AVALIAÇÃO DA IMDb
6,4/10
68 mil
SUA AVALIAÇÃO
A D. E. A O agente investiga o desaparecimento de um legendário Ranger do Exército e vários de seus cadetes durante um exercício de treinamento que deu errado.A D. E. A O agente investiga o desaparecimento de um legendário Ranger do Exército e vários de seus cadetes durante um exercício de treinamento que deu errado.A D. E. A O agente investiga o desaparecimento de um legendário Ranger do Exército e vários de seus cadetes durante um exercício de treinamento que deu errado.
- Prêmios
- 3 indicações no total
Avaliações em destaque
Tagged by many critics as overly predictable despite trying to be the complete opposite, BASIC is nevertheless a strong, original and entertaining film.
The cast, from big names John Travolta and Samuel L. Jackson to lesser-knowns Connie Nielsen and Taye Diggs, ably unravels the mystery surrounding the disappearance of a reviled army sergeant during a hardcore training outing. The episode is recounted in as many ways by as many witnesses, an interesting method that has worked so well in other films such as COURAGE UNDER FIRE. It may all seem confusing at first, but gifted director John McTiernan gradually weaves everything together, though perhaps not as seamlessly as one would ideally prefer.
BASIC is not without its flaws, but they are not as glaring as one might think from professional reviews, or even many of the comments on this website. Its originality is welcome at a time when so many films follow the same cookie-cutter formula.
The cast, from big names John Travolta and Samuel L. Jackson to lesser-knowns Connie Nielsen and Taye Diggs, ably unravels the mystery surrounding the disappearance of a reviled army sergeant during a hardcore training outing. The episode is recounted in as many ways by as many witnesses, an interesting method that has worked so well in other films such as COURAGE UNDER FIRE. It may all seem confusing at first, but gifted director John McTiernan gradually weaves everything together, though perhaps not as seamlessly as one would ideally prefer.
BASIC is not without its flaws, but they are not as glaring as one might think from professional reviews, or even many of the comments on this website. Its originality is welcome at a time when so many films follow the same cookie-cutter formula.
Before I express my more detailed thoughts about this film, I need to get something off my chest. I've read a lot of other user comments here about Basic and it's almost embarrassing! Half of the reviews here state that Basic is too confusing and hard to understand while the other half is so proud to say they managed to understand the movie. If you're a potential viewer, don't get scared off by these comments! Basic is not at all difficult to follow. If you have more or less an average IQ, you won't get confused for a minute
On a more personal note, I think Basic suffers from a modern disease. Nowadays directors have the urge to fool the audience so much, they go over the top without realizing it. They're trying to prevent their movie is predictable, so they add so many twists to the plot that it really becomes illogical. So NO, the clue of Basic isn't predictable, but the entire movie becomes `structurally predictable'. Basically, this means that as a viewer you stop being involved, because you automatically think a few more illogical twists have yet to appear, so why bother? And besides, I don't know about you but I've seen enough movies about the `perfect crime and/or murder' recently. All these films about solid and waterproof conspiracies are shoved down our throats so much lately, that it really becomes annoying. So, I'd say: Watch Basic for the above average acting performances and the few decent action sequences! The solid directing by John McTiernan also deserves a mention, even though his `hard-action' stuff like Die Hard and Predator are a lot more effective. John Travolta and especially Samuel L. Jackson don't have to convince us about their quality anymore. And Pulp Fiction already taught us they play in team perfectly.
If you're expectations on Basic aren't set too high, you'll enjoy it. It's a routine, but well-made film no more, no less
On a more personal note, I think Basic suffers from a modern disease. Nowadays directors have the urge to fool the audience so much, they go over the top without realizing it. They're trying to prevent their movie is predictable, so they add so many twists to the plot that it really becomes illogical. So NO, the clue of Basic isn't predictable, but the entire movie becomes `structurally predictable'. Basically, this means that as a viewer you stop being involved, because you automatically think a few more illogical twists have yet to appear, so why bother? And besides, I don't know about you but I've seen enough movies about the `perfect crime and/or murder' recently. All these films about solid and waterproof conspiracies are shoved down our throats so much lately, that it really becomes annoying. So, I'd say: Watch Basic for the above average acting performances and the few decent action sequences! The solid directing by John McTiernan also deserves a mention, even though his `hard-action' stuff like Die Hard and Predator are a lot more effective. John Travolta and especially Samuel L. Jackson don't have to convince us about their quality anymore. And Pulp Fiction already taught us they play in team perfectly.
