Batalha no Céu

As the director probably hoped, the opening and closing blow job scenes gained this film a great deal of notoriety and attention that far exceeded the publicity such a turgid, self-consciously 'arty' film would normally receive. This unrelentingly ugly and frequently agonisingly boring film is about a couple of days in the life of a man who shags his bosses daughter and who, with his wife, has kidnapped a child (for no explained reason). At times this has the artless artiness of such trash auteurs as Doris Wishman, but give me Doris' 'Deadly Weapons' over this tedious trash any day! Pretentious and dull this is a pastiche of art house world cinema and does not warrant your time

For two thirds of this film I was spellbound and then it suddenly span away from me. Listening to the director speaking afterwards, I think I know what went wrong and I shall have to view again some time to find out. It is all very watchable but slightly confusing towards the end, which is a shame and may be my fault, that of the director or even of Mexico itself. Whilst I have never been to the country it did seem that part of the lifeblood of this movie was the tangled city of contradictions itself. Even though not perfect in my eyes there was enough to show that this is a director of keen and original talent who will produce much more. His liking to work with non actors is welcome and his treatment of actual graphic sex is stunning. Very affecting, bitter sweet movie.

This film is about a man and wife, who kidnapped a friend's baby for ransom. However, the baby died, and they have to live with the consequences.

The plot outline describes a promising start of an emotional drama. It could have been a captivating story if it was elaborated well. However, the plot ends there. The filmmakers ran out of ideas of what to do, and hence film a car driving around the city for minutes, or film the urban apartment blocks from a rooftop. Or throw in some sex scenes to keep viewers interested.

There is almost no portrayal of Ana and Marco's states of mind after the kidnapping goes wrong. There is no description of the victim's family's grief. Instead, the film wanders around aimlessly and pointlessly. It fails to engage, captivate or evoke any emotions. "Battle in Heaven" describes no battles. It lacks any redeeming value, and I strongly suggest staying away from it.

This is an art film, or at least what the average movie goer will view as an art film. By that, I mean you're going to have to dig really deep to find a plot that you can follow. The scenes are too obviously artistic...a tear drop, a blank stare, holding of hands.

The movie is about a man who is struggling with the guilt of having kidnapped a child who died. I'm not worried about giving away any spoilers because I'm not sure there are any to give away. The movie is a sequence of scenes that make you wonder why they are in the film, and frustratingly so because you really never find out.

American audiences especially will be shocked by the sex scenes. I'm not saying that's good or bad. We just rarely see a penis in a movie, aside from porn, let alone an erect one, let alone someone interacting with one.

The reason I gave this move a 5 is based entirely on its style. The characters often stare at each other with blank faces but they are consistently unemotional. The characters look like real people plucked right off a Mexico City street. The sounds in the film are interesting and graphic, sometimes noisy. But it works to keep you in the film. The filming in Mexico City creates an interesting backdrop. You're just dying for a story to be drawn from it but it never emerges, at least not a good one.

Battle in Heaven is an epic adventure in film in the urban world. It thrusts the viewer into many small worlds without fully explaining each world or how they are connected. You must be open and receive this film or you might be frustrated. The camera-work is radical in style yet actually slow and simple. It's just that nobody takes this truly panoramic approach. The use of music is also powerful and moving. Reygadas has really proved himself a force in cinema with this film.

Thematically, the film touches on many views -- one example if the fact that almost everyone looks ugly in this film, yet not repulsive. There is also a sense of raw sexual abandonment despite the lack of eroticism.

As well, the film deals with Mexican nationalism, and its Catholicism, and the army, in ways that will have relevance for Mexicans. There is beauty in this movie and the feeling of life's inherent tragedy. Decadence is present and evil casually introduced as an aside. You will also be awed by the bravery of the actors and moved by the raw and close-to-real sex acts.