Mistérios da Carne

"Mysterious Skin" is a movie that I heard very little about. Never saw the trailer, never saw a poster nothing. Until one day I was just looking up movies online and I came across this film. I looked up the website, watched the trailer, and said I want to see this. So I didn't get around to it when I lived in California since it came and went very quickly however the film did show up in a little theater about 5 miles from my house so I figured I have to check this film out and so I did.

"Mysterious Skin" is the story of two boys Brian (Brady Corbet) and Neil (Joseph Gordon Levitt). Brian can't remember what happened to him when he was younger but he knows something bad happened. Neil on the other hand remembers every second of what happened and has let that take control of his life. The story continues to show Brian as a nerdy kid trying to find out what happened to him and Neil turns into a hustler. But in the end the horrifying truth comes out and their lives are changed forever.

When this film ended, I just stood there and said wow that was really messed up and I felt depressed. The story is so raw and graphic. I don't think I saw anything this graphic since I first saw "Irreversible" a few years back. The movie feels so real and the events that occur to these two kids seem so common in today's society. I think it really hits home and that's why this film works so well.

The lead performances by Brady Corbet and Joseph Gordon Levitt are terrific. Both are extremely believable and well acted. It's nice how they each played a character so different from one another. After watching Levitt in this film, "Manic" and "Latter Days," I am pretty convinced that the guy is one hell of an actor although he needs to stick to the independent films. And the same thing goes for Brady Corbet who starred in my favorite film two years back called "Thirteen." Also I feel it's necessary to comment on Michelle Trachtenberg here who played Neil's partner in crime Wendy. I really don't like Mrs. Trachtenberg probably because I saw her in the god-awful "Euro Trip" and in "Buffy" however in this movie she was pretty good. I think she played the supporting role well.

Gregg Araki was both the writer and director on the film. I must say the man knows how to make a graphic and disturbing film. The movie at times is hard to watch because of how disturbing some of the scenes are. I haven't seen any of Mr. Araki's other films but I have been reading online and have heard that this is his masterpiece. I can't really say that I liked the film because this isn't a movie you come out of and say oh yea that was wonderful! You kind of come out of the theater saying man that was really f*cked up, kind of like the movie "Thirteen" although this movie is much more graphic. It's a great work of art as far as film goes and tells a deep and disturbing story well. The thing like I mentioned above that makes the film work is that this type of stuff happens in the world today which again is why "Thirteen" worked. It's shocking and disturbing but it's only that way because it feels and seems real.

In the end, I think it's a really good movie with powerful performances and a great story. The movie is not for the weak hearted. I myself felt a bit disturbed by the film. The subject matter isn't very happy and neither is the story. The film is extremely graphic and raw. Some of the more disturbing scenes seem to run on for a long time which means that the film is working on its audience. I can't really pick a target audience for this film but if you like movies that are real and raw then you should check this out. This is a great movie that I think many would not be able to handle but for the few who can I think it really delivers.

MovieManMenzel's final rating for "Mysterious Skin" is a 9/10.

In 1981, in Hutchinson, Kansas, the eight years old boy Neil McCormick is sexually abused by his pedophile baseball coach and his deranged and promiscuous mother does not pay attention. Meanwhile, the also eight years Brian Lackey awakes from a brief amnesia of four hours with a bleeding nose, but his negligent father does not pay attention to the event. Brian grows-up believing he had been abducted by aliens. The gay Neil grows-up as a hustler. When Brian is eighteen years old, he looks for and meets Neil, who discloses dark innermost secrets of their past.

"Pedophilia" is one of the most unpleasant themes to make a movie, and I recently saw an excellent film called "The Woodsman" (http://www.imdb.com/title/tt0361127/usercomments-134), about a child molester trying to have a normal life after twelve years in prison. "Mysterious Skin" approached the same theme, but through the eyes of the victims, showing how irreversible this crime might be, due to negligence of the parents. The powerful story is very impressive, with a awesome performance of Joseph Gordon-Levitt that deserved an Oscar nomination. The direction of the unknown (for me) Gregg Araki is amazing, and the actors and actress are simple magnificent. This movie was presented in the "Festival de Cinema do Rio de Janeiro" ("Rio de Janeiro Cinema Festiva"l and in the "29ª Mostra BR de Cinema de São Paulo" ("29th Exhibition BR of Cinema in São Paulo"). My vote is eight.

