AVALIAÇÃO DA IMDb
7,3/10
17 mil
SUA AVALIAÇÃO
Ela é quase surda e lê os lábios. Ele é um ex-condenado. Ela quer ajudá-lo. Ele pensa que ninguém pode ajudar a não ser ele próprio.Ela é quase surda e lê os lábios. Ele é um ex-condenado. Ela quer ajudá-lo. Ele pensa que ninguém pode ajudar a não ser ele próprio.Ela é quase surda e lê os lábios. Ele é um ex-condenado. Ela quer ajudá-lo. Ele pensa que ninguém pode ajudar a não ser ele próprio.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 7 vitórias e 12 indicações no total
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- Mammouth
- (as Serge Boutleroff)
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Avaliações em destaque
If you're a fan of film noir and think they don't make 'em like they used to, here is your answer - they just don't make 'em in Hollywood anymore. We must turn to the French to remember how satisfying a well-made film from that genre can be. Read My Lips is a wonderfully nasty little gift to the faithful from director Jacques Audiard, featuring sharp storytelling and fine performances from Emmanuelle Devos and Vincent Cassel.
The basic plot could have been written in the 40's: dumb but appealing ex-con and a smart but dowdy femme fatale (who turns out to be ruthlessly ambitious) discover each other while living lives of bleak desperation and longing, manipulate each other to meet their own ends, develop complex love/hate relationship, cook up criminal scheme involving heist, double crosses, close calls and lots of money. All action takes place in depressing, seedy and/or poorly lit locations.
Audiard has fashioned some modern twists, of course. The femme fatale is an under-appreciated office worker who happens to be nearly deaf and uses her lip reading ability to take revenge on those who marginalize her. And where you might expect steamy love scenes you discover that both characters are sexually awkward and immature. Add in a bit of modern technology and music and it seems like a contemporary film, but make no mistake - this is old school film noir. It's as good as any film from the genre and easily one of the best films I've seen all year.
The basic plot could have been written in the 40's: dumb but appealing ex-con and a smart but dowdy femme fatale (who turns out to be ruthlessly ambitious) discover each other while living lives of bleak desperation and longing, manipulate each other to meet their own ends, develop complex love/hate relationship, cook up criminal scheme involving heist, double crosses, close calls and lots of money. All action takes place in depressing, seedy and/or poorly lit locations.
Audiard has fashioned some modern twists, of course. The femme fatale is an under-appreciated office worker who happens to be nearly deaf and uses her lip reading ability to take revenge on those who marginalize her. And where you might expect steamy love scenes you discover that both characters are sexually awkward and immature. Add in a bit of modern technology and music and it seems like a contemporary film, but make no mistake - this is old school film noir. It's as good as any film from the genre and easily one of the best films I've seen all year.
I must admit that I had my doubts about this movie before I was going to watch it. The main reason for that is because it was compared to a Hitchcock movie. I've seen several movies that were said to be inspired by Hitchcock or that could have been made by the 'Master of Suspense' himself, but so far I haven't seen any of these movie that would be able to stand the test of time. In my opinion Hitchcock has become a household name which is too easily used to promote some (cheap) thrillers, but on the other hand I must admit that I was intrigued by it because this is a European movie. Normally it's the big Hollywood studios who like to abuse Hitchcock's name if that can raise their income. But this movie was made in one of the most chauvinistic European countries ever and I'm sure that most French would rather drop dead than to admit that their movies have been inspired by an Englishman. That's why I decided to give this movie a try and I must say that I'm glad that I did.
"Sur mes lèvres" or "Read my Lips" as it is called in English, tells the story of a young secretary named Carla. She is a hardworking and loyal employee, but has never been very appreciated by her colleagues. That has much to do with the fact that she suffers from a hearing deficiency, which has denied her to climb up on the hierarchical ladder of the company. But when she is allowed to hire a trainee that can work for her, all this is about to change. Paul Angeli is a 25 year old and completely unskilled ex-convict. The man is a thief, but Carla gives him a chance and covers for him when needed. She hopes to teach him what a regular life should look like, but at the same time he drags her with him in his old life...
Since I still believe that the name Hitchcock is used too often to describe a very good thriller - which this movie definitely is - I will not make any comparisons between Hitchcock and Jacques Audiard's directing. Fact is that the man has done a really good job with this movie. I hadn't heard of him before, but it is true that he knows how to build up suspense and how to keep you interested from the beginning until the end. That also has a lot to do with the very fine and original story of course. I doubt if there is someone in Hollywood who has ever come up with the idea of using a handicapped woman in a powerful role, instead of making her the helpless subject of an abusive husband (you know, the typical TV-movie story).
Also worth noticing is the acting in this movie. Vincent Cassel is quite famous, but Emmanuelle Devos was a complete mystery to me. There is absolutely nothing glamorous about their roles, but they both did an excellent job with their characters, making them feel very believable and realistic. Paul could have been the average tough guy right out of jail and Carla the typically helpless woman, but thanks to their performances, you really believe that these are two strong people who both have had some bad luck in life but who will make the best out of it together.
