films lies in the notion of the inter-linking of depravity and honour. And honour is arguably the more fictitious of the two qualities: it is said that after 'The Godfather' was made, real life mafioso started imitating Don Corleone. Even so, mafia chic has more or less been done to death, which is where (to a western audience) a Hong Kong gangster movie, like Johnny To's 'Election'; can be refreshing. Some of the guff about ancient codes may be hokum, but it's a fresh kind of hokum, and this is a tough, well made thriller, the story of the rivalry of two gangster leaders, the wild Big D. and his more thoughtful rival Lok, who (in 'Godfather'-terms) is more of a Michael Corleone figure. One thing I liked was how To makes effective use of quiet but driving background music during the more obviously thrilling parts of the movie, but lets its grim conclusion play out in silence. But overall, it's not in the same league as 'The Godfather', and the principal flaw is that there's no character sufficiently conflicted to win your sympathy. Lok may be an appealing family man in contrast to Big D., but although shocking, the ending lacks the surprise of the ending of 'The Godfather'; indeed, I personally think the 'The Godfather Part II', though a very skillful film, also suffered from the problem that the audience is unable to maintain the necessary illusions about its protagonist prior to the end. 'The Godfather' also had a plot that was not just detailed, but made exact sense, whereas the story in 'Election' is more superficial. I still enjoyed watching it; but the real Hong Kong 'Godfather' is arguably 'Infernal Affairs'.

I always thought this would be a long and boring Talking-Heads flick full of static interior takes, dude, I was wrong. "Election" is a highly fascinating and thoroughly captivating thriller-drama, taking a deep and realistic view behind the origins of Triads-Rituals. Characters are constantly on the move, and although as a viewer you kinda always remain an outsider, it's still possible to feel the suspense coming from certain decisions and ambitions of the characters. Furthermore Johnnie To succeeds in creating some truly opulent images due to meticulously composed lighting and atmospheric light-shadow contrasts. Although there's hardly any action, the ending is still shocking in it's ruthless depicting of brutality. Cool movie that deserves more attention, and I came to like the minimalistic acoustic guitar score quite a bit.

Personally, I find the movie to be quite a good watch. It outlines the actual situation of triads in Hong Kong and gives the viewer a glimpse of how triads are organized.

Not only that, it also shows the viewer how the Hong Kong police control the triad situation and why the police don't just go all out and wipe out triads.

Overall, the movie is rather violent due to the gangland methods of killings & torture. Nevertheless, the movie stays true to the real world, thus the violence on screen is just a reflection of what really happens.

I'd recommend this movie to any Triad/Mafia movie fan. Another good watch would be Dragon Squad. That movie has more guns than this, as in this movie there's more knives than guns (in fact I don't remember seeing a single gun).

I can respect the amount of romance these cold blooded Triad members have for traditions and the pursuit for power in these modern days.

But, I didn't fully connect. To watch a bunch of scum elect the lesser scum from their ranks is something that always looks cool on film but I would much rather stick to the american mafia that has its roots in Europe. It's much more cinematic. Nevertheless, Johnnie To takes a lot of references from the Hollywood side, and it is quite visible.

It didn't feel like a chore, but it was not far off. I think I would have liked to see more style, because there would have been space for it...and less talking.