Clamando por Amor, no Centro do Mundo

There's no doubt about it, this one is a tear-jerker, solely designed to push the buttons as hard as it can to affect the audiences emotion. Teenage love, making past wrongs right, the death of a lover, typhoons, it's all here. And what's most amazing is that, for the most part, the movie does it. Always hovering on the edge of cliché, but never tipping over, "Crying Out Love" essentially works.

The story is told in two parts, flashing back and forwards often. One involves young Sakutaro who begins a relationship with the cute as a button Aki Hirose at a time in both of their lives when puppy love is turning into something real. The second is Sakutaro about fifteen years later, trying to come to terms with the loss of that relationship which he never quite recovered from. And his new girlfriend, Ritusko has a secret.

Without giving away too much, that first story works. And, boy, does it. It is inter-cut beautifully with older Sakutaro remembering and searching for meaning. You know exactly where it's going, but the thrill is in the journey here, and it captures the explosiveness and pain of first love and the same of young loss.

The second story, however, falls apart. After the first one ends, some loose ends are left to be connected, and they are, perfunctorily and ham-fistedly. And the actual finale, while far from ruining the film, adds nothing to the emotional power of the majority of the film.

As a rule, I avoid romance tales and this one was nearly no exception. I didn't see it in the theaters when it was out last year, even though friends recommended it. Just by chance, I rented the DVD. It is available in Japan with English subtitles. Now, after several days, I can't stop thinking about it.

Sakutaro is a man in his mid-thirties about to marry Ritsuko, a woman in her late twenties. While getting ready to move, Ritsuko encounters an old audio cassette tape she forgot she had. Though she knew what the tape was, she had never heard it. After locating a store that still sells audio cassette players, she listens to it for the first time. It takes her on a pilgrimage to her (and Sakutaro's) childhood home town. She leaves a message telling him that she's going away for a while.

By chance, Sakutaro learns where Ritsuko went and he goes there. He finds himself on a pilgrimage of his own.

I can't proceed much further, but it can be said that this is not a frivolous love story. I deals with the permanence of love in a most touching and original way. I really hope this film finds its way out of Japan. I gave this movie an eight out of ten.

The English title of this movie is "Crying out love, in the centre of the world".

After the proliferation of Korean romances in the last few years, Japan has made a come back, first with top romance "poetic" director Shunji Iwai's Hana and Alice. The director of Cry, Isao Yukisada, has collaborated extensively with Shunji Iwai and has been considered by many as his successor. The book on which the movie was based has taken Japan by storm; ditto the movie. However, as the story in the book, while beautiful, is a little too simple to sustain a movie, an additional character was written into it, played by Kou Shibasaki who suggested the idea of the movie in the first place. Also, the movie adopts the favourite structure for Japanese romances, one of parallel events, the present and a flashback. The success of this approach is quite evident.

Coming before the title is a prelude, with a frame showing a rain-beaten window pane and voice over, to the very, very faint background of Bach-Gounod's Ave Maria (does that bring back Raging Bull?) The voices of the boy and the girl are languid and melancholy. The meaning of this prelude scene and its background music are revealed only close towards the end.

The premise is familiar, a simple, sweet high school romance ended by a leukaemia death. What makes this movie a cut above the pack is that it does not go all out to be a tearjerker. The romance story in the flashback, which accounts for most of the movie, is told with refreshing simplicity, absorbing the audience in the attentive details and interesting characters, particularly the girl played so charmingly by Masami Nagasawa. The length of two-and-a half-hours is not an issue at all. Once you get into the small town of Takamatsu, time sort of stands still. If you don't like that sort of thing, one more minute would become boring. If you love it, passage of real time in the cinema is simply not noticed.

I won't dwell on the plot. We know very early that the girl in the romance eventually died of leukaemia so there's no spoilers there. To enrich the movie, an additional character is introduced, the man's (was the boy) present fiancée who however has a link to the past. Some think that this small plot twist is just a little too engineered but personally, I don't have a lot of problem with it.

One very interesting aspect is the retro element. The period of the flashback is the 80s, cassette messages listened via a walkman serves as a link between the pass and the present – a sort of audible love letters.

Ken Harai fans make sure that you do not dash away before the ending credits, which is accompanied by his performance of the title song he wrote.

I have just returned from holiday and had the unexpected chance to view this film during a 13-hour long plane flight. It was admittedly one of 60 movies on offer - mainly in English. I once lived in Japan for several years and couldn't help but draw some parallels to my experiences and relationships whilst living there. The title does not become fully clear until you have seen the entire film so I will not spoil it for you - the best thing is to approach the film with a completely open mind, with as little knowledge of the plot as possible. Suffice to say that I found this movie captivating from the very beginning, evocatively scored (the piano music really hits the spot), beautifully photographed, and the leading characters are all sensitively portrayed by the Japanese actors and actresses involved, many of whom will not be familiar to movie-goers outside Japan. Although it runs for almost 2 hours I found that the film never dragged and developed the story and characters at a realistic pace. I was touched by this moving story so much that it had me crying too !

I've just seen this film yesterday at the University. As a very serious movie fan, I didn't expect anything of the film. Especially, being a typical male and the kind of person who is not too keen into romance movies. However, I was carried away after the first 15 minutes. I've been very busy lately with work but I still couldn't stop thinking about the storyline as I consistently found myself analysing the feelings and emotions from the perspectives of the people who are involved in the story. The philosophical statements in the film have also enforced a huge impact on my mind. They significantly play very important part in the story. I do not want give any more details but I strongly believe that this film should be seen by all movie goers.