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Eddington

  • 2025
  • R
  • 2 h 28 min
AVALIAÇÃO DA IMDb
7,1/10
7,6 mil
SUA AVALIAÇÃO
POPULARIDADE
15
4
Joaquin Phoenix, Pedro Pascal, Deirdre O'Connell, Emma Stone, Luke Grimes, Austin Butler, and Micheal Ward in Eddington (2025)
In May of 2020, a standoff between a small-town sheriff (Joaquin Phoenix) and mayor (Pedro Pascal) sparks a powder keg as neighbor is pitted against neighbor in Eddington, New Mexico. 

From art-house studio A24 and writer-director Ari Aster ('Hereditary,' 'Midsommar,' 'Beau Is Afraid'), 'Eddington' pits two great actors against one another in a modern Western set during the COVID pandemic. 

Also starring Emma Stone, Austin Butler, Luke Grimes, and Micheal Ward, 'Eddington' premieres in theaters July 18, 2025.
Reproduzir trailer1:01
6 vídeos
55 fotos
ComédiaComédia de humor negroDramaFaroeste contemporâneoOcidente

Em maio de 2020, um impasse entre um xerife e um prefeito de uma pequena cidade gera um barril de pólvora quando um vizinho se depara com um vizinho em Eddington, Novo México.Em maio de 2020, um impasse entre um xerife e um prefeito de uma pequena cidade gera um barril de pólvora quando um vizinho se depara com um vizinho em Eddington, Novo México.Em maio de 2020, um impasse entre um xerife e um prefeito de uma pequena cidade gera um barril de pólvora quando um vizinho se depara com um vizinho em Eddington, Novo México.

  • Direção
    • Ari Aster
  • Roteirista
    • Ari Aster
  • Artistas
    • Joaquin Phoenix
    • Deirdre O'Connell
    • Emma Stone
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,1/10
    7,6 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    15
    4
    • Direção
      • Ari Aster
    • Roteirista
      • Ari Aster
    • Artistas
      • Joaquin Phoenix
      • Deirdre O'Connell
      • Emma Stone
    • 91Avaliações de usuários
    • 104Avaliações da crítica
    • 64Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Vídeos6

    Official Trailer
    Trailer 1:01
    Official Trailer
    Official Trailer
    Trailer 1:52
    Official Trailer
    Official Trailer
    Trailer 1:52
    Official Trailer
    Official Trailer
    Trailer 2:23
    Official Trailer
    Official Trailer
    Trailer 1:04
    Official Trailer
    "Take Away Drinks"
    Clip 0:34
    "Take Away Drinks"
    Eddington: First Look (Featurette)
    Featurette 1:52
    Eddington: First Look (Featurette)

    Fotos55

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    Elenco principal71

    Editar
    Joaquin Phoenix
    Joaquin Phoenix
    • Joe Cross
    Deirdre O'Connell
    Deirdre O'Connell
    • Dawn
    Emma Stone
    Emma Stone
    • Louise Cross
    Micheal Ward
    Micheal Ward
    • Michael
    Pedro Pascal
    Pedro Pascal
    • Ted Garcia
    Cameron Mann
    Cameron Mann
    • Brian
    Matt Gomez Hidaka
    Matt Gomez Hidaka
    • Eric Garcia
    Luke Grimes
    Luke Grimes
    • Guy
    Amélie Hoeferle
    Amélie Hoeferle
    • Sarah
    • (as Amèlie Hoeferle)
    Clifton Collins Jr.
    Clifton Collins Jr.
    • Lodge
    William Belleau
    William Belleau
    • Officer Jiminez Butterfly
    Austin Butler
    Austin Butler
    • Vernon
    Landall Goolsby
    Landall Goolsby
    • Will
    Elise Falanga
    Elise Falanga
    • Nicolette
    King Orba
    King Orba
    • Warren
    Rachel de la Torre
    Rachel de la Torre
    • Paula
    David Pinter
    • Thin, Tattooed Man
    Keith Jardine
    Keith Jardine
    • Muscular Man
    • Direção
      • Ari Aster
    • Roteirista
      • Ari Aster
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários91

    7,17.5K
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    Avaliações em destaque

    9modernfather

    Glad I ignored the reviews and genre

    This movie reminds me of a real story of self awareness in light of the worlds ills. In the early 1900s, a newspaper reportedly asked a group of notable writers and thinkers to respond to the question, "What is wrong with the world today?" To which the famous theologian and thinker G. K. Chesterton is said to have replied with a characteristically witty and humble response "Dear Sirs, I am. Yours sincerely, G. K. Chesterton."