If you're expectations on Basic aren't set too high, you'll enjoy it. It's a routine, but well-made film no more, no less
The movie deals upon a commando of brave soldiers . During the training , the sergeant (Samuel L. Jackson) is killed . A previously soldier and now DEA agent (John Travolta) has to solve who is the killer . He investigates the disappearance of a legendary Army ranger drill sergeant and several of his cadets during a training exercise gone severely awry . He's helped by an officer (Connie Nielsen) . They will have to face off difficult enigmas until to find out the truth .
The picture blends action , suspense , whodunit , thriller , emotions and is pretty entertaining . The flick is tense and mysterious from the beginning till ending and is neither boring , nor dull but entertaining . The screenplay of the film has a twisted plot and the final gets an extraordinary surprise . Runtime film is overlong but is fast-moving and for that reason is amusing . The movie is similar to classic ¨Rashomon¨ (by Akira Kurosawa) and ¨The Outrage¨ (by Martin Ritt) , regarding deeds since various points of sight as people explain them . Every time the story of the bunker is retold , each person has a different partner . Interpretation by John Travolta is top-notch likeness to Connie Nielsen . Samuel L. Jackson's acting is limited , he has a secondary but excellent role . Direction by John McTiernan is outstanding and stunning . The picture will appeal to mystery enthusiasts and suspense lovers . Rating : 7/10 above average. Well worth watching.
The picture blends action , suspense , whodunit , thriller , emotions and is pretty entertaining . The flick is tense and mysterious from the beginning till ending and is neither boring , nor dull but entertaining . The screenplay of the film has a twisted plot and the final gets an extraordinary surprise . Runtime film is overlong but is fast-moving and for that reason is amusing . The movie is similar to classic ¨Rashomon¨ (by Akira Kurosawa) and ¨The Outrage¨ (by Martin Ritt) , regarding deeds since various points of sight as people explain them . Every time the story of the bunker is retold , each person has a different partner . Interpretation by John Travolta is top-notch likeness to Connie Nielsen . Samuel L. Jackson's acting is limited , he has a secondary but excellent role . Direction by John McTiernan is outstanding and stunning . The picture will appeal to mystery enthusiasts and suspense lovers . Rating : 7/10 above average. Well worth watching.
There's a whole lot of deep analysis going on here, but in the end, since so many others have analyzed this to death, I would recommend just watching it with an open mind and seeing if you find it entertaining.
I thought it original to a point, well acted out, and while predictable on a couple points, for the most part, leaving me wondering when we would find out the absolute truth of what the heck was going on...
Maybe later I will put something more in depth here, but for now, beware of the critics and their "plot holes," because in the end, aside from a couple very small glitches, this was pretty well done.
I thought it original to a point, well acted out, and while predictable on a couple points, for the most part, leaving me wondering when we would find out the absolute truth of what the heck was going on...
Maybe later I will put something more in depth here, but for now, beware of the critics and their "plot holes," because in the end, aside from a couple very small glitches, this was pretty well done.
Infamously cruel Sergeant West takes his unit into the Panama jungle on a training exercise. Two days later two of his men return and report the rest dead. When the base investigator makes no process, the base commander calls in shamed DEA agent Hardy. The investigation continues well with both of the two men telling their stories, however Hardy finds that the stories contradict themselves and that the truth is much, much more complex than first appeared.
For the majority of this film everything goes the way you expect it to, but yet it all still works reasonably well. The plot twists in several ways as each contradiction brings out a bit more truth in the overall tale. It is filled with dramatic interrogation scenes which, although clichéd, do still serve to be reasonably gripping. However at some point, and I can't say exactly when it happens, the sheer volume of twists and the leaps we are expected to make simply become too much for the quality of the material and it more or less collapses in on itself.
It isn't that the twists are too much of a stretch, it's that they are too much of a stretch for this film. Usual Suspects has massive twists that bewilder and require big jumps, but that had the acting and script to back it up. Here the same isn't true, the script doesn't do a good enough job of gradually revealing a story to us just to twist it; instead it just seems to be constantly changing the foundations to the point that I felt I was on quick sand rather than a base where the walls kept moving (if you get my meaning). What I'm saying is that the story didn't set itself up well enough to provide killer twists, instead it was constantly pulling small then bigger twist after twist - to the point where I was expecting the next one before it arrived. Not to unfairly compare, but Usual Suspects gradually added layers rather than twists as it builds to a climax. Basic just keeps twisting but eventually gets to the point where it overstretches itself and the twists lose their impact.
