AVALIAÇÃO DA IMDb
6,0/10
4,7 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaTwo high school boys, reenacting historic battles, use learned strategy and team up for war on a school bully. One falls for the other's sister.Two high school boys, reenacting historic battles, use learned strategy and team up for war on a school bully. One falls for the other's sister.Two high school boys, reenacting historic battles, use learned strategy and team up for war on a school bully. One falls for the other's sister.
Shia LaBeouf
- Kelly Ernswiler
- (as Shia La Beouf)
Dale R. Simonton
- Todd
- (as Dale Simonton)
- …
Ellis Williams
- Charlie Hayes
- (as Ellis E. Williams)
Dana Wheeler-Nicholson
- Mathilda
- (as Dana Wheeler Nicholson)
Avaliações em destaque
The film was one of those small films that packed a lot of heart. I felt everything that Kelly(Shia LaBeouf) was going through. A parent that doesn't care effects the child I don't care what they say. It hurts because are suppose to be there for their children no matter what. It had it's funny moments too because laughter is human nature. The love triangle worked too. It wasn't too long or too short. So that helped me really like the film. I recommend this film to anyone. Especially up and coming filmmakers. I also enjoyed watching it being made, and this is also the reason Shia is a star. In 2003, Holes, this, and "The Even Stevens Movie" is what made him huge overnight, and I really think people should recognize that.
For a first time effort for writer and director(s) this was a fine little movie. Million dollar budget, no time, documentary cameras. . . . I think they did just fine. Besides, who else is giving people a shot at getting started in this business? Ben Affleck and Matt Damon could probably avoid a lot of grief if they turned their backs on this whole thing, but they're trying something no one else in Hollywood is right now. Why are the knives out for this movie more than My Bosses Daughter?
Shia is a great actor who probably saved the film in many ways. I enjoyed it. The theatre I was in was full, and people were laughing. I wouldn't buy the DVD, but I certainly think it was worth my time and money. I hope Project Greenlight continues, and maybe they pick directors by asking them to do a scene from their favorite script. Then we might find people who are more comfortable with the material.
Shia is a great actor who probably saved the film in many ways. I enjoyed it. The theatre I was in was full, and people were laughing. I wouldn't buy the DVD, but I certainly think it was worth my time and money. I hope Project Greenlight continues, and maybe they pick directors by asking them to do a scene from their favorite script. Then we might find people who are more comfortable with the material.
This is a great little film, about 1000 times better than anyone could have
expected, given the tumultuous "Project Greenlight" backstory and the fact that it was written and directed by novices. The concerns of being too melodramatic
were obviously addressed and taken seriously, given the fact that many scenes -- including the brick wall scene with the father, the group hug and Shia's crying in the hospital -- were all mercifully absent from the version I saw last night at the Arclight, where the filmmakers were in attendance to answer questions.
Also contributing to the film's success were good camerawork, excellent editing, a brisk pace, and a score that, while instrumentally reminiscent of "American Beauty" (in both its use of tablas and quiet piano notes during the romantic
scenes) helped tremendously in conveying teenage angst and confusion.
"Project Greenlight" may seem a rare and wonderful treat for struggling
filmmakers, but it also must be an ungodly ordeal, given not only the media
attention, but the difficulty of the assignment itself (Pete Jones managed, also remarkably, to come through relatively unscathed last year, though his film was not as good as this one).
So whatever you want to say about these guys (and there seems to be quite a
bit of animosity and, understandably, jealousy), the bottom line is they survived making a first feature without going insane, and did it while a documentary crew followed their every move, publicly recording their best and worst moments. To me, that alone is a remarkable achievement, and as a filmmaker myself, I can
guarantee that most moments on a low budget first feature are far less than
great.
As I told them last night before the Q and A, they should be extremely proud of what they accomplished, no matter how the film came out. The fact that it's a funny, entertaining and -- in my view, well-directed -- entry into the coming-of- age genre is merely icing on the cake, and LA and New York Times critics can
be damned -- because they've never made a film, and never will.
