Dandelion

This movie caught me off guard at the Sundance Film Festival. This is an emotionally charged story that really lets you feel the emotion the characters are going through. The cinematography is breath taking and is simply put one of the best films shown at the festival. The acting was top notch and the directing was flawless. Make sure you see this film when it comes out. You will be in for a real treat.

In my opinion, everything in this film is superior. The acting was incredible, storyline, plot and screen writing were very realistic. Some might say that the writing had too many curse words in it, but I think that it really showed realism. I actually cried a little during this film, and that's saying something, because I never cry during movies. I always look at them like a critic and manage not to cry during sad dramas. This one was very well casted, makeup was well done...and everything else. The Mullich parents, I think, had the best acting, especially Arliss Howard (Luke), since his character was very deep and complex. I think he pulled it off quite nicely. Taryn Manning and Vincent Kartheiser acted their characters incredibly well, the realism of it all just blew me away. I thought that everything seemed real and was all very well done. I applaud everyone involved and I would recommend this film to a great number of people.

My new favourite movie, "Dandelion" is a mind-blowing film from the genius first-time director and all-around fantastic person, Mark Milgard. It's a certain must-see for everyone. Keep your eye out for more of Mark's work; "Dandelion" is going to be huge when it is finally released. The movie is rich with symbolism so subtle that it manages not to slap you in the face with obvious, cheesy links between each character and/or event, all while still pulling everything together, leaving no annoying loose ends to tie up in the end. The music was written for the movie, so it compliments the movie instead of distracting from it, and the scenery (as you'll read in many more reviews) is stunning. "Dandelion" has already won awards from many of the festivals it has appeared in, and it's on its way to receive more awards all around the world.

a very delicate movie illustrating how close freedom and sacrifice may match in human relationships. dialogues often strip the character's inner self to their respective bare essence, and everyone is respected here, not judged. to me, there's few films that expose the emotional impact of words as detailed as this movie. and the director took great care to recognize nature's tranquilly (and enormity in some case) as a safe haven to retreat if you have problems. some may actively choose it as a last haven, some may decide to seek freedom in other ways. to complete the movie's religious feel, the music's one with a lot of what's happening you should see the movie being seated in a quiet corner

"Dandelion" is one of those films that seems like a good idea, mostly because of other films it reminds you of. In this case, the films it brings to mind are "Donnie Darko", "American Beauty", and particularly David Gordon Green's brilliant "All the Real Girls". While director Mark Milgard, along with his two (!) other screenwriters, obviously had their hearts in the right place, the end results leave a lot to be desired.

Cinematographer Tim Orr (who works on all of David Gordon Green's films), does a typically great job at capturing beautiful, Malick-like landscapes, but Milgard blatantly lacks the poetic touch needed to find an emotionally resonant story within the picturesque environment. Instead, all he manages to come up with is an almost embarrassingly by-the-numbers coming-of-age story. The plot itself would not be such a problem if he had infused it with convincing characters or memorable dialogue, but alas he does not. The characters are wince-inducingly one-dimensional (the angry dad, the repressed alcoholic mom, the "troubled" girl next door, and of course the introverted, gloomy protagonist). I found myself all but begging the filmmakers to allow for some nuance to creep in, to allow the characters some kind of depth, but no. None of the characters are allowed to escape their stereotype for even a minute. This is particularly sad in the case of the lead Vincent Kartheiser, who did good work in Larry Clark's "Another Day in Paradise", and seemed able to deliver here too if he had been allowed to not play up to his morose stereotype of a character. Taryn Manning, on the other hand, left a lot to be desired. Although of course the filmmakers didn't help, her performance was still notably lacking.

At times the film showed promise. In it's best moments, it recalled the great classic coming-of-age film "Over the Edge", as well as David Gordon Green's work. But it is actually that last comparison which ultimately proves what a flawed film "Dandelion" truly is. Where David Gordon Green's films always seem to unfold naturally, with no forced plot, "Dandelion" was full of contrived, obvious events. The biggest problem is that Milgard seems so obviously emotionally manipulative. Whereas David Gordon Green's films hit brilliant, unforced, emotional moments, "Dandelion" seemed intent on forcing you what to feel in the most obvious, unsubtle way. This contrivance ultimately amounted to the film more closely resembling achingly self-aware trendfests like "Garden State" rather than the Green or Terrence Malick it seemed to be attempting. In this respect, the dialogue was often particularly problematic as well.

All and all, "Dandelion" is the kind of film I desperately want to root for, that I want to see succeed, yet it stubbornly insists on shooting itself in the foot at every opportunity it gets.