Crazy as Hell

I'd never heard of "Crazy As Hell" before seeing it, but I watched it on a whim. It was entertaining enough to keep my attention, but I was kind of waiting for it to end. The film just lacked intensity, which was odd considering the subject matter. Sadly, it just kind of dragged and not a whole lot happened. It felt like a Twilight Zone episode that was stretched into a two hour film. And, like many old Twilight Zone episodes, it dealt with a very one-dimensional character with a painfully obvious character flaw (in this case: arrogance/ego). Our main character isn't all that likable and doesn't seem to have anything at stake, so why should I care what happens to him? There are a lot of not-so-subtle clues and symbols. Oddly, many of them seemed like plot flaws and turned out to be intentional later on. For example (without giving anything away) in first scene, Ty stops his car then back up and accidentally backs his car over a glass bottle right behind his tire - why didn't he run it over it when he first pulled up? I dismissed this as a movie mistake, but it actually made sense in retrospect. Like a lot of the movie, it was so simple and obvious that I actually DIDN'T notice it.

This movie is so twisted, what I l ♥ v e about it is that it's not your typical Hollywood American movie, the concept is different too. This movie is twisted and it makes you want to watch all over again to get all the clues. Eric la salle is very creative with his perspective also how every little detail from the first line is a clue. The plot is so, CRAZY! Eric la salle deserves P R O P S for this movie especially with such a budget and the amount of time he was given to put together this thriller think about the circumstances. now I'm not going to spoil the ending for you but the summary says it all crazy as hell crazy thrill! I ---L ♥ V E D--- this movie!

CRAZY AS HELL takes the good old JACOB'S LADDER approach in a novel direction. A famed psychiatrist (the always likable Michael Beach) arrives at a state mental hospital, called Sedah. He has a different approach to treating the mentally ill: He talks to them, which puts him at odds with hospital director Ronny Cox, who believes strongly in medicating and if necessary restraining them. At first, Beach seems to have some success with his approach. Then a new patient (director Eric La Salle) arrives, calling himself Satan. It's all downhill from there. While all this is playing out, a film crew is filming a documentary on the famed shrink. At one point, they catch him talking to himself when he thinks he is talking to someone, and this is a major tipoff as to what is actually going on, and what's to come. Think of the hospital's name in reverse, and you'll get it. Hell, think of the movie's title and you're bound to get it. The ending is inevitable and a real downer, sort of like a Twilight Zone episode. And a lot like JACOB'S LADDER and CARNIVAL OF SOULS. But don't let this put you off from watching it. CRAZY AS HELL is that rare gem: a TV movie worth watching. It is well acted and directed, occasionally suspenseful, and La Salle keeps things moving along at a decent clip.

After reading the blurb and checking out the poster on Amazon Prime I quickly stuck this on my watchlist. It looked like it could be an interesting horror flick... except it's not exactly a horror flick. What you get is an enjoyably creepy psychological ghost story, Even though it wasn't what I was expecting, it is well worth a watch, especially on a cold, wet, and windy winter afternoon: After all, there are a lot of good things about this film - the story, the direction, and the acting.

This is the story of a troubled psychiatrist who is suffering from the loss of his wife and child. He doesn't fully believe in medicating the mentally ill. He considers they could help most of them in a less intrusive way, through talk and actions. A stance that is more widely accepted today. What writer, Jeremy Levin, gives the audience is a well-structured argument for both methods. He doesn't condone one or the other. Add to this the mysterious patient named "Satan" and his belief to be the one and only Old Nick, Lucifer, Scratch... the devil himself, then you have interest, intrigue, and a splash of creepiness.

Eriq La Salle shows off his directing skills and they are strong. This is a well lit and nicely composed story. The lighting effects work to create the mood of the piece. I especially liked the dreamlike impression he delivers when Dr Adams meets Cheryl for the first time. This gives you the feeling of peace, which suddenly disappears when he enters the room and her illness takes control. The sex scene is another perfectly crafted sequence. Structured just right with the subdued light, close-up shots, and sound effects and music - the rhythmic drumbeat is perfection. All of this kept me interested and drew me further into the story.

That said, there are a few scenes that come across as average; they could remove these to make a stronger film. However, these are few and shouldn't hurt your enjoyment of the film and story.

However, it was La Salle's acting that made this movie so watchable. The way he keeps his character, Satan, light and breezy, even in his evil periods, is brilliant. He verbally skips his way through the film and this with the juxtaposition of Dr Adams makes their thrusts and parries more mesmerising. There are times you wonder who is being evaluated.

Though this is truly La Salle's film, the rest of the cast is also well above par... except for Sinbad. I liked Mr Johnson, the orderly who is forever trying to have "a word" with Dr Adams. Though the character comes off a little too bland, and that is something Sinbad is not. He portrays his character well, it's just that I was expecting somebody a smidgen more enlivened.

This is for all of you who like the paranormal and the mysterious. If you have Amazon Prime, then take a look, it is free. Those without, if you see a copy going cheap anywhere, then grab it, watch it and pass it on. This is a "one watch film". Though I enjoyed it and highly recommend it, I won't be rushing to watch it again.

Skip on over and check on my Chiller Thriller Killer and Dramatisation Of Life lists to see where this little flick charted.

There were parts of this film which I did not like at all, because of the initial portrayal of the hospital and the patients. I worked Psych for 9 years and there were some scenes that were true to life, but overall, they were played for shock/humour. Having said this, I was distracted from these shortcomings by the excellent acting of the entire cast and when Mr.La Salle and Mr. Beach encounter each other, the sparks fly. I had no idea where the film was going but I was glad for the ride; these two guys display their talents and there is no doubt that you are seeing two masters at work. Some of the characters seemed superfluous to me, but the author did also write the screen play so I'll assume that he knew what he was doing (Big of me, don't you think?) I didn't care for the ending,and frankly, I thought it was an unoriginal cop-out, but the lead up to it - the chase, the revelation, made it bearable. Also, is there anything Ronnie Cox can't do?