Extermínio

This film is about a virus, 'Rage' virus that makes the infected person mad with extreme rage and hungry for blood. Within 28 days one outbreak in London caused entire Britain dead or evacuated leaving behind a blood-thirsty infected population and a handful of solitary normal persons. Civilization came to a halt, society got destroyed while those limited survivors fight for existence among frequent attack by the vicious victims.

Sounds familiar? Then what makes "28 Days Later..." a classic among a horde of zombie/biohazard movies? Simply a touch of art that Danny Boyle is able to bring what others could not. The others focus too much on extensive, special-effects-controlled, gory action sequences between infected and normals, with heavy background music. But here there's always a tinge of sadness, emptyness, helplessness. Consider that empty London scene with that background music. We found out there's much else to show than just electrifying action or gore to describe the picture of life in this condition that these movies talk about.

There are mistakes and loopholes in this movie. But that couldn't weaken the otherwise tight-gripping storyline. The greatest achievement of this movie is to make one viewer stay neutral throughout the film, without taking any side in the first place. Because the virus we talk about is simply used as a metaphor. 'Rage' is shown as a social disease. That makes it a 'serious' film, not a flick. Every person, even the harshest critic of zombie horror movies should watch this. 5 out of 5 stars.

Oh, did I mention Cillian Murphy was awesome?

This, I have to say, was one of the better viral-zombie films I have seen. The plot was highly un-original, but extremely well made. The acting was powerfully preformed, the filming having many "diagonally tilted camera view" scenes, giving off more suspense, without the reliance on the overly used "scary music". Also, the addition of the alternate ending gave a strong closing to the film. This is the kind of movie that you end up feeling physically drained after seeing your first time. It will suck you in until the end, every time. I seriously recommend seeing this if you enjoy zombie films, you will not be disappointed.

As it so happens, 28 Days Later is the best zombie movie in the last few decades. Probably since Romero's classics, if I recall accurately. It stands up on its own in a genre which is frequently plagued by a sort of innate stupidity, a consequence of one too many dead people. Otherwise how could one explain the fact that the most acclaimed zombie films are parodies of the genre?

28 Days Later shares a striking resemblance with Resident Evil, in that it kind of starts where RE left off: after one of the most exciting intro sequences I have ever witnessed (!), a lonely average-Joe, (Jim in this particular case) wakes up in a deserted London and takes a jolly good walk through the intimidatingly empty streets. Man-kind seems to have been wiped out by a contagious virus which induces a sort of blind rage upon those who fall prey to it. As may have guessed by now, this will be a story of survival.

While most horror films will offer a relatively exciting ride with little more than sparse scares, Danny Boyle's movie sheds a new light on the survival instinct of human beings which can damned well spook the living hell out of you - even if not in the traditional sense. Looking at Children of Men might offer some insight into what it feels like to have no future and this itself may clear the way to appreciating 28 Days Later.

I guess it's one of those rare horror films which not only enlighten the viewer with nice, gory slaughters but also with a share of psychological goodies. 28 Days Later doesn't forget "the Master" either and offers an obvious and unobtrusive tribute to Dawn of the Dead. All around the movie keeps you going because it is an immersive experience and not just a "poke-your-finger" kind of experience.

In England a group of animal rights activists break into a research facility to free monkeys. However the monkeys are infected with a new developed virus called rage which is contagious by blood or bodily fluid - at the same time Jim lies in a coma. 28 days later Jim awakens from his state to find London deserted and populated only by a group of those infected by rage. Jim is rescued by Selena and her friend who tell him what has happened and start a search for other survivors and a quest to find the cure, promised by a military unit stationed in the north.

I excitedly arrived at the preview for this looking forward to a tense British horror movie to make me jump with fear. I got pretty much what I wanted. The plot is simple and omits much detail but not to it's disservice. Details as to what the virus is or what it was created in the first place (by putting monkeys in front of TV's Clockwork Orange style?) but the detail is not important seconds into the film when we wake up with Jim. At this point his fear becomes ours and what is important to him is not the detail but the bigger picture of the infected and the chances of survival.

The plot is told in two parts. First the big picture in London and then the smaller battle north of Manchester. Both are well told but for different reasons. The bridging section of the journey north is good as it helps us know the characters better. Of course is it scary? Well, not scary but thrilling all the way. To me scary is things like Ringu - creepy stuff, but most will be freaked by 28 days later. The infected are not zombies in definition or in action - they move silently and fast and with pure blood lust. I was always more scared by zombie flicks than anything else becomes they keep coming - here they do the same but fast!

The direction is good for the most part. The opening scene in London just shows how badly Crowe did his bit in Vanilla Sky. Here it is clever and chilling to see much of London totally empty. The direction is better when it is fast cutting and handheld style. We see things like the characters would see them out of the corner of their eyes, a flicker, a shadow etc and it works to great effect. The only downside is that, at one or two points, the attacks were signalled by a preceding talking 5 minutes, but this is minor. The final rain soaked action is excellent - fast, gripping and paced. This film doesn't rely on gore or special effects (although it is there) instead it has genuine tension and fear.

The film is very British. It is very low-key and realistic. The survivors are not Mad Max style heroes but people clinging to life by a thread or setting up survivalist measures that simply don't work. The ending is not as good as I had hoped but it wasn't bad and it fitted with the tone of reality that Jim had realised when lying on his back in the woods towards the end. It's not without flaws but the film is a very good British horror film - Americans will wonder `where are all the teenager girls to scream' or `why don't they all have guns' or `why is there no real dah-dah music to tell us when something is going to happen' but that is because this is a British film and not Hollywood.

Most reviews have praised the `unknown' cast. Well I agree the cast did very well - but unknown? Murphy certainly is not unknown (and won't be from now on) and he does Jim very well, from when the truth is first real to him, to his decision that he must learn to kill through to his transformation near the end. Harris is excellent again, I say again as she did well in miniseries `white teeth'. Her accent is British and she plays a younger role but she is a good actress. Brendan Gleeson is good in a fatherly role but Eccleston seems clipped and at odds with his military role. In fact all the military guys were laddish caricatures and only just did the job - but I never believed in their characters as I did with the others.

Overall I was glad to see this early. I really enjoyed it, the pace at times may have been uneven but to me that added to the tension - an attack could come at any time. The eventual small scale focus helped the tension and pace of the story. Thrilling, scary, tense and well written - even more surprising is that it's home grown!

I'm amazed there are so many negative reviews of this film; I thought it succeeded on every level. It's artistic and atmospheric, with a great pace, sympathetic characters, and a fantastic climax. The music is very nicely done, and, to me, the eerie opening scenes of the empty London streets are worth the price of admission all on their own. I'm a stubborn viewer, and, normally, when a film benefits from early critical buzz in the manner that this one did, I find some excuse not to like it. But not this time; I'm completely impressed. (Incidentally, I think it's interesting that while most horror films these days seem to have been inspired by knockoffs of knockoffs, "28 Days Later" apparently owes more to John Wyndham's classic disaster novel "The Day of the Triffids" than to anything else. And that's a good thing.) HIGHLY recommended.