O Mundo de Corman: Proezas de um Rebelde de Hollywood
Título original: Corman's World: Exploits of a Hollywood Rebel
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Um documentário sobre o produtor/diretor independente Roger Corman e sua abordagem alternativa para fazer filmes em Hollywood.Um documentário sobre o produtor/diretor independente Roger Corman e sua abordagem alternativa para fazer filmes em Hollywood.Um documentário sobre o produtor/diretor independente Roger Corman e sua abordagem alternativa para fazer filmes em Hollywood.
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Paul Bartel
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Avaliações em destaque
Hail! Hail! King of the B's
Cannes favourite 'Corman's World' is a heart-warming portrait of one of the true greats of American independent cinema, the champion of outlaws, freaks and fools and the master of the macabre. All the more touching as numerous interviews and testimonies paint a picture of a curious man indeed: not a dark twisted soul but a warm and genteel man with a wonderfully warped and fertile imagination.
What's more astonishing is the dazzlingly array of aspiring filmmakers and actors he mentored during the 60's and 70's. Reading like a Who's Who's of the golden age of the American auteur, Peter Bogdanovich, Peter Fonda, Martin Scorsese, Jonathan Demme, Ron Howard, Robert De Niro and David Carradine, amongst many others, all pay tribute here, including a tearful Jack Nicholson.
Beginning in the 50's as a story analyst at 20th Century Fox, Corman moved into writing, eventually selling scripts to fund his own productions for the burgeoning American Independent Pictures. His debut 'Monster From the Ocean Floor' in 1954 was the start of a prolific production output, with increasing forays into directing, notably 'Little Shop of Horrors' shot in only 2 days!
Corman really made his mark in the 60's. A series of classic Edgar Allan Poe adaptations featuring the splendidly cast Vincent Price define his legacy but the maverick Corman was often making use of down time and vacant sets to pursue other projects during this period. Most notable was the 1963 piece of Gothic absurd-ism, 'The Terror', using sets from 'The Raven'. Proceeding with barely plot, nor script, a shoe string cast including Nicholson and an ageing Boris Karloff, the disparate visions of four different directors contributed to this chaotic opus, including a young Francis Ford Coppola and even Nicholson, who recalls this curious episode.
The 60's also saw critical acclaim for Corman, tackling themes such as racism in the segregated south in 'The Intruder' and counter culture movements in the 'The Wild Angels' and 'The Trip' but the 70's heralded changes for Corman and he looks back on this era with a hint of melancholy. With the release of 'Jaws' and then 'Star Wars' the big studios finally caught up with the B's. Schlock horror from the deep and invaders from space were now big budget and Corman was once more an outsider and destined for the straight-to-video market in the coming decade but before taking a back seat, Corman's masterstroke was to spot the black comedy of the rubber shark and raise the stakes with 'Piranha' in 1978.
The denouement sees Corman still active today, well into his eighties, on the set of the self-explanatory gore-fest 'Dinoshark'. His output has barely abated since the 70's but he takes an increasingly hands-off executive role these days. He remains ever philosophical, contented and visibly touched by the receipt of an honorary Academy Award in 2009. His calm and collected bizarre genius is deeply uplifting and I'd recommend anyone take a trip into Corman's World.
Cannes favourite 'Corman's World' is a heart-warming portrait of one of the true greats of American independent cinema, the champion of outlaws, freaks and fools and the master of the macabre. All the more touching as numerous interviews and testimonies paint a picture of a curious man indeed: not a dark twisted soul but a warm and genteel man with a wonderfully warped and fertile imagination.
What's more astonishing is the dazzlingly array of aspiring filmmakers and actors he mentored during the 60's and 70's. Reading like a Who's Who's of the golden age of the American auteur, Peter Bogdanovich, Peter Fonda, Martin Scorsese, Jonathan Demme, Ron Howard, Robert De Niro and David Carradine, amongst many others, all pay tribute here, including a tearful Jack Nicholson.
Beginning in the 50's as a story analyst at 20th Century Fox, Corman moved into writing, eventually selling scripts to fund his own productions for the burgeoning American Independent Pictures. His debut 'Monster From the Ocean Floor' in 1954 was the start of a prolific production output, with increasing forays into directing, notably 'Little Shop of Horrors' shot in only 2 days!
Corman really made his mark in the 60's. A series of classic Edgar Allan Poe adaptations featuring the splendidly cast Vincent Price define his legacy but the maverick Corman was often making use of down time and vacant sets to pursue other projects during this period. Most notable was the 1963 piece of Gothic absurd-ism, 'The Terror', using sets from 'The Raven'. Proceeding with barely plot, nor script, a shoe string cast including Nicholson and an ageing Boris Karloff, the disparate visions of four different directors contributed to this chaotic opus, including a young Francis Ford Coppola and even Nicholson, who recalls this curious episode.
The 60's also saw critical acclaim for Corman, tackling themes such as racism in the segregated south in 'The Intruder' and counter culture movements in the 'The Wild Angels' and 'The Trip' but the 70's heralded changes for Corman and he looks back on this era with a hint of melancholy. With the release of 'Jaws' and then 'Star Wars' the big studios finally caught up with the B's. Schlock horror from the deep and invaders from space were now big budget and Corman was once more an outsider and destined for the straight-to-video market in the coming decade but before taking a back seat, Corman's masterstroke was to spot the black comedy of the rubber shark and raise the stakes with 'Piranha' in 1978.