Kyle, Efram and Erica, I congratulate you, and wish you the best of luck.
expected, given the tumultuous "Project Greenlight" backstory and the fact that it was written and directed by novices. The concerns of being too melodramatic
were obviously addressed and taken seriously, given the fact that many scenes -- including the brick wall scene with the father, the group hug and Shia's crying in the hospital -- were all mercifully absent from the version I saw last night at the Arclight, where the filmmakers were in attendance to answer questions.
Also contributing to the film's success were good camerawork, excellent editing, a brisk pace, and a score that, while instrumentally reminiscent of "American Beauty" (in both its use of tablas and quiet piano notes during the romantic
scenes) helped tremendously in conveying teenage angst and confusion.
"Project Greenlight" may seem a rare and wonderful treat for struggling
filmmakers, but it also must be an ungodly ordeal, given not only the media
attention, but the difficulty of the assignment itself (Pete Jones managed, also remarkably, to come through relatively unscathed last year, though his film was not as good as this one).
So whatever you want to say about these guys (and there seems to be quite a
bit of animosity and, understandably, jealousy), the bottom line is they survived making a first feature without going insane, and did it while a documentary crew followed their every move, publicly recording their best and worst moments. To me, that alone is a remarkable achievement, and as a filmmaker myself, I can
guarantee that most moments on a low budget first feature are far less than
great.
As I told them last night before the Q and A, they should be extremely proud of what they accomplished, no matter how the film came out. The fact that it's a funny, entertaining and -- in my view, well-directed -- entry into the coming-of- age genre is merely icing on the cake, and LA and New York Times critics can
be damned -- because they've never made a film, and never will.
Kyle, Efram and Erica, I congratulate you, and wish you the best of luck.
I don't know if it was the script...or the directing...or the behind the scenes things that the Hollywood Producers did that we don't know about...but I didn't like this film...mainly because I didn't believe it...I didn't believe one minute of this film...everything seemed fake. Project Greenlight has now used 2 scripts that people don't want to see...There wasn't one scene in Shaker heights that rang true to me...
I'm an easy-2-please kind of a person. With all the crap coming out of Hollywood, all I ask these days is that movies DON'T SUCK. I don't ask that they be good. This movie fails to meet even that low standard I've set. Hollywood crap would be better.
Various reviews below pointed out the movie failed because of this or that. Whatever the reason, it isn't even a half-decent after-school special.
Flaw #0: The movie just drags. If this weren't a HBO's Project Green Ligh (PGL) production I would have changed the channel after 15 minutes (30 minutes max).
Flaw #1: I guess the main point of using "new" directors is to get a fresh look and style that studio films lack. The standard studio look and style would have been a plus. The "look" couldn't be blander, boring even.
Flaw #2: The main character (Kelly) is an unlikable smart-mouth / smart-a**.
I think they were trying to portray Kelly as quick-witted tortured soul but failed miserably. Sometimes there's that kid in every high school who is going through some undeserved hardship and you sympathize with him/her. But then there's that smart-mouth a**hole who deserve all the trouble he/she bring onto themselves. Kelly is that a**hole. Why would I care for his troubles?
Flaw #3: the climax of the film (where he is kissed by an older woman and then eventually emotionally hurt by her) is so short and thin I almost missed it.
Flaw #4: there's nothing new. Style is... no style. The main character (Kelly) is in conflict with his parents. Kelly gets into trouble at school because he is an outsider. He loves a girl/woman who is out of his league. Kelly is tormented by a school bully. Kelly takes revenge on the bully via some "smart", unique and a clever way. Another girl has a crush on Kelly but he doesn't seem to notice her. Yada, yada, yada...
Flaw #5: the story is told in such a way that I can't identify with anybody's pains. Not the main character (Kelly), the older woman who's marrying a man she doesn't love, the mother who is troubled by the schism between the father and the son, the father who might be dying, the friend who's life is already planned out by his father, more Yada, yada, yada...
Flaw #6: The actor Shia (Kelly) over acts every scene. I read in other review how good his acting is in this film, but I strongly disagree. His over acting isn't obvious as the cheesy double takes in a comedy, but still bad. Compare his acting with the young actors in "Stand by me" and you'll agree that it is bad.
=== If you look at other reviews below, there is a large cluster of positive reviews early in the movie's release. I suspect these are people who:
(1) are fans of PGL,
(2) are fellow filmmakers who sympathize with the difficulty of directing a film,
(3) were expecting a train-wreak like the first PGL's "Stolen Summer" but got something "better",
(4) got caught up in the PGL's "opening night" fanfare.