    Ari Aster has made another horror film. This one is disguised as a modern day Western, Dark Comedy, but this is deep diving stuff that inserts us into a small New Mexico town in 2020 that is at the beginning stages of the COVID pandemic. Joaquin Phoenix is the tour guide - and the ride - who shows us something of what is wrong with the world.

    Eddington took me back to feelings of despair that play on in our world. This is a most excellent tragic tale and definitely not a comedy, although the audience will probably laugh in the discomfort of seeing the true reflection of ourselves somewhere in this mirror of blame, conspiracy, narcissism, and social rage.

    Somehow Aster keeps this from being preachy while giving us a scare at our own reflections. What wrong with Eddington? It's us.
    7cgearheart

    Ambitious and totally bonkers

    In 2019, Ari Aster struck many film fans as the new face of horror and quickly attached him to the genre. In 2025, Ari Aster has departed from that stereotype and is now seen (at least in my opinion) as a director who makes very polarizing and ambitious films that he wants to make. I gotta respect the guy for going out and doing that. Eddington, much like his 2023 film "Beau is Afraid" is that kind of film. It's ridiculously ambitious, busy, and absolutely bonkers. It's something that I feel only Aster could make. I'll agree with the critics when they say Aster covers a lot of subjects but doesn't really commit to most of them. He seems to kind of get lost in the moment of trying to satirize and summarize too many subjects of the COVID pandemic to the point of exhaustion. It's not his most successful film and it's certainly not going to please everyone, but I greatly admire the drive he put into it.
    7rickchatenever

    The art of misinformation

    So, what does dark comedy mean, exactly ... ?

    "Eddington," which falls under that genre on the Internet Movie Database, isn't the first movie that's left me asking the question. It's just the most recent.

    The film is also labeled a Contemporary Western, a concept easier to grasp.

    Eddington is the name of a tiny, out-of-the-way New Mexico town, grappling - as the rest of the country was when the story opens in 2020 - with the outbreak of the Covid pandemic.

    You can't get much more contemporary than that.

    Written and directed by Ari Aster, who has developed a cult following for leading audiences into scary sometimes gross places, its cast is heavy with Oscar winners and nominees. Joaquin Phoenix, Emma Stone, Pablo Pascal, Dierdre O'Connell, Michael Ward and Austen Butler, for openers.

    Phoenix plays Eddington's Sheriff Joe Cross, a sad-sack lawman who's got about as much as he can handle with his wife Louise (Stone) who doesn't love him ; her mother Dawn (O'Connell) whose favorite pastime is Googling conspiracy theories; and that Covid mask mandate that he's supposed to be enforcing.

    Joe's got asthma, you see, which makes it hard for him to breathe whenever he tries to put the danged mask on.

    Joe's not a political person, per se. The circumstances that lead him to run against incumbent Ted Garcia (Pascal) to become Eddington's mayor are more a matter of being pushed past his breaking point by one too many matters beyond his control.

    There's the new AI data center that's been proposed for development that has local conservationists up in arms. There's the George Floyd killing in Minneapolis that's all over the news and has the town's teenage population rioting on Main Street. There's the loco crazy homeless guy, who always shows up to make matters worse. There are the rumors that the current mayor slept with Sheriff Joe's wife, before unceremoniously dumping her ... Aha, so maybe dark comedy is about trying to find the yuks in what Henry David Thoreau called "lives of quiet desperation." That was the way Thoreau described "the mass of men" in his 1854 masterpiece "Walden." No one has summed things up better in the almost two centuries since.

    Or maybe dark comedy is more a matter of dystopian satire, trying to whistle our way past the graveyard of civilization.

    Whatever it's called, writer-director Aster clearly has a lot on his mind before he lets the action onscreen devolve into a hail of unholy gunfire, explosions and chaos in the third act.

    Considering that they're both running for mayor, it's noteworthy what horrible communicators Sheriff Joe and incumbent Ted Garcia are. Joe has a habit of speaking his mind before his mind's made up. Ted is way better in TV commercials than in actuality. Both guys reveal the absence of anything like actual confidence every time they open their mouths.

    The real powers in their world are behind the scenes, creating that water-sucking, resource-depleting high-tech data center, or infiltrating high-minded political demonstrations with false flag mercenaries Like an old-fashioned - as opposed to contemporary - Western, "Eddington's" setting is as much a character as the characters are. The saloon, church and wooden sidewalks may now be replaced with convenience marts, an historic Indian museum and a very convenient gun and ammo store, but there's still the sense of flimsy storefronts standing lonesome vigils a long way from the hills on the horizon on those windswept plains.