The denouement sees Corman still active today, well into his eighties, on the set of the self-explanatory gore-fest 'Dinoshark'. His output has barely abated since the 70's but he takes an increasingly hands-off executive role these days. He remains ever philosophical, contented and visibly touched by the receipt of an honorary Academy Award in 2009. His calm and collected bizarre genius is deeply uplifting and I'd recommend anyone take a trip into Corman's World.
If anyone ever made a movie about you, you'd wish it was made like this. I'm pretty sure Roger Corman himself is happy about the end result. It's a mix, where you are treated to the past and the present (of course the present is the past, at the time you'll be able watch this, but you get what I mean) of Corman body of work. New and old collaborators are there to be interviewed.
At the end there is a special treat, though I guess fans will know this (actually should know this), before watching the movie. But to newbies or people not as aware to Corman (like myself) this works wonders. You really start to respect the man. And while it is rose tinted most of the time, it also involves some controversial material in it too. Still this is here to celebrate a man and that is what it does
At the end there is a special treat, though I guess fans will know this (actually should know this), before watching the movie. But to newbies or people not as aware to Corman (like myself) this works wonders. You really start to respect the man. And while it is rose tinted most of the time, it also involves some controversial material in it too. Still this is here to celebrate a man and that is what it does
I'm so glad a documentary like this exists. It perfectly represents the brilliance of Corman's passion, in that he never gives up and makes movies for the sheer joy of it. By tackling films with low budgets, he always comes out on top. Best of all, his films were the starting blocks for many huge talents such as Jack Nicholson. When Nicholson talks, you feel nothing but love and respect, when he breaks down into tears it's truly an open and beautiful moment of a man who usually keeps his cool. In other areas we get anecdotes of just how cheaply Corman makes his movies and how he has inspired many directors since. Most interesting of all is when it talks about Corman's more serious projects such as The Intruder. It is certainly a celebration of Corman and his finest achievements, though I wish it had gone into more detail as to why he hasn't directed in over 20 years, and covered more of his recent outputs as producer. You have to see this if you love film, and you'll certainly have plenty to stick on your watchlist.
definitely enjoyed the DVD however if you are looking at it to try and come up with some good ideas for which old school grindhouse movies to watch then it might not offer a whole lot of suggestions. What it does do however is offer a very informative view on how roger corman came to be. Its more of a biography concerning his film career opposed to concentrating on his filmography. I'd say i developed more of a respect for roger corman after seeing how he struggled and pulled all his resources together to slowly build up his huge body of work, especially after my respect for him seemed to be recently faltering do his garbage additions to the sci fi channel (im looking at you sharktopus). With that said i did come away with a few new movies to add to my watch list ie, wild angels, big bird cage(i know i know i should have seen this by now), bloody mama, and the trip. All in all it was very informative and entertaining and held my attention throughout. Nothing much in the way of special features though, i guess the whole movie is basically one big special feature.
If you are my age or perhaps a bit older, than there's an excellent chance you've seen several of Roger Corman's films. If you are a young whippersnapper, then perhaps you haven't. Regardless, he is an important man who all people who consider themselves to be cinemaphiles should know, as his track record of successful movies is unique. While he rarely had a decent budget, again and again, he managed to squeeze as much into the film as he could--and usually made them very entertaining. Some of the films are patently silly--such as his 1950s horror films--yet they are usually entertaining. Some of them are socially significant--and yet they are usually entertaining. The bottom line is that the films he produced or directed are NEVER dull. Bad, often...but dull, never!
This film is a tribute to the man and his films. You'll see a lot of his actors and directors from years past (mostly not all that famous, but Jack Nicholson and Ron Howard are interviewed as well) as well as his wife--who helped produce many of his films. In addition, there are LOTS of clips. Overall, a very well made tribute film--one that infuses the viewer with enthusiasm for his work. Lovingly made, the part that surprised me the best was seeing Nicholson tear up when talking about the man! Well worth seeing and a must for any film student, as they could learn from his tight-fisted example!
By the way, of all the clips they showed, the best of these films must be "The Intruder" (with William Shatner). Surprisingly, this is one of the only one of almost 400 films Corman made that LOST money!!
This film is a tribute to the man and his films. You'll see a lot of his actors and directors from years past (mostly not all that famous, but Jack Nicholson and Ron Howard are interviewed as well) as well as his wife--who helped produce many of his films. In addition, there are LOTS of clips. Overall, a very well made tribute film--one that infuses the viewer with enthusiasm for his work. Lovingly made, the part that surprised me the best was seeing Nicholson tear up when talking about the man! Well worth seeing and a must for any film student, as they could learn from his tight-fisted example!
By the way, of all the clips they showed, the best of these films must be "The Intruder" (with William Shatner). Surprisingly, this is one of the only one of almost 400 films Corman made that LOST money!!
Você sabia?
- Citações
Allan Arkush: [Discussing film 'Hot Box' 1972] Roger will just say exploitation pictures don't need plots. They need sensational things like girls shooting Filipinos out of trees. That works.
- Cenas durante ou pós-créditosThe closing credits are shown over stills from Corman's movies with each set of credits being in a different font.
- ConexõesFeatured in Kain's Quest: The Arena (2017)
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- Corman's World: Exploits of a Hollywood Rebel
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Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 7.000
- Fim de semana de estreia nos EUA e Canadá
- US$ 7.000
- 18 de dez. de 2011
- Faturamento bruto mundial
- US$ 7.000
- Tempo de duração1 hora 35 minutos
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- 1.78 : 1
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By what name was O Mundo de Corman: Proezas de um Rebelde de Hollywood (2011) officially released in Canada in English?
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