AVALIAÇÃO DA IMDb
6,8/10
2,9 mil
SUA AVALIAÇÃO
A história intensa, realista e inflexível de a Maria, o Allan e o Steso, que lutam pela sobrevivência na vida urbana, sobre drogas.A história intensa, realista e inflexível de a Maria, o Allan e o Steso, que lutam pela sobrevivência na vida urbana, sobre drogas.A história intensa, realista e inflexível de a Maria, o Allan e o Steso, que lutam pela sobrevivência na vida urbana, sobre drogas.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 8 vitórias e 8 indicações no total
Thomas L. Corneliussen
- Asger
- (as Thomas Corneliussen)
Pernille Vallentin
- Tilde
- (as Pernille Vallentin Brandt)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
A stunningly bleak film. Some of the camera work is beautifully shot and highly original. It is so engaging that one almost needs to re watch the film, as so much more impact can be gained from subsequent viewings.
The tale is harrowing but very moving and thought provoking and all of the characters are complex and interesting.
Stunning debuts from an up to now unknown cast.
The film definitely has elements of trainspotting, but lacks a good deal of the humour.
I have not read the book, which by all accounts the film only portrays the final third of.
The tale is harrowing but very moving and thought provoking and all of the characters are complex and interesting.
Stunning debuts from an up to now unknown cast.
The film definitely has elements of trainspotting, but lacks a good deal of the humour.
I have not read the book, which by all accounts the film only portrays the final third of.
Nordkraft
Directed by Ole Christian Madsen (2005)
This movie deals with three different people and each their story. The one thing they have in common is the fact that they all have roots in the drug world of the Danish city Aalborg. Maria's boyfriend is a minor local pusher, and she's going on waiting for something big to happen for them; though slowly recognizing that her dream has become an illusion. Allan returns to Aalborg after a serious accident hit him, when he worked on a ship in the Atlantic. Afters his returns his past catches up with him, and he must deal with some serious decisions. The last person we follow in Steso. Steso, or Thomas as he's really named, is a full time junkie, who's only purposes in life are his girlfriend and getting high constantly. But after his girlfriend has meat someone new, his present as he has known it till now is being threatened.
These are three good stories but without a main thread between the three of them. The director has used relatively young and inexperienced actors, with Thure Lindhart as the exception. This means that the acting has some flaws and doesn't seem convincing throughout the movie. But it helps give the movie a more rough tone and dialect, helping to create great atmosphere this movie has. The visual side is also really good, containing some really cool dolly shots of the leading characters. An interesting movie that shows that drugs and the problem that follows doesn't just exist in Copenhagen.
7/10
Directed by Ole Christian Madsen (2005)
This movie deals with three different people and each their story. The one thing they have in common is the fact that they all have roots in the drug world of the Danish city Aalborg. Maria's boyfriend is a minor local pusher, and she's going on waiting for something big to happen for them; though slowly recognizing that her dream has become an illusion. Allan returns to Aalborg after a serious accident hit him, when he worked on a ship in the Atlantic. Afters his returns his past catches up with him, and he must deal with some serious decisions. The last person we follow in Steso. Steso, or Thomas as he's really named, is a full time junkie, who's only purposes in life are his girlfriend and getting high constantly. But after his girlfriend has meat someone new, his present as he has known it till now is being threatened.
These are three good stories but without a main thread between the three of them. The director has used relatively young and inexperienced actors, with Thure Lindhart as the exception. This means that the acting has some flaws and doesn't seem convincing throughout the movie. But it helps give the movie a more rough tone and dialect, helping to create great atmosphere this movie has. The visual side is also really good, containing some really cool dolly shots of the leading characters. An interesting movie that shows that drugs and the problem that follows doesn't just exist in Copenhagen.
7/10
The fact the Nordkraft takes place far away from Copenhagen, but deals with typical big city issues, makes it somewhat interesting. The problem is that it just doesn't tell my why we are i Aalborg. With the title "Nordkraft", the scene is set for something different from a standard junkie movie. But that is exactly what we get, a standard junkie movie, nothing more, nothing less. The characters are stereotypes and doesn't bring anything new to the table. I like the choice of music in the movie, it works so far as emphasizing the moods in the scenes.
The actors deliver convincing performances, but again the is problems. There is no consistency in the use of dialects, and some of the characters actually gain dialects during the movie.
Being a danish movie, there is lots a nudity. Not overdone and generally good to look at.
The actors deliver convincing performances, but again the is problems. There is no consistency in the use of dialects, and some of the characters actually gain dialects during the movie.
Being a danish movie, there is lots a nudity. Not overdone and generally good to look at.
I'll preface this by saying that I only watched this movie to see the very brief performance of one of the cast.
Having never seen a Danish film and knowing nothing about this film going in, I couldn't help but feel like I was watching a mishmash of Requiem for a Dream (2000) and Trainspotting (1996) in a more traditional European type movie structure.
While US/UK movies usually follow the same structure (Sizzling start. Backfill, pebble, rock, boulder, conclusion) that starts with a bang before slowly building the drama/action/tension as the movie goes on, this movie took a more nuanced, straight-line structure with an intricate move from one storyline to the next that can keep the watcher engaged despite their being minimal action or drama. I didn't mind this structure albeit being one I'm not used to. It gave the feel of the movie a more realistic touch.
However, there were far too many similarities between this movie and the 2 mentioned above, as has been mentioned by other reviewers. Since those movies came out 5 and 9 years prior to this one, you cannot say the similarities were accidental. Especially when the main music composition was almost a plagiarised version of 'Lux Aeterna', the theme from Requiem for a Dream.
There were 2 standout performances in this.
