Estranhas luzes descem sobre a cidade de Los Angeles, atraindo as pessoas como mariposas para uma chama onde uma força alienígena ameaça engolir toda a população humana da face da terra.Estranhas luzes descem sobre a cidade de Los Angeles, atraindo as pessoas como mariposas para uma chama onde uma força alienígena ameaça engolir toda a população humana da face da terra.Estranhas luzes descem sobre a cidade de Los Angeles, atraindo as pessoas como mariposas para uma chama onde uma força alienígena ameaça engolir toda a população humana da face da terra.
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- Airplane Mom
- (as Phet Mahathongdy O'Donnell)
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Avaliações em destaque
It's another War of the Worlds-esque invasion flick but what's nice about this is that it's played straight with no comedic one-liners and there's not a teenager in sight.
Directors Colin Strause and Greg Strause are no strangers to special effects after bringing to life the Predators and Aliens in AVPR (2007) and the rest of the team behind Skyline's extraterrestrials are clearly talented making the best out of a budget. It's visually wonderful, the special effects are fantastic. Nevertheless, Aliens (1986) designers and suit wearers Alec Gillis and Tom Woodruff Jr. creature designs appear to be an unoriginal mix of The Fly, Independence Day, Cloverfield and The Matrix.
The acting is above average and the leads including Eric Balour and Brittany Daniel carry the emotion well. David Zayas is notable as the Hotel manager but his screen time is limited. That said, the script lacks enough meaty dialogue to keep you enthralled and you find yourself waiting for more glimpses and shenanigans of the alien invaders.
Overall, it looks great but it fails to connect and grip you as much as it should. Even so it's a lot better than critics would lead you to believe and recommended to those who don't need a stereotype hero lead, Skyline 2 is more than welcome. The Brothers Strause will hit gold but Skyline just isn't it.
Skyline is not a good movie, but it isn't in my opinion bad either. If anything, my feelings for Skyline are very mixed. I have seen some comparisons to Battle:Los Angeles, and I do agree this is the better movie, while Skyline did have a lot of problems Battle:Los Angeles was clichéd, under-directed and over-edited and other than Aaron Eckhart, a decent idea and one or two decent scenes there was little of redeeming value.
Starting with the good things of Skyline, the visuals look absolutely great. The cinematography and editing are slick, the scenery is striking and the colours and lighting are bold, but the real star is the special effects which are superb. The sound is another plus, very explosive and authentic, and the soundtrack is memorable, not too generic and fits decently with the mood. Also, the action in general is explosive and exciting.
Skyline does also have its flaws though. The characters are not as clichéd or indifferent as those of Battle:LA and some of the worst of the year, but to be honest I did find some of the characterisation underdeveloped and irritating. The dialogue is often cheesy and seems to be taking an exercise in high camp, and the climax while quite freaky and atmospheric feels like a different tone to the rest of the movie and this was a tone that jarred a bit. The story in its structure is quite soap-opera-like, and can get predictable and pedestrian, the direction is sometimes good sometimes flat and the acting is also uneven ranging from over-eager to bland.
All in all, Skyline was not a bad movie in my opinion, certainly not as bad as I'd heard, but it is a hardly exceptional movie either. 5/10 Bethany Cox
Its obvious this is a low budget movie, and that most of that budget went into the special effects, which are pretty dazzling for its time!
The movie is set almost entirely inside an apartment building, but it manages to stay intense and exciting for the most part.
The characters are pretty one dimensional, nothing special, neither is the plot, but I don't expect much in the way of either from a B-level sci-fi thriller, and as such I was able to enjoy myself. There is a certain mystery surrounding the aliens and their motives, and although it's never really resolved, it keeps the film intriguing throughout.
So in short, don't expect another "Cloverfield" or "Arrival", in fact don't expect too much, and I think you will find you watched a nice little movie in the end.
If you had seen the trailer you might have been impressed by the CGI effects of the tentacled UFOs. This is probably where all the money have gone. Everything else, from its lame script and B-grade TV stars to its sets, are all hotch-potch and downright rudimentary. It is an exploitation film that seems destined for DVD.
Synopsis: After a night of heavy partying at a posh condo in Los Angeles, a bunch of friends are awakened in the early hours by mysterious beams of light from the skyline. Those who gaze on the light get entranced - like moths to a flame and get 'burnt up'. Yup, the alien ships have landed and the survivors at the condo unit, Jarrod (Eric Balfour) and his fiancée (Scottie Thompson, pictured below with Balfour), and their friends Terry (Donald Faison of TV's "Scrubs") and Candice (Brittany Daniel) must find a way to escape the aliens' grasp. But where can they run? There are so many things wrong with the movie that I don't know where to begin. The film, directed by the Brothers Strause who did the effects for "The X-FIles", centres the action inside the condo unit so much that we get the impression that LA is deserted and the only folks left are those in the half-empty building. No attempt is made to show the scope of the 'body snatching' and its effects on the millions of other city-dwellers.
Next, the main characters are being portrayed as such selfish and unsavoury people that we root for the aliens to take them away. This may be because the writers have not bothered to flesh out their backgrounds, except for a few predictable turns. The only one who comes on as real is David Sayas (of TV's "Dexter" fame) who plays the building supervisor. Also, the dialogue is lame and clichéd. The writers must have had the notion that audience interest can be sustained if they have the characters yell at one another.
There's no doubt that Strause brothers provide exhilarating special effects - but they need to work on getting a good story to go with their CGI magic. Otherwise it is just a damn waste.
Você sabia?
- CuriosidadesFilming only cost $500,000, while the digital effects cost an additional $10 million.
- Erros de gravaçãoA TV is shown with an Emergency Broadcast System alert. The EBS was replaced by the Emergency Alert System in 1997.
- Citações
Oliver: All right. Let's say we make it out of the building... across the marina, down the docks, we even find your friend's boat and everything. Then what?
Jarrod: We get the hell away from here!
Oliver: Where to? Catalina? Down the coast?
Jarrod: Anywhere but here! Any place is better than staying here!
Oliver: How do you know? How do you know those things will not follow us? How do you know this isn't happening all over the world? We're safe here. We're here! We're alive!
- Cenas durante ou pós-créditosDuring the credits you see 'Alien Jarrod' fight the others to protect Elaine and their unborn child
- ConexõesEdited into 5 Second Movies: Skyline (2010)
- Trilhas sonorasWhere My Money At
Written by Royce Da 5'9'' (as Ryan Montgomery) and Nicholas Warwar
Performed by Royce Da 5'9'' (as Royce Da 5'9")
Courtesy of Make It Count Records and Gracie Productions
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Skyline
- Locações de filme
- Londres, Inglaterra, Reino Unido(one shot)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 10.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 21.393.620
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.692.415
- 14 de nov. de 2010
- Faturamento bruto mundial
- US$ 66.984.887
- Tempo de duração1 hora 32 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1