Almost all later reviews are very negative, in contrast. Go do the math.
Even if you get a chance to see this movie on cable TV "for free"... don't bother. It is a complete waste of your 1.5 hours.
Various reviews below pointed out the movie failed because of this or that. Whatever the reason, it isn't even a half-decent after-school special.
Flaw #0: The movie just drags. If this weren't a HBO's Project Green Ligh (PGL) production I would have changed the channel after 15 minutes (30 minutes max).
Flaw #1: I guess the main point of using "new" directors is to get a fresh look and style that studio films lack. The standard studio look and style would have been a plus. The "look" couldn't be blander, boring even.
Flaw #2: The main character (Kelly) is an unlikable smart-mouth / smart-a**.
I think they were trying to portray Kelly as quick-witted tortured soul but failed miserably. Sometimes there's that kid in every high school who is going through some undeserved hardship and you sympathize with him/her. But then there's that smart-mouth a**hole who deserve all the trouble he/she bring onto themselves. Kelly is that a**hole. Why would I care for his troubles?
Flaw #3: the climax of the film (where he is kissed by an older woman and then eventually emotionally hurt by her) is so short and thin I almost missed it.
Flaw #4: there's nothing new. Style is... no style. The main character (Kelly) is in conflict with his parents. Kelly gets into trouble at school because he is an outsider. He loves a girl/woman who is out of his league. Kelly is tormented by a school bully. Kelly takes revenge on the bully via some "smart", unique and a clever way. Another girl has a crush on Kelly but he doesn't seem to notice her. Yada, yada, yada...
Flaw #5: the story is told in such a way that I can't identify with anybody's pains. Not the main character (Kelly), the older woman who's marrying a man she doesn't love, the mother who is troubled by the schism between the father and the son, the father who might be dying, the friend who's life is already planned out by his father, more Yada, yada, yada...
Flaw #6: The actor Shia (Kelly) over acts every scene. I read in other review how good his acting is in this film, but I strongly disagree. His over acting isn't obvious as the cheesy double takes in a comedy, but still bad. Compare his acting with the young actors in "Stand by me" and you'll agree that it is bad.
=== If you look at other reviews below, there is a large cluster of positive reviews early in the movie's release. I suspect these are people who:
(1) are fans of PGL,
(2) are fellow filmmakers who sympathize with the difficulty of directing a film,
(3) were expecting a train-wreak like the first PGL's "Stolen Summer" but got something "better",
(4) got caught up in the PGL's "opening night" fanfare.
Almost all later reviews are very negative, in contrast. Go do the math.
Even if you get a chance to see this movie on cable TV "for free"... don't bother. It is a complete waste of your 1.5 hours.
Você sabia?
- CuriosidadesBilly Bob Thornton was offered the part of Abe but was unavailable. Bill Paxton turned the part down. Gary Cole auditioned and was offered the part but he could not fit it into his schedule. Christopher McDonald was cast in the role the night before filming started. While McDonald was on the set, he discovered that he could not fit it into his schedule. The role was then offered to Christopher Lloyd but he turned it down to do Haunted Lighthouse (2003). The role was finally given to William Sadler, who arrived on set and had only 60 minutes to meet and form a relationship with Shia LaBeouf before their big emotional scene together.
- Erros de gravaçãoWhen Kelly is talking to Miner just before the wedding starts, the epaulet on his jacket goes from being untucked to tucked under the collar even though both of his hands are on the bicycle.
- Citações
Kelly Ernswiler: [about his father] He's a VH1 documentary without the music.
- ConexõesReferenced in Controle Absoluto (2008)
- Trilhas sonorasWhen You're Falling
Written and Performed by the Afro Celt Sound System
Featuring Peter Gabriel
Courtesy of Real World Records Ltd. / Virgin Records Ltd. & Geffen Inc.
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- How long is The Battle of Shaker Heights?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- The Battle of Shaker Heights
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 280.351
- Fim de semana de estreia nos EUA e Canadá
- US$ 42.569
- 24 de ago. de 2003
- Faturamento bruto mundial
- US$ 280.351
- Tempo de duração1 hora 19 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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