A Princesa e o Plebeu

With a very nice blend of fantasy and reality, and two very likable stars, "Roman Holiday" is both entertaining and thoughtful. Sometimes it is very funny, and at other times it makes you feel a great sympathy and warmth towards the characters. Audrey Hepburn and Gregory Peck are ideal in the leading roles, and the story is very clever in getting a lot of mileage out of a simple idea without pushing things too far, which makes it quite effective.

The idea of Princess Ann (Audrey) slipping away unnoticed and unrecognized for a day of fun and freedom from responsibility is of course fanciful, but it works for a lot of reasons, not the least of which is Peck's role as a pragmatic newsman. He is a good balance for Hepburn's charm and energy, remaining calm and logical without ever becoming cold or distant. You feel as if you could spend a lot more than a couple of hours in their company. And how could you improve on Eddie Albert's performance as Peck's photographer friend? The movie also adds in the atmosphere of Rome itself, with some creative scenes that make good use of the setting.

There are many fine moments in a story that at times seems almost like a daydream, and then it brings the characters back to reality in a moving way. It's not an easy combination to pull off, but here it all fits together very well, to make the kind of classic worth remembering, and one which you can watch and enjoy more than once.

A plot as slender as Audrey Hepburn but oh what magic! If you've never seen this jewel, you're to have one of the best evenings of your week, your month.

Perhaps the key to this movie's success is restraint - in the dialogue, in the music, in the cynicism of Peck and cronies at the movie's beginning. No one gushes - all is understated - but how one feels its power.

I hope everyone has experienced a day such as they - with someone they come to care for - as much as they. It's my wish for the world.

Audrey Hepburn simply dazzles in this gem of a movie. Princess Ann (Hepburn) escapes the confines of her rarefied royal existence for a day, to be rescued by a reporter, Joe Bradley (Gregory Peck).

Bradley senses a scoop and seeks to inveigle the Princess into a story. However, this is a fairy tale, of the Princess and the commoner. Love blossoms, the beautiful Princess experiencing everyday things we might take for granted with a delight we cannot know. Sitting at a roadside café, getting a haircut, enjoying an ice cream, dancing on a riverboat. She soaks in these experiences in the company of her handsome saviour, not realising his intentions.

It's beautifully done. Hepburn is radiant, refined, beautiful, enchanting - things she went on to display in many movies. However, she was at her most perfect here, as the beautiful Princess needing love and wanting happiness. Peck is an ideal foil. Tall, dark, and handsome, his only thought being the scoop placed before him, his ambition wilting in the face of his developing love for a Princess he can't hope to attain. Both are ably supported by Eddie Albert as Irving Radovich, Bradley's photographer colleague. Indeed, Albert is involved in many of the funniest scenes.

It's a fairy tale, beautifully told. William Wyler makes the most of his location, showing us Rome in all it's splendour. The perfect backdrop to the perfect fairy tale.

However, this film belongs to Audrey Hepburn. She shines and dazzles, brightening nearly two hours of every viewers life. How could you hope for more than that.

When Roman Holiday was in the planning stages William Wyler envisioned either Elizabeth Taylor or Jean Simmons in the role of the princess. When neither proved available, he and Paramount studios decided to do a Scarlett O'Hara type search for an unknown for the part. The film then would only have Gregory Peck as the star to draw the people in.

But when Peck saw the screen test and also realized the film would rise and fall on the performance of the princess part, he insisted on top billing for Audrey Hepburn. Audrey had only done a few small bit parts in some English films up till then, however Peck insisted on the billing of her right after him with 'introducing Audrey Hepburn' as her title credit.

In the same way that William Holden credited Barbara Stanwyck with helping him get through Golden Boy, Audrey Hepburn credited Gregory Peck with her performance in Roman Holiday. As well as William Wyler who still has a record of more people getting to the Oscar sweepstakes for his films than any other director.

Roman Holiday is simple and delightful film about a young princess of some unnamed European country who gets tired of her programmed routine and wants a break from it. In Rome while on a European tour, princess Audrey fakes an illness and runs off for a day of fun.

An American wire service reporter Gregory Peck finds her and realizes he's got an exclusive. So he chaperones her around without letting her know she's on to him. He even gets photographer Eddie Albert to help him out.

Eddie Albert got the first of two nominations for Best Supporting Actor for Roman Holiday, the second one being The Goodbye Girl. He lost to Frank Sinatra for From Here to Eternity. Though Albert is funny in this film, for dramatic work I never understood why he was not nominated for Attack or for Captain Newman, MD.

If you're thinking that the film is starting to bear a resemblance to a continental It Happened One Night you would be right. And if that's your thinking it will come as no surprise to learn that Frank Capra originally had the idea to film this. The property reverted to Paramount as part of his settlement to leave that studio after doing two Bing Crosby films.

I wish Paramount had done Roman Holiday in color though. Darryl F. Zanuck over at 20th Century did Three Coins in the Fountain in gorgeous color and later on MGM did The Seven Hills of Rome also in color. Still the Roman locations really add a lot to Audrey's adventure.

When Oscar time Audrey Hepburn in her first starring role and really first role of any consequence won an Oscar for Best Actress. Until the day she died Audrey Hepburn had charm enough for ten, you can't help but love her in anything she ever did. Even if the film she did was not that great, Audrey sparkles through.

Even in black and white, the Eternal City with Audrey and Greg make anyone young at heart.

This charming comedy is justly famous as the film that made the whole world fall in love with Audrey Hepburn and half the world want to run out and buy a Vespa scooter. Hepburn was always beguiling, but in some of her later roles she tended to overplay the winsomeness. Here every note she hits is just about perfect.

And speaking of notes, pay special attention to the score by the great Georges Auric. If the film had been produced in the manner of modern romantic comedies, the sound track would have been larded with pop hits by Perry Como, Dinah Shore, and Frankie Laine, which would have done an awful lot to destroy the magic. Instead Auric's complex, vibrant, evocative music complements the story's inherent lyricism without upstaging it. In an era of bombastic film scoring, this seems a miracle.

Someone once said that Audrey Hepburn's was the beauty of possibility and transformation -- she was always in motion, always becoming something else. "Roman Holiday" is very much of a piece with that notion. On the surface, the film is about a princess who disguises herself as a "commoner". But in truth she's actually pretending to be a princess, at least at first. She finally becomes authentic -- is transformed and prepared to deal with her destiny -- only through the ennobling power of love and sacrifice. That's one heck of a mythic subtext and does a lot to explain "Roman Holiday's" enduring power.