Revengers Tragedy

A real cinematic treat, this film takes a play published in 1607 and transposes it to a strange modern(ish) world. Cox's direction is brilliantly inventive, giving the film a fast-paced anarchic feel that never becomes just a showy veneer. The stylised langauge and the modern visuals work very well. Christopher Eccleston as the "revenger" is superb, as is Derek Jacobi (as you've never seen him before!). Highly recommended.

Revenger's Tragedy is a great little movie directed by Alex Cox and starring Christopher Eccleston as the "Revenger." Probably not for young audiences (language, violence), but is timely and full of of quirky, chaotic fun.

"Let the man who seeks revenge remember to dig two graves." This is the message the film begins with. How apt, considering the nature of the film and the state of the world's affairs today.

Christopher Eccleston is a brilliant actor and can tackle any role with a unique and charming fervor. Here, he plays a tortured man on top of his game of seeking revenge for the murder of his bride. He's a 'bone-setter' by trade, and he even carries around his bride's skull and rants and raves with it.

Derek Jacobi plays the villainous, lecherous duke who is the target of revenge. With such a determined performance, one would not believe that the actor was paid little to nothing for his involvement.

Eddie Izzard plays a son of the Duke and the next in line, and a reluctant power junkie. I love the off-casting, because usually Eddie Izzard is the funny man but in this case he is the witty but ultimately corrupt fall guy.

If you've seen Repo Man, Sid and Nancy, and Straight to Hell, take that impression and combine it with a Jacobian revenge tragedy (language unchanged), add Eccleston and Eddie Izzard and Derek Jacobi, with little or no budget, and you have a memorable way to spend 2 hours of your life. This won't be a remembered or highly-sought after film, but then again, the truly unique ones never are.

Alex Cox brings us a gleefully over-the-top adaptation of a Jacobean revenge play. Where Shakespeare was the high culture of his day, this piece (originally performed anonymously, presumably to shield its author from any repercussions due to its distinctly anti-authoritarian slant) plays out more like a 17th-century Leone movie. In this version, the action has been transferred to a vaguely-defined post-nuclear-war Liverpool, ruled over by an amoral Duke and terrorized by his violent sons.

The cast is great (especially Derek Jacobi and Christopher Eccleston) and the whole film is characterized by an intense spirit of fun. My only problem (as a yank) was that -- in spite of years spent enjoying British TV -- I found the combination of archaic syntax and scouse accents to be incomprehensible at times. Fortunately, the subtitles on the DVD made it much easier to follow the dialogue and plot line.

This certainly won't be to everyone's tastes, but it's a good one.

Clever screen modernizations of classic drama make sense to me. I loved Ethan Hawke in HAMLET, Emma Thompson in MUCH ADO ABOUT NOTHING, Kevin Klein in A MIDSUMMER'S NIGHT DREAM, etc.

This is a masterful adaptation/reformulation of THE REVENGER'S TRAGEDY. It's intelligent, fast-paced, witty, shocking, engaging, and faithful to the spirit of the original.

I intend to use it in conjunction with teaching the original to Advanced Placement English students in a public high school.

As a certain 20th-century poet said, "Don't criticize what you can't understand." This is a nearly flawless production for anyone who loves the history of theater or who loves great cinema.

I thought the film was brilliant, fair enough, some things were slightly questionable, but on the whole, the film was great. Oh and Scouser boy, the script is actually a play, written by Thomas Middleton in 1607, so no use complaining coz the guy who wrote it won't be able to hear you!

Christopher Eccleston is brilliant in the lead role, adding a gritty determined and almost sinister touch to the character; Eddie Izzard is wonderfully camp but never the less remains serious throughout the film. It's colourful and fun (the 'footy' match is inspired lunacy)...well apart from the grim storyline. Don't be looking for realism, instead just revel in Alex Cox's artistic approach to modern storytelling and enjoy the film.