Lars Mikkelsen - His performance, although minimal, was world class at the very end of the movie. Felt so genuine like it was happening for real. Gave me goosebumps. Magnificent.
Allen's niece - They went uncredited in this performance so I won't name them. The effectiveness of their performance is so understated. Their soft baby sounds was angelic in their sounds. Almost as if it was foretold that they'd be singing some of the most beautiful music in the world. I may be a little bias in my assessment, though.
Overall a decent movie. Had I not had seen RfaD and Trainspotting many years before seeing this, I may've rated this higher.
Having never seen a Danish film and knowing nothing about this film going in, I couldn't help but feel like I was watching a mishmash of Requiem for a Dream (2000) and Trainspotting (1996) in a more traditional European type movie structure.
While US/UK movies usually follow the same structure (Sizzling start. Backfill, pebble, rock, boulder, conclusion) that starts with a bang before slowly building the drama/action/tension as the movie goes on, this movie took a more nuanced, straight-line structure with an intricate move from one storyline to the next that can keep the watcher engaged despite their being minimal action or drama. I didn't mind this structure albeit being one I'm not used to. It gave the feel of the movie a more realistic touch.
However, there were far too many similarities between this movie and the 2 mentioned above, as has been mentioned by other reviewers. Since those movies came out 5 and 9 years prior to this one, you cannot say the similarities were accidental. Especially when the main music composition was almost a plagiarised version of 'Lux Aeterna', the theme from Requiem for a Dream.
There were 2 standout performances in this.
Lars Mikkelsen - His performance, although minimal, was world class at the very end of the movie. Felt so genuine like it was happening for real. Gave me goosebumps. Magnificent.
Allen's niece - They went uncredited in this performance so I won't name them. The effectiveness of their performance is so understated. Their soft baby sounds was angelic in their sounds. Almost as if it was foretold that they'd be singing some of the most beautiful music in the world. I may be a little bias in my assessment, though.
Overall a decent movie. Had I not had seen RfaD and Trainspotting many years before seeing this, I may've rated this higher.
I saw this film at a special pre-premiere screening and knowing that Danish film has taken quite a beating this last decade with a lot of really bad films ("Den eneste ene" and the "Kærlighed ved første hik" trilogy being excellent examples). It seemed to me that the Danish movie industry were only able to produce two kinds of film: crappy romantic comedies or dogme films. The dogme films can be quite interesting but they have just been produced in too large a number to remain interesting.
So my hopes were quite low going into the cinema to see Nordkraft (not having read the book either) but all my worries were put to rest very quickly because I was taken aback by the visual style of the film which is very interesting. Also the storytelling element of the film worked very well and the fact that the story is split into three is very appealing and interesting.
The characters in the film must be said to be the most important aspect of the film and luckily they work quite well. Especially Thure Lindhardt who plays Steso is very good because he is very good at making his character edgy and extreme but still believable. Signe Egholm Olsen is also quite good and works very well in suspenseful scenes. Of the three main actors Claus Riis Østergaard is the worst but he is still good don't get me wrong. One of the most powerful scenes in the entire movie is with Steso's father, Lars Mikkelsen because Lars Mikkelsen (who is a far better actor than his brother by the way) is such an incredibly intense actor.
The only thing that I feel pulls this film in a negative direction is the fact that it is afraid to be its own film. It borrows heavily on the visual style from Requiem for a Dream and in terms of storytelling and thats a shame because Nordkraft definitely has the potential to be its own film.
All in all a very decent Danish drama: 7 out of 10
So my hopes were quite low going into the cinema to see Nordkraft (not having read the book either) but all my worries were put to rest very quickly because I was taken aback by the visual style of the film which is very interesting. Also the storytelling element of the film worked very well and the fact that the story is split into three is very appealing and interesting.
The characters in the film must be said to be the most important aspect of the film and luckily they work quite well. Especially Thure Lindhardt who plays Steso is very good because he is very good at making his character edgy and extreme but still believable. Signe Egholm Olsen is also quite good and works very well in suspenseful scenes. Of the three main actors Claus Riis Østergaard is the worst but he is still good don't get me wrong. One of the most powerful scenes in the entire movie is with Steso's father, Lars Mikkelsen because Lars Mikkelsen (who is a far better actor than his brother by the way) is such an incredibly intense actor.
The only thing that I feel pulls this film in a negative direction is the fact that it is afraid to be its own film. It borrows heavily on the visual style from Requiem for a Dream and in terms of storytelling and thats a shame because Nordkraft definitely has the potential to be its own film.
All in all a very decent Danish drama: 7 out of 10
Você sabia?
- CuriosidadesThe first scene seen in the movie was shot in Pusherstreet in Christiania, Denmark, and was the first time anyone had ever been allowed to film there. It used to be impossible because of the great powers of the pushers, but Christiania and the pushers wanted some good publicity, because they'd just been cleared out, and they may have realized they were part of the outside world and not merely a closed system.
- Citações
Steso: I am a drug addict. I am definitely a drug addict. I'm hooked. I'll gladly confess to the fact, that I am an addict. Addict of Valium, LSD, coke, heroin, methadone, opium, Rohypnol, crystal meth, morphine, mescaline, amphetamine, C vitamins, D, vitamins, hashish, pot, hash-oil, skunk.
- ConexõesFeatured in Smagsdommerne: Episode #1.7 (2005)
- Trilhas sonorasWalking Through
Composed by Jan 'Bas' Nissen, Martin Soelmark and Biljana Stojkoska
Performed by Jan 'Bas' Nissen
From the album "Putting All The Pieces Together"
Duck On The Walk 2004
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