Quando um cientista enviado de volta à era pré-histórica se desvia do caminho, causa uma cadeia de eventos que altera a história desastrosamente.Quando um cientista enviado de volta à era pré-histórica se desvia do caminho, causa uma cadeia de eventos que altera a história desastrosamente.Quando um cientista enviado de volta à era pré-histórica se desvia do caminho, causa uma cadeia de eventos que altera a história desastrosamente.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 indicações no total
- Charles Hatton
- (as Sir Ben Kingsley)
- John Wallenbeck
- (as Armin Rhode)
- Newswoman on TV
- (as Nikita Le Spinasse)
- Onlooker
- (as Scott Bellefeuille)
- Chinese Man II
- (as Chou Ho Hon)
- Taxi Driver
- (as Antonín Hausknecht)
Avaliações em destaque
In the mid-21st Century, Travis Ryer (Ed Burns) leads prehistoric hunting safaris, from which the Time Safari (groan) company earns its bread and butter. Having seized the time machine built by Sonia Rand (Catherine McCormack), Charles Hatton (Ben Kingsley) built up his company to overcharge the indulgent rich who seek to have a new experience. On a trek with a pair of thrill seeking buddies, a couple of things go wrong, and although everyone survives, the mistake causes changes in time and evolution. It is at this point where the noticeable deviation from Bradbury's story occurs. In the original tale, there was no going back to fix the problem, and the time travelers were left to face the horror of a world which had been subtly altered to permit ignorance, bigotry and fascism to be the dominant qualities of mankind. In the hands of these screenwriters, the mistake simply becomes a vehicle to generate a variety of creepy-crawly monsters that stalk the people of the story as they try to literally race against time and fix the mistake.
The script drags all the clichés out and leaves the actors to cover them. There is the greedy CEO, the disillusioned scientist, the noble hero, loyal sidekick and even a corrupt official. The scientist expresses her outrage at the corporate abuse of her invention to the hero who is a better man than she expected. All the actors do everything they can to rail against the pitfalls they are presented with. Ed Burns conveys an easy hero's swagger and knows that he'll get more mileage out of underplaying than by shouting. Catherine McCormack does a highly competent job of spouting endless reams of technobabble while managing to sound like she actually knows what she is talking about, but she and Burns simply have no romantic chemistry. How Academy Award Winner Ben Kingsley ended up as part of the production is anyone's guess, but the quirks that he piles into the carnival-mouthed "Charles Hatton" are the single best bit of entertainment.
Hyams fumbles the details to the point of insulting the audience. People make all sorts of irrational decisions just to forward the plot or introduce a set piece. When someone makes a mistake, they usually recheck their work. Here the tech drops a piece of equipment and visibly damages it. He re-stacks it and ignores it. Even the hero, at one point, declares that the party must go down into the dark, abandoned, unstable and partly flooded subway tunnels because "it's the only way". Presumably, it's better to have the odds stacked against you where you might run into bloodthirsty creatures instead of staying on stable ground where you might run into bloodthirsty creatures. Although there isn't any sort of racial subtext, the movie goes so far as to sacrifice the only major African-American character as a distraction to hungry monsters so the white people can run for their lives. It doesn't seem to be making any sort of real-world point, and the editor does struggle against this obviously outdated plot moment. However, it ultimately plays out badly and without dignity.
There is also no reason (other than it looks cool) to believe that changes in time would occur in visible waves of force that knock people and cars around, but not buildings or animals. One can imagine that this might have been at least fun in the hands of a militantly perfectionist filmmaker like Jim Cameron who beats even clichéd celluloid moments until they resound with the exact shape and feel he demands. In spite of making several films throughout the 90's and recent years, Hyams peaked with "2010: The Year We Make Contact" in 1984 - while standing on Stanley Kubrick's cinematic shoulders. Even taking the troubled production history of "A Sound of Thunder" into account, Hyams butchers the possibilities here.