The dramatic tone suffers for this reason and, after a good start it all too quickly loses it's impact. Travolta tries hard and for the most part he does OK, but his slick character loses it towards the end, and his final `winks' are not easy to understand. I got the feeling that he didn't understand his character anymore that I did. Jackson gives a better performance in flashback although his character is pretty much a basic sergeant-major cliché, until the ending goes and ruins a fair amount of what he had done up till that point. Nielsen is pretty good but gives a masculine performance in a masculine film. The support cast is actually pretty good although Ribisi damaged his reputation with me by doing some sort of weak effeminate spoof character. Diggs, Holt, Daly and Sanchez all do pretty well and their solid flashback sequences help the interrogation to be more dramatic.
Overall this film is too twisty and some of them really demand jumps that are just not made possible by a script that doesn't do enough to help the audience out. It still manages to be pretty dramatic and enjoyable for at least the first half, but the final third demands too much and twists too much for the material to cope with. Not as awful as other reviews lead me to expect but it collapses alarmingly fast towards the end.
For the majority of this film everything goes the way you expect it to, but yet it all still works reasonably well. The plot twists in several ways as each contradiction brings out a bit more truth in the overall tale. It is filled with dramatic interrogation scenes which, although clichéd, do still serve to be reasonably gripping. However at some point, and I can't say exactly when it happens, the sheer volume of twists and the leaps we are expected to make simply become too much for the quality of the material and it more or less collapses in on itself.
It isn't that the twists are too much of a stretch, it's that they are too much of a stretch for this film. Usual Suspects has massive twists that bewilder and require big jumps, but that had the acting and script to back it up. Here the same isn't true, the script doesn't do a good enough job of gradually revealing a story to us just to twist it; instead it just seems to be constantly changing the foundations to the point that I felt I was on quick sand rather than a base where the walls kept moving (if you get my meaning). What I'm saying is that the story didn't set itself up well enough to provide killer twists, instead it was constantly pulling small then bigger twist after twist - to the point where I was expecting the next one before it arrived. Not to unfairly compare, but Usual Suspects gradually added layers rather than twists as it builds to a climax. Basic just keeps twisting but eventually gets to the point where it overstretches itself and the twists lose their impact.
The dramatic tone suffers for this reason and, after a good start it all too quickly loses it's impact. Travolta tries hard and for the most part he does OK, but his slick character loses it towards the end, and his final `winks' are not easy to understand. I got the feeling that he didn't understand his character anymore that I did. Jackson gives a better performance in flashback although his character is pretty much a basic sergeant-major cliché, until the ending goes and ruins a fair amount of what he had done up till that point. Nielsen is pretty good but gives a masculine performance in a masculine film. The support cast is actually pretty good although Ribisi damaged his reputation with me by doing some sort of weak effeminate spoof character. Diggs, Holt, Daly and Sanchez all do pretty well and their solid flashback sequences help the interrogation to be more dramatic.
Overall this film is too twisty and some of them really demand jumps that are just not made possible by a script that doesn't do enough to help the audience out. It still manages to be pretty dramatic and enjoyable for at least the first half, but the final third demands too much and twists too much for the material to cope with. Not as awful as other reviews lead me to expect but it collapses alarmingly fast towards the end.
Você sabia?
- CuriosidadesScreenwriter James Vanderbilt wanted to fool a certain type of moviegoer. He said: " . . . those who say 'I know who the killer is' in the first ten minutes."
- Erros de gravaçãoDuring the first platoon inspection scene, Sergeant West is wearing Specialist rank on his uniform collar, four ranks lower than the Master Sergeant ranks he is wearing on the epaulets of his sweater.
- ConexõesFeatured in Basic Ingredients: A Writer's Perspective (2003)
- Trilhas sonorasBolero
Written by Maurice Ravel
Performed by Hungarian State Orchestra
Conducted by Ádám Fischer
Courtesy of LaserLight Digital
By Arrangement with Source/Q
Principais escolhas
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- How long is Basic?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Básico y letal
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 50.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 26.793.311
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.511.960
- 30 de mar. de 2003
- Faturamento bruto mundial
- US$ 42.792.561
- Tempo de duração1 hora 38 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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