Uma mulher recebe um transplante de olhos que lhe permite ver o mundo sobrenatural.Uma mulher recebe um transplante de olhos que lhe permite ver o mundo sobrenatural.Uma mulher recebe um transplante de olhos que lhe permite ver o mundo sobrenatural.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 4 indicações no total
- Tomi Cheung
- (as Kevin K.)
- Mrs. Hillman
- (as Karen Austin)
- Brett
- (as Brett Omara)
Avaliações em destaque
The premise is reasonable (for a horror) and despite a few plot holes the film manages to build the suspense. Alba's acting is not exactly award winning, but she does enough to avoid you disbelieving the character.
The biggest gripe I have is that the ending is a bit of an anticlimax. After the build up (I think there should have been a bit more with the apartment residents) it just fizzled out.
Overall I wouldn't rush out to buy the DVD, but if there isn't anything else on, you could do worse.
I do agree it could be a little bit tedious at the beginning, but if you are a guy that has the patience, towards the end, it picks up well. Not the scariest movie ever though, but in the end, it did deliver. I've seen way worse, and I think some are being somewhat to harsh.
Solid move, a 6.5.
"The Eye" isn't so much a horror flick as it is a supernatural drama.
This film is a remake of the 2002 Chinese "The Eye" which I haven't seen, so I can't (and probably shouldn't) compare the two. I thought this was a nicely done film, more of an intimate character study than a scary "gotcha" flick. In that respect it's similar to "The Sixth Sense", and not just the story. Like "The Sixth Sense" which was a slow moving psychological drama that just happened to have dead people in it, "The Eye" takes a personal approach as well. And while that may bore the audience members who are expecting some screams, it ultimately results in a film with a little bit more to say than your average screamer.
Jessica Alba ("Sydney") does a great job of playing a woman who has been blind since age 5, a loner, someone who doesn't seem to have many connections with people and she likes it that way. The underlying theme is that her blindness makes her feel unique, exempt from the real world. When she regains her sight after 15 years by a corneal transplant, it's not necessarily the wonderful experience you'd expect. There's a scene when she comes back from the hospital to a surprise party, and the scene is filmed with unsettling, distorted closeups of strange faces. It perfectly expresses the confusion and claustrophobia of not just a blind person gaining her sight, but that of an introvert being forced into society. That enough could've been enough for a feature length film: how a woman deals with the "gift" of sight which she doesn't really want. But it doesn't end there. She starts seeing dead people, too.
While we never really feel like Sydney is in any deadly peril, there are a few very effective surprises which, I gotta admit, quickened my pulse a few notches. Also the "shadow men" were very creepy, and if you want to see a real shocker, check out the bonus features where we learn that the shadow men are not cgi graphics, but it's an actual dude... a sort of living skeleton who looks just as bizarre in real life than on screen.
The 2nd half of the film becomes a mystery as Sydney tries to figure out why she's getting these disturbing visions and what she's supposed to do about it. Again, no hair raising car chases or shootouts here, just a thick atmosphere of the unknown.
Like I said, I haven't seen the original Chinese film, but I can tell that the American filmmakers were trying to add a degree of backstory. In the bonus features they talk about the science of "cellular memory" (the idea that donated organs possess characteristics that are imparted to the new recipient). So I can assume that this is less of a visceral shocker (like the original?) as it is an intellectual approach. There's also the psychology bit I mentioned above. And it also touches on the idea that artists, musicians & creative thinkers are more sensitive to supernatural events (Sydney is a concert violinist). In short, "The Eye" sacrifices the raw approach of a typical action-horror flick, and instead replaces it with more of a slow-moving, scientific or "rational" approach to the supernatural.
Depending on your preference, that's a good or bad thing. I can go either way depending on my mood; once in a while I like to think, whereas other times I just want to see Freddy slice some people to ribbons. "The Eye" definitely falls on the thinking side of that scale. Other thinking horror flicks I recommend are "Exorcist III" (one of the BEST), "The Others" with Nicole Kidman, and of course "The Sixth Sense".
The Eye, starring Jessica Alba is directed by two relative first timers by the names of David Moreau and Xavier Palud, and they can certainly create a film that boasts certain elements of stylish direction. Unfortunately, along with the good, it seems that all of this style of remake fear deviation from a backbone template. Not to give anything away to those who are not familiar with Asian horror remakes, but one element that is consistent is that the basis of all the evil happenings is from a spirit looking for salvation of some sort. While The Eye, does choose to spin this cliché slightly, it is afraid to go all the way.
Suffering from total blindness after a childhood accident, young beauty Sydney Wells (Alba) is given a chance at an eye transplant that will allow her to see for the first time in decades. Not surprisingly, she begins to see things that ought not to be. Aided by an appointed shrink, played by Alessandro Nivola, they confront the visions and try to track the donor eyes back to their sinister source. This journey is bounds more intelligent then the average horror story, and the standard for dumb decisions is cleverly hidden by the fact that Sydney is fully or partially blind for most of the film. This presents a cushion of forgives per se, as her lack of sight can lead her into frightening situations, without appearing ignorant.
And there are certainly some frightening "boo" moments; uniquely accentuated by a well used pallet of sound. There are also exactly three expertly executed scenes, worthy of recognition. The first is a scene in which a blurry eyed Sydney looks into the mirror for the first time with creepy consequences; the second features a member of the un-dead accompanying her in an elevator and the third takes the form of an intervention between a mother who has recently lost her son. If The Eye had presented more scenes of this Claiborne, it certainly could have been something special. Instead, the ending descends into the mediocrity, which at first seemed more then acceptable, but took off into a sixth sense meets final destination action spin off; which although still thrilling, did not fit the tone and atmosphere of the former acts. The "blurry vision" that is used early on with some skill, is overused by the end, the flashbacks replace the more effective quick cutbacks and it simply does not hold onto its success.
This is however Alba's best performance, and although not saying much, this shows there is hope for her future acting career. While more films like The Eye would be welcome, I think it better to forfeit the Asian remakes all together, then to wait for the monkey's second draft.
Read all my reviews at: http://www.simonsaysmovies.blogspot.com
Você sabia?
- CuriosidadesTo prepare for her role, Jessica Alba took violin lessons for six months, which she started while filming Quarteto Fantástico e o Surfista Prateado (2007). She also learned basic Braille.
- Erros de gravaçãoWhen Dr Faulkner and Sydney put Mrs Martinez in the car to take her to the hospital it is in the driveway very close to the house but they didn't park in the driveway they parked on the road and walked up the driveway to the house.
- Citações
[first lines]
Teen on Skateboard: Oh, shit. Thanks. I didn't see that.
Sydney Wells: Neither did I.
Sydney Wells: [voice-over while Sydney walks in the street and settles in a café] People say seeing is believing, but for me, that's not entirely true. I lost my sight when I was five years old. Those memories of what I have seen have faded so much that I doubt I'd even recognize myself anymore. Now I see using my other senses. I can smell the rain before it drops, but I can't watch it fall. I can feel the sun on my face, but I can't see it rise or set. I want to see the world like everyone else, to see the sun, the rain, the music. Oh I bet music looks beautiful.
- ConexõesFeatured in Late Show with David Letterman: Jessica Alba/Julie Chen/The Whigs (2008)
- Trilhas sonorasSonata for Violin & Piano No. 5 in F Major (Spring), Op. 24
Written by Ludwig van Beethoven
Arranged by Ceiri Torjussen
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- El ojo del mal
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 12.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 31.418.697
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.425.776
- 3 de fev. de 2008
- Faturamento bruto mundial
- US$ 58.010.320
- Tempo de duração1 hora 38 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1