    Likewise, Sheriff Joe's iPhone isn't in the credits, but it play a role as important as any character in the story. "Eddington" may be the first work of art made of misinformation. Social media is where that misinformation comes to life, festers and spreads like fungus. There's nothing like smart technology for making people stupid. Once you create artificial intelligence, actual intelligence is a flimsy defense indeed.

    When it comes to polarized idiocy, filmmaker Aster doesn't take sides. The self-styled high-minded liberals are as gullible to online fictions as your standard garden-variety bigot. Some of the film's funniest scenes come when the teen demonstrators protesting the George Floyd killings tie themselves in moral knots trying to deny their own class and privilege. Aster's script suggests that actual pedophiles may far outnumber figments of conspiracy theory imagination - and may not be limited to one political party or another.

    "Eddington" may be a work of genius. That's a saving grace, considering that none of its characters are particularly likable, it's disquieting to sit through, and its so-called humor hardly lightens the mood as you exit the theater into the actual dystopia waiting outside.
    7leestoych

    Bold yet Polarising

    I can only tell this is gonna be a very polarising film, people are going to love the ambition from Aster or call it a convoluted mess.

    Depending on your views during the 2020s will severely determined your outlook on this film. Are you able to laugh at the insanity or remain serious at the severity of events that transpired.

    Eddington is ultimately a satire on the comedic ridiculousness and tumultuous times of the 2020's. Eddington in itself is the main character. It's a macrocosom of events that impacted the US but obviously ramps them up to 11.

    I appreciate the craft and the film was at its best when it was reminiscent of the Coen's No Country For Old Men. The 2nd act elevated the implemented satire to a contemporary western crime thriller.

    The film is hit or miss in its summary. I understand the message and themes but at some points the execution is lacking. I feel like it tried to juggle a lot of themes and messages. Maybe sticking to one or two would have made the film more tight and succinct.
    7Binkconn

    A Fascinating Study of Pandemic Life Through The Western Genre

    Finally, a film addresses the giant elephant in the room that in the last five years has sent the country spiralling even further into political and identity tribalism, the ascendance of authoritarianism, etc., which the media likes to pretend it never stoked (as if Jan. 6th was all based on one discontented president's rhetoric and not also on thousands of jobs lost due to shutdowns): the Covid-19 Pandemic. The ever busy Pedro Pascal and always adventurous Joaquin Phoenix are great as Mayor and Sheriff at political odds in the tiny town of Eddington, New Mexico (really Truth or Consequences) with mask restrictions that drove many a citizen crazy in 2020-1 (the plot only seems a bit of an overreach by conflating AI into the mix, an issue that really didn't enter the national conversation until late 2022 at the earliest). Emma Stone is very funny as Joaquin's doll-obsessed, frigid wife, and the film has a charming, homespun quality that recalls other New Mexico-set films like "Welcome To Mooseport" and "White Sands" (I tried to be an extra when it filmed a year ago this past April but missed the window, finding only "Welcome Eddington!" marquees at various drive-ins). With NM's usually vibrant film scene slowed to a snail's pace due to tariffs and such (Superman was essentially fighting a fitter, younger Don), it's great we still have challenging, well-written films like this emerging in 2025 among all the usual play-it-safe remakes and reboots. Check out Eddington; at least it'll give you something to talk about.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Ari Aster wrote a contemporary Western script long before the COVID-19 pandemic began and was initially planning to make it his directorial debut. He tried for quite a few years to get it made, but he ultimately decided to shelve it and make Hereditário (2018) his debut. He confirmed during Beau tem Medo (2023)'s press tour that this script would more than likely be his fourth feature, and it was updated to fit a post-2020 lens.
    • Erros de gravação
      During both scenes where Eric's character is on the ground after getting shot you can clearly see him breathing leading audiences to believe he is still alive and may survive.
    • Conexões
      Referenced in Radio Dolin: The 16 Most Anticipated Films of the 2025 (2025)

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • 18 de julho de 2025 (Estados Unidos da América)
    • Países de origem
      • Estados Unidos da América
      • Finlândia
    • Central de atendimento oficial
      • Official Site
    • Idioma
      • Inglês
    • Também conhecido como
      • Еддінгтон
    • Locações de filme
      • Truth or Consequences, Novo México, EUA(as Eddington)
    • Empresas de produção
      • A24
      • Square Peg
      • 828 Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 25.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 8.104.585
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 4.404.742
      • 20 de jul. de 2025
    • Faturamento bruto mundial
      • US$ 9.098.054
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 28 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
      • Dolby Atmos
    • Proporção
      • 1.85 : 1

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