Vários alunos do ensino médio passam por sua rotina diária enquanto outros dois se preparam para algo mais maligno.Vários alunos do ensino médio passam por sua rotina diária enquanto outros dois se preparam para algo mais maligno.Vários alunos do ensino médio passam por sua rotina diária enquanto outros dois se preparam para algo mais maligno.
- Direção
- Roteirista
- Artistas
- Prêmios
- 8 vitórias e 13 indicações no total
Carrie Finn
- Carrie
- (as Carrie Finklea)
Ellis Williams
- GSA Teacher
- (as Ellis E. Williams)
Chantelle Chriestenson Nelson
- Noelle
- (as Chantelle Chriestenson)
Avaliações em destaque
My opinions regarding 'Elephant' are somehow mixed. Okay, so I knew beforehand that the film was going to be about a shootout in a school. So that may have influenced my opinion but on the other hand if I did not know this, would I have sat through the entire movie? I ask this because the first hour drags. The cinematography is good and at times the viewer feels like a stalker or a fellow student observer. 'Elephant' takes place during the day of the shoot and the director gives us a glimpse of the lives of some of the teenagers but none of them were particularly interesting and Van Sant has adhered to using clichés such as portraying the 'nerd', the 'loser', the 'popular one', the 'bulemic girls' etc. Some questions I want to ask: Is it really that easy to get hold of such a high profile weapon, that too, delivered at your own doorstep? Van Sant doesn't directly give the motivation behind the student who decides to massacre the students although he does hint bullying and teasing as a possible motive. The shooters had to be repressed homosexuals? Why was it necessary to show them as homosexuals? I think many have liked it for the shock in the final thirty minutes but what I would have rather liked to see was a story about what causes young teenagers to take drastic action or what was going through the minds of students when this happened (which is what I thought 'Elephant' was going to be about). I like 'Gus Van Sant' as a director but in my humble opinion 'Elephant' is far from his best work. However, after seeing the film, it did get me thinking of the real life incidents that happened and the innocent lives that were lost. So, it would be wrong of me to say that 'Elephant' was a complete waste. It's not horrendous. It just could have easily been far better.
Depending on your point of view, this movie could have been boring or brilliant. For me, it was brilliant and disturbing. I get upset every time I see the interviews with the teens from columbine that day and want to cry every time i see the video's in the library. I didn't watch the entire film, i mostly listened to it. But that parts that I did watch were boring at first, then when I looked at it dramatically, they were amazing. even the simplist movements. I loved the style that the director filmed it visually and the time sequences.
I agree with the user that said that it showed how hopeless the children were. It shows the power of anyone with a motive and a gun. It's frightening to me. I'm in school right now and a bit scared. Anyone could be walking around with guns on them ready to shoot the school. If you've seen one of the Michael moore documentaries with the kid that has many guns hidden in his clothing, then you know how many weapons one can carry.
This movie opened my eyes though I wish it hadn't. It's frightening what can go on at any moment.
I agree with the user that said that it showed how hopeless the children were. It shows the power of anyone with a motive and a gun. It's frightening to me. I'm in school right now and a bit scared. Anyone could be walking around with guns on them ready to shoot the school. If you've seen one of the Michael moore documentaries with the kid that has many guns hidden in his clothing, then you know how many weapons one can carry.
This movie opened my eyes though I wish it hadn't. It's frightening what can go on at any moment.
Elephant (2003)
**** (out of 4)
Gun Van Zant's haunting and powerful look at a handful of teenagers at school leading up to a deadly shooting clearly inspired by the Columbine massacre. I'm not sure if I'd call this a flat out masterpiece but it's pretty damn close. The non-actors used was a terrific decision by Van Zant because it adds to us getting to know them and we're not distracted by any named actor who would clearly become the star of the film. The poetic camera movements just pulled me into this hypnotic imagery, which is somber at every turn and just grows sadder as the film moves along since we know where it's going to end. Van Zant also wisely doesn't glamorize any of the characters, which is important since I personally didn't see any type of message here. I think this film could have been used to display all sorts of messages but instead it's just a filmmaker with a camera and telling a story. The film isn't about weak kids taking revenge or about innocent kids being killed. The film isn't really about anything except for the sudden outbreak of violence, which can pop up at anytime and anywhere. The way Van Zant takes all the stories and blends them together is something we've seen countless times before but the director makes it all seem very original and unique here. A lot of films would try to answer questions but this one doesn't, which I think is another great move because we can never really understand the reasons behind these violent outbursts. It could have been the bullying, it might have been depression or it might have just been something to do for fun. To say this film is brave would be an understatement but balls isn't something common among films today and this one here certainly has them.
**** (out of 4)
Gun Van Zant's haunting and powerful look at a handful of teenagers at school leading up to a deadly shooting clearly inspired by the Columbine massacre. I'm not sure if I'd call this a flat out masterpiece but it's pretty damn close. The non-actors used was a terrific decision by Van Zant because it adds to us getting to know them and we're not distracted by any named actor who would clearly become the star of the film. The poetic camera movements just pulled me into this hypnotic imagery, which is somber at every turn and just grows sadder as the film moves along since we know where it's going to end. Van Zant also wisely doesn't glamorize any of the characters, which is important since I personally didn't see any type of message here. I think this film could have been used to display all sorts of messages but instead it's just a filmmaker with a camera and telling a story. The film isn't about weak kids taking revenge or about innocent kids being killed. The film isn't really about anything except for the sudden outbreak of violence, which can pop up at anytime and anywhere. The way Van Zant takes all the stories and blends them together is something we've seen countless times before but the director makes it all seem very original and unique here. A lot of films would try to answer questions but this one doesn't, which I think is another great move because we can never really understand the reasons behind these violent outbursts. It could have been the bullying, it might have been depression or it might have just been something to do for fun. To say this film is brave would be an understatement but balls isn't something common among films today and this one here certainly has them.