Title (Brazil): "Mistérios da Carne" (Mystery of the Flesh")

Mysterious Skin (2004) directed by Gregg Araki is powerful, shocking and absolutely convincing in every detail movie about two teenagers that were deeply affected by the events of one long hot summer of their childhood; events that one of them could not forget and the other desperately tried to remember. Ten years later, their lives could not be more different - Neil (Joseph Gordon-Levitt) has became a gay hustler, cynical, manipulative but charismatic, while Brian (Brady Corbet), nervous and shy believes that he was abducted by the aliens for some strange experiments.

The film like this requires very good performances from all cast members and it's got them from everybody but Gordon-Levitt is simply the shining star and I'll make sure from now on to check out all his new movies.

Just got back from the Sundance Film Festival. I am still processing this powerful movie and the stunning reminder of the cost some of life's choices bring to our lives. I was amazed at the brutal honesty of this story. While I cannot say enough about the acting, Brady Corbet's subtle portrayal of Brian should be honored and remembered for a very long time. Bravo to all involved with this movie.

Before seeing this movie I could only remember that the novel, Mysterious Skin, had been disturbing. Greg Araki has made this novel into something that cuts emotionally but could also have a great impact in how people learn to deal with a painful past and the defenses they have built up to protect potentially devastating secrets.

Anyone who wants a movie to move them, to make them feel and to think should do everything they can to make sure they do not miss Mysterious Skin

MYSTERIOUS SKIN – REVIEW 7/6/05

In his new film Greg Araki uses a prudent ploy to snag and reel you in: having the visuals effusively speak and the screenplay divulge the least amount of information necessary to keep the story evolving. Words can only reveal so much, while Araki's images display an almost unbearable amount of visceral material, exploiting vibrant color, alluring texture, dark and light, the brooding and harrowing eyes of Joseph Gordon-Levitt, and the handsome modesty of Brady Corbet.

The film resonates on a level of rawness unseen and unfelt since Cuesta's "L.I.E." or Solondz's "Storytelling." The film is jarringly penetrative and pervasive: the visuals in your mind play over repeatedly and the disconcerting but intellectually uplifting feeling "Mysterious Skin" infuses lies active long after you leave the theater. The film is not easy to digest. Seeing that there is pervasive sexual exposure between adults, as well as between adults and kids (though discreetly handled), this film will repulse many viewers. This film also had to be made.

Neil (Gordon-Levitt) and Brian's (Corbet) story starts in the early 1980s when they are only eight-years-old. Neil's little league baseball coach initiates a sexual relationship, of which (most likely to the consternation of several audience members) Neil actually recounts a rosy-colored remembrance: he enjoyed it. Brian that same year describes how his perpetual and mysterious string of blackouts and bloody noses began one rainy night after a baseball game.

The story moves forward to when Neil and Brian are at adolescence's conclusion. We discover that Neil has grown up to be both gay and a hustler, while asexual Brian's free time is taken up seeking the source of and resolution to his insoluble physical ailments. Brian soon deduces that aliens abducted him and meets a fellow abductee, Avalyn (Mary Lynn Rajskub), with whom he finds ephemeral solace.

Neil and Brian's story act in parallel, moving forward and backward over time, but never disjointedly. Neil eventually moves to New York, while his pining friend Eric (Jeff Licon) actually befriends Brian and an endearing friendship ensues. Neil's (unappeasable) pursuit of everlasting male love ends in the most unlikely of places: back home. Brian's pursuit of the truth leads him to, predictably, Neil. Araki exquisitely handles the ending (not divulged here) with the appropriate effusion of tendered emotion by the two main actors (warning: though the film's trailer subtlety gives away the finish).

I cannot give enough plaudits to the two male leads. A long way from "3rd Rock", Joe's sensuous flirtations and dynamic eyes mate well with Brady's tranquil, naive, yet profound, disposition. Brady's last scene with his character's father, as well as the climax, demonstrates his aptitude and assured longevity as an actor (beyond "Thunderbirds").

"Mysterious Skin" evidences many matches made-in-heaven: from film and director to material and actor to music and film. The film is entirely amoral, but not immoral. It is also a difficult film to watch. Many will cast it aside as tripe and trash (along with other morally relative films), but those fortunate enough to engage themselves in the movie's discussion will revel in it long after the credits' close.