O Profeta

A juvenile delinquent named Malik (Tahar Rahim) goes to prison after spending most of his up-growing in juvenile correctional facilities. Malik soon learns that he's no longer a small fish in an aquarium, but a fry in an ocean. And swimming with the big fish is quite a different state of affairs as he is bound to discover.

Pic's protagonist is recruited by the Corsican gang and being an Arab by appearance (granted, apparently not religiously), he continues to live as an outsider of not only society but also fellow inmates as he has done most of his life. But he continues to float and find his way behind the bars.

In the exquisite direction of Jaques Audiard, the film accelerates well through good character development and profound script. The education of Malik is in my opinion one of the main pillar of the film because it is an education on so many levels. Of least to get ahead in business. Dirty business, granted, but it is business nonetheless.

It's the small things that distinguishes this little gem from many other movies on prison culture. It has to be, Audiard knows this and has created yet another great piece of cinema for his fans.

One of the biggest surprises of 2009, Jacques Audiard's 'Un Prophète' is the best French film in a decade, garnering strong critical and word-of-mouth support and winning the Grand Prix in Cannes (which for years now means that it's the actual festival winner). The surprise is that the story is far from being original: a young Arab sentenced to (adult) prison for the first time is forced by a Corsican mafia boss running the strings there to do his bidding. By and by, he manages to use his underling position to his own advantage. So it's a typical hard-boiled underdog story - what makes it so great then?

'Un Prophète' doesn't differ much in style from the French films of late, which were often so hell-bent on displaying life as a gritty and boring affair, and resorted to radical violence to underscore this point, that spectators were almost forced to feel disgusted, which was then claimed to be a denominator of the film's artistic success. This phenomenon has been called 'New French Extremity'. What Jacques Audiard has done is to combine the aesthetics of this trend with the traditions which once made the French film industry the most power- and meaningful in Europe, namely to focus on the relationship of the leading actors. The result is a film that is totally engaging from the first minute, because it entrusts the actors with the task of transforming the script into something of their own making.

And boy oh boy, Tahar Rahim does that job. A newcomer with a little bit of TV experience, his performance carries 'Un Prophète' with amazing vigor. It's a big chance, and he takes it. Would this be an English-language film, he'd be a surefire contender for the awards. His nemesis is portrayed by Niels Arestrup in an equally flawless, yet much more routinized way, which juxtaposes the two characters perfectly. Add to this the sophisticated editing already present in Audiard's last film 'De battre mon coeur s'est arreté' (2005), and you have the best European film of 2009, in spite of a story that you will most likely have seen dozens of times already.

If you usually don't like European movies, or if you have only time to see one a year, watch this one - you won't regret it.

A fascinating look into the French prison system.

A terrific young actor named Tahar Mahim plays Malik, an Arab teenager sentenced to six years in prison. He's drafted by a Corsican gang that practically runs the prison to kill a fellow Muslim inmate who plans to act as a witness as part of a plea bargain. Once he does that he earns protection from the Corsicans, even though they continue to treat him like a servant because he's Arab, but because of their protection he's able to use his wiles to rise through the criminal ranks and emerge from the prison a major crime boss.

"Un Prophete" uses the prison setting to serve as a microcosm of French culture and current racial conflicts between the French and Arab immigrants. Mahim isn't educated, but he's smart, and he knows that to declare allegiance to either side is to limit his ultimate potential. Mahim gives an amazing, unshowy performance; it's largely because of him that the scene in which he carries out the hit is such a nail biter.

One brief scene late in the film suggests that there might be a literal meaning to the film's title, but overall the meaning is thematic -- Malik becomes a prophet to his people, but his story illustrates that not all messages carried to us from prophets are necessarily positive ones.

Grade: A

This was one of the first French film I have ever watched. I decided to give it a go.

Initially I wasn't holding out much hope when I placed the DVD into my drive, I was wrong.

The film is a hard hitting which keeps you gripped and awaiting the clever plot, it doesn't not disappoint and the way in which the plot unfolds is clever as well as realistic. The actors do a very good job and the main actor is especially good, the white mob boss is also a superb actor.

The film is about an Arab who enters jail after a life of trouble. He soon becomes gripped into the underworld of gang violence, he then joins a white gang whilst carrying out jobs for them. Whilst he cleverly starts to build his own empire.

Go watch this film now, sometimes I don't watch films if I have not seen reviews or thousands of votes here on IMD. Trust me on this film, one of the best films I have seen in a long time and I am sure you will not be disappointed.

Un Prophète :: Jacques Audiard :: France :: 2008 : 2h35

A young man is being admitted into prison. The scars on his body and face betray a violent past. He can barely read and write. He has no friends. Malik (Tahar Rahim) is 19 years old. Out on the concrete courtyard, he is recruited by the ruthless Corsican mafioso César (Niels Arestrup) to kill a rival passing through their prison. Malik is beaten into submission. His life could have ended right there and then. But that is not how it was to be. Malif comes out the corner fighting.

Most of the film is concrete slabs and dirt. There is the constant murmur of the rumours passed around in Arabic and Corsican if it is not in banlieue slang French. And then there is the violence. Nobody gets punished because nobody interferes. Even when inmates get killed there is no indication that they are being investigated. The detainees are all on their own. We do see the state's legal machinery operating in the background with lawyers and judges shifting paper. We see the inmates work in the prison factory sowing clothes. We see the willing bullies being schooled. But the penitentiary staff shine mostly in their absence. Malik knows it is going to be a long 6 years.

He takes what he can get, and tries to make the best of himself. He could have made an excellent career for himself in the army, if life had been different. He has the adaptability, the patience, the dedication, the intelligence and the lack of moral restraint to make it far, in the right framework. If only he had been in an organisation which could contain and direct him, rather than unleash him, as prison did. We see him slowly becoming a man to be reckoned with, creating his own new order. Make no mistake, this young man is taking you along to the bitter end.

Un Prophète is a tough film to watch, but immaculately constructed. I can not claim to have captured the full finesse of the all the criminal dealings, but it does not matter. The audience is thrown into the story as the young Malik is. Thrown in, to live it with him. And live it, you will. It is a masterfully made film with a clever script, an excellent cast and a surprising attention to detail. A rare pearl in the genre, bound to be as rewarded as director Audiard's previous De Battre mon coeur s'est arrêté, which won no less than 8 Césars! (incitatus.org)