This movie is a fictional story, but it is essentially a retelling of the Columbine High massacre. It only spans maybe an hour in time, but it coves the points of view of a lot of people, from victims to bystanders to the murderers themselves.
It's a particularly important piece because of its storytelling style. Van Sant has the camera follow one character at a time, on the day of the murders, and lets the story tell itself. It is about as neutral as one can get, really. Van Sant doesn't use foreshadowing, he doesn't frame any character up as a particular archetype, he doesn't play ominous music, and the dialogue is about as inane and high school-ish as you can get, very realistic actually. There are no jokes, and relatively few scenes designed for maximum shock effect. That's the whole point: the situation was a normal high school day, and the very events, regardless of how you paint them, should be as shocking as anything. All the while you're asking yourself, "How can this possibly lead to a massacre? These are all normal kids," which faithfully recreates the tone of morning leading up the unexpected real life events.
If you're looking for a conventional movie with a clear beginning, middle, end, good and bad guys, glorified heroism and demonized violence, you won't like this movie, it's not a made for TV special, it's closer to an art film.
Some people have expressed anger at the movie, accusing it of some sort of liberal Michael Moore anti-2nd amendment sympathies or heavy handed preaching. Having seen it I can't possibly understand what they're talking about. My suspicion is that they're seeing what they want to see. And that leads me to wonder just what a good movie about Columbine would look like, in their opinions. To me, this is it.
It's a particularly important piece because of its storytelling style. Van Sant has the camera follow one character at a time, on the day of the murders, and lets the story tell itself. It is about as neutral as one can get, really. Van Sant doesn't use foreshadowing, he doesn't frame any character up as a particular archetype, he doesn't play ominous music, and the dialogue is about as inane and high school-ish as you can get, very realistic actually. There are no jokes, and relatively few scenes designed for maximum shock effect. That's the whole point: the situation was a normal high school day, and the very events, regardless of how you paint them, should be as shocking as anything. All the while you're asking yourself, "How can this possibly lead to a massacre? These are all normal kids," which faithfully recreates the tone of morning leading up the unexpected real life events.
If you're looking for a conventional movie with a clear beginning, middle, end, good and bad guys, glorified heroism and demonized violence, you won't like this movie, it's not a made for TV special, it's closer to an art film.
Some people have expressed anger at the movie, accusing it of some sort of liberal Michael Moore anti-2nd amendment sympathies or heavy handed preaching. Having seen it I can't possibly understand what they're talking about. My suspicion is that they're seeing what they want to see. And that leads me to wonder just what a good movie about Columbine would look like, in their opinions. To me, this is it.
I just finished watching this movie and I am struck by how quickly I forgot how the world looks when you are a teenager. The movie was excruciatingly slow to start. Instead of formulaic pacing, this film forced us to move at its pace, where we were committed to each long slow camera pan or walk through with the characters. As I have grown up the scope of my life has been ever widening. It stands to reason then that during my younger years I barely conceived of life outside of what I knew, or where I was able to walk. This is what stands out to me about Elephant. When events like this take place, we immediately contextualize them and are unable to look at it from the level of those involved. What Gus VanSant does is bring us very close to the story. I don't see that he attempted to answer many questions, or to portray any specific characters in any light, but he attempts to bring the audience inside such a situation. To the villains in this film there is no deep reasoning, and no evil justification. Aside from revenge over minor school harassment they want to play a more realistic video game. They have created their own reality and carry out their deeds inside of it. This film was made without exploiting the memory of those who have actually been involved in such an event. Since it has been 5 years since these events took place, I am surprised to see a fresh look at this subject matter. What is especially heartbreaking about these tragedies is that when there is no meaning and just random violence there is nothing we can learn by investigating it. The irony of course is that I got this message from viewing a movie that explores this subject matter. I think the movie tells us we can only move on after senseless tragedy, and not solve the problems that caused them. When there is nothing behind the eyes of the people carrying this out, there is no great value in making sense of their actions. It is human nature to do so, and you would think that logically there would be theories, conclusions, etc about the causes. However we would gain much more by focusing on the people who were the victims, and learning about them. In this way they may make a positive mark on us.
Você sabia?
- CuriosidadesThere are only about 88 shots in this film. More than half of them are in the last twenty minutes.
- Erros de gravaçãoAs Michelle is show pushing a trolley of books in the library over to a shelf just after the photographer walks in, you can see the yellow and white tape markings on the floor that indicate where she is supposed to stop the trolley and were she is to stand to stack the shelf.
- ConexõesFeatured in Siskel & Ebert & the Movies: The Best Films of 2003 (2004)
- Trilhas sonorasPiano Sonata No. 14 in C sharp minor, Op. 27 No. 2 'Moonlight' I. Adagio sostenuto
(1800-01)
Composed by Ludwig van Beethoven
Courtesy of FirstCom Music, Inc.
Principais escolhas
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- How long is Elephant?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Elephant
- Locações de filme
- Whitaker Middle School, 5700 NE 39th Ave, Portland, Oregon, EUA(since demolished)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 3.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.266.955
- Fim de semana de estreia nos EUA e Canadá
- US$ 93.356
- 26 de out. de 2003
- Faturamento bruto mundial
- US$ 10.012.022
- Tempo de duração1 hora 21 minutos
- Cor
- Mixagem de som
- Proporção
- 1.33 : 1
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