The audience is denied the simple delight of watching special effects during a sci-fi adventure because of the shoddy craftsmanship and a lack of money. Several virtual sets were created to make a more complete city of the future, but they often look unrendered and more like a very good artist's drawing. However this is not a substitute for a good set, and it is painfully clear when actors are standing in front of a green screen. This was originally slated for a 2003 release, which would have put it ahead of the virtual productions of "Sky Captain" and "Sin City". Had things not been derailed by the original production company's bankruptcy (see the "Thunder" trivia section on IMDb.com), then maybe this would have been noteworthy in its attempt to push special effects boundaries. Unfortunately for the filmmakers, there were many times when the audience at this screening burst into laughter at some of the sights. The one thing that Hyams' FX team does get right is the gang of computer-generated creatures that should have been the design for the villain in his 1997 movie, "The Relic". As cool as the things look, it is 8 years and 3 movies past due.
Failures in effects and leaps of logic can be forgiven, but only up to a point. This is not a misfire form an otherwise successful director. This is a poor turn by a weak hand who refuses to respect his characters or the audience who has come to be entertained. Only the actors make the weak production bearable. "A Sound of Thunder" got a second chance to pull things together, but look into your own future and avoid watching this mistake.
2 out of 10
This movie is potential flushed down the toilet. The main plot is interesting and somewhat original. It's good enough to make a good adventurous movie out of would you think. This movie however fails to entertain and I think that that is this movie biggest flaw. Perhaps it takes itself too serious and a little bit more humor certainly wouldn't had done the movie any harm. Instead it now is nothing more than a lame and cheap looking movie, filled with the one unlikely event after the other, that also steals a bit too much from other, more successful movies. Mainely "Jurassic Park" obviously.
The characters also don't help to make the movie any more compelling or at least interesting to watch. I still think that Edward Burns did a fairly decent job as the 'heroic' main lead. The rest of the characters however really get muddled in into the movie and they get very little interesting to do. The movie rather relies on its visual, which are extremely poor. Catherine McCormack also plays a very irritating character. Basically all her character does is complain and talk about how right she was and the rest oh so wrong. Her character just isn't a likable one. And the rest of the characters...well I already have forgotten their names, I think that that is saying enough about them. It certainly is true though that Ben Kingsley's performance alone makes this movie worth watching. He is really excellent in his sort of villainous businessman role but from the moment when he disappears out of the movie the movie really goes downhill rapidly.
Visually the movie is extremely poor. It has some dreadful looking CGI effects and they couldn't even get the more simple 'blue-screen' effects look convincing in the movie. The sets are also awful and cheap looking, like they can fall over and break down every moment.
The movie never gets tense, exciting or adventurous since the story is brought in the least interesting and engaging way possible. It's a very distant movie with distant characters that fails to impress. There are plenty of action sequences but all of them are so ridicules looking and far from believable that they never get tense or good enough.
So basically this movie is lacking in everything that is needed to make a genre movie like this one a good and successful one. It's sad to see how low director Peter Hyams has sunk to the last couple of years, after making some good movies in the '70's and '80's.
4/10
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Você sabia?
- CuriosidadesProduction was slowed when severe floods in the summer of 2002 in the Czech Republic caused considerable damage to the set.
- Erros de gravaçãoThe men go back in time 65 million years, where they are attacked by an Allosaurus. However, Allosaurus lived during the Jurassic Period, which ended 145 million years ago.
- Citações
Sonia Rand: I don't have time for stupid idiots.
Travis Ryer: Well, why don't you make some time. How about we stop with the insults, because it is starting to get on my nerves.
Sonia Rand: You think I devoted my career to designing an amusement park ride for rich men to compensate for their little willies by shooting prehistoric animals, is that what you really think?
Travis Ryer: No, what I think is that if you were a guy, someone would have probably knocked you on your ass a long time ago.
- Cenas durante ou pós-créditosOpening Card: In the year 2055, A new technology was invented that could change the world... or destroy it. a man named Charles Hatton used it to make money.
- Versões alternativasFor the Dutch DVD release the aspect ratio was changed from 2,35:1 to 1,78:1.
- ConexõesFeatured in Troldspejlet: Episode #34.8 (2006)
Principais escolhas
- How long is A Sound of Thunder?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- El Cazador de Dinosaurios
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 80.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.900.451
- Fim de semana de estreia nos EUA e Canadá
- US$ 917.398
- 4 de set. de 2005
- Faturamento bruto mundial
- US$ 11.665.465
- Tempo de duração1 hora 50 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1