All in all this is a powerful movie with a very fine script and some excellent acting. Despite the fact that I had my doubts about it, I've soon become one of its greatest admirers. I give this movie an 8/10. Don't hesitate to give it a try.
"Sur mes lèvres" or "Read my Lips" as it is called in English, tells the story of a young secretary named Carla. She is a hardworking and loyal employee, but has never been very appreciated by her colleagues. That has much to do with the fact that she suffers from a hearing deficiency, which has denied her to climb up on the hierarchical ladder of the company. But when she is allowed to hire a trainee that can work for her, all this is about to change. Paul Angeli is a 25 year old and completely unskilled ex-convict. The man is a thief, but Carla gives him a chance and covers for him when needed. She hopes to teach him what a regular life should look like, but at the same time he drags her with him in his old life...
Since I still believe that the name Hitchcock is used too often to describe a very good thriller - which this movie definitely is - I will not make any comparisons between Hitchcock and Jacques Audiard's directing. Fact is that the man has done a really good job with this movie. I hadn't heard of him before, but it is true that he knows how to build up suspense and how to keep you interested from the beginning until the end. That also has a lot to do with the very fine and original story of course. I doubt if there is someone in Hollywood who has ever come up with the idea of using a handicapped woman in a powerful role, instead of making her the helpless subject of an abusive husband (you know, the typical TV-movie story).
Also worth noticing is the acting in this movie. Vincent Cassel is quite famous, but Emmanuelle Devos was a complete mystery to me. There is absolutely nothing glamorous about their roles, but they both did an excellent job with their characters, making them feel very believable and realistic. Paul could have been the average tough guy right out of jail and Carla the typically helpless woman, but thanks to their performances, you really believe that these are two strong people who both have had some bad luck in life but who will make the best out of it together.
All in all this is a powerful movie with a very fine script and some excellent acting. Despite the fact that I had my doubts about it, I've soon become one of its greatest admirers. I give this movie an 8/10. Don't hesitate to give it a try.
8=G=
"Read My Lips" tells of a strange symbiosis which develops between a plain, socially maladroit female office worker (Devos) and her workplace trainee, a crude excon (Casel). As the film fleshes out this unlikely duo down to their ids they become embroiled in a chilling merging of the minds, each using the other for their own selfish reasons with an extraordinary outcome. Good stuff for anyone into character-driven films with strong psychodramatic undercurrents. In French with easy to read subtitles and good translation. (B+)
I picked this one up on a whim from the library, and was very pleasantly surprised. Lots of tight, expressionistic camera work, an equally tight script, and two superb actors all meld together to make one very fine piece of film. Not for the reptilian multiplex brain, but rather the true aficionado of cinema. If Hollywood ever does get its grimy hands on it, I'm sure it will ruin it. A choice treat all the way around. Other posters here have more than amply sung its praises, so I needn't bother duplicating their paeans; just take their advice, and mine, and don't miss this gem. Call it what you like; I call it two hours of entertainment well-spent. Read my lips: don't miss it.
I watched this movie over the span of two days. The whole day after watching the first part, I was distracted by recollections of the imagery and just basic feel of the movie and couldn't wait to see the rest.
It was so refreshing to see a movie with a captivating plot and sensuality without excessive sexuality. The directing and editing tied everything together wonderfully. Definitely a nail-biter towards the end and fast-paced enough to keep one interested but not so much so that it leaves one confused.
I can't think of anything negative to say about it. If only they made movies this good in America these days.....
It was so refreshing to see a movie with a captivating plot and sensuality without excessive sexuality. The directing and editing tied everything together wonderfully. Definitely a nail-biter towards the end and fast-paced enough to keep one interested but not so much so that it leaves one confused.
I can't think of anything negative to say about it. If only they made movies this good in America these days.....
Você sabia?
- Erros de gravaçãoWhen the man calls for Paul Angeli and then hangs up, Carla peers into the copy room and then hangs up the phone. As she is sitting at her desk, the reflection of a moving crane or boom mic extension is visible in the glass behind her.
- Versões alternativasUK distributor Pathe changed the subtitles (the film was only shown in its original French version with subtitles) to remove two uses of very strong language in order to qualify for a 15 rating. An uncut 18 was available.
- ConexõesReferenced in Um Evento Feliz (2011)
- Trilhas sonorasChartsengrafs
(J. Lytle)
Performed by Grandaddy
(c) Deadlineless c/o BMG Music Publishing France
By kind permission of BMG Music Vision
(p) 2000 V2 Records Inc.
By kind permission of V2 Music Ltd and V2 Music Publishing France
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- How long is Read My Lips?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Sobre meus Lábios
- Locações de filme
- 52 Rue du Commandant Louis Bouchet, Meudon, Hauts-de-Seine, França(Marchand's apartment above night club)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- FRF 49.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.471.911
- Fim de semana de estreia nos EUA e Canadá
- US$ 27.080
- 7 de jul. de 2002
- Faturamento bruto mundial
- US$ 5.393.526
- Tempo de duração1 hora 55 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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