Josie e as Gatinhas

First of all - this is not a meaningful movie. But it wasn't meant to be. I hate it when I hear critics slam a movie mainly because it doesn't fit into their favorite "Type" of movie. Some movies are made to sit through wincing - leaving you sore emotionally and some are light silly goofball creations that wont change the world, but sure are nice to just zone out with.

This movie will never turn Roger Ebert's crank...its silly and goofy and irrelevant....Its also over time revealing itself to have been at the time...subversive. This movie has a lot of little things about it that are becoming more relevant as the years wear on...

When this first came out I thought "An alright movie with catchy songs" This was before I myself got involved in the Music industry. After living through three bands and two contracts over ten years I would like to say this movie isn't as unrealistic as you may think. It is still a spoof, but close enough to reality to warrant another look. Originally waved away as being pure fluff I now find this movie creepily prophetic.

Since this movie was made we have witnessed the fall out of bands like Back street boys the breakdown of pop-stars like Brittany Spears and a slew of young actors & actresses separated from family & friends whose entire personalities have been written and designed by stylists and are seen battling like some weird "Fashionista" roman gladiators under the tutelage of sycophants and managers.

Media/pop culture, with its out of control emphasis on looks and weight over talent and personality, have resulted in actual government legislation regarding model weights and rampant anorexia amongst young starlets.

Musically there has been a huge increase in management interference (listen to Pink's first album regarding the pressures placed on a young singer to conform to a label's Vision) dictating how the artists shall look and act. If it hadn't been for the internet download revolution of Lime wire and such I think the Music industry would have happily continued to control what consumers were ALLOWED to buy and ALLOWED to see...

This movie was also made prior to the outing of "gay" boy band members Stephen Gately, Lance Bassit, Jordan Knight but the top selling song for the Boy Band "Du Jour" in this movie is the most homo-suggestive song I've ever heard. (Is it really called "In Through Your Back Door"?)

After all this fallout, the world of Josie & the Pussycats seems much less stupid to me.

Again...Not deep, but possibly prophetic...and fun to watch Just don't expect to feel moved. Its popcorn at its best - light and salty, not really a meal...its a snack and as that type of movie...shouldn't't be judged solely for its nutritional value... I'd rate it a 7

Pretty decent feel-good movie. Superb soundtrack, talented cast. Not a disappointment at all. Lots of energy in the young cast, humorous laid- back script, and good message.

Humorous at certain points and worth watching if your a teenage girl, or especially if you like all the conspiracy theory stuff =)

Is meaningful in that it puts emphasis on importance of certain things in our lives, leaves you wanting to download the track and has a light hearted attempt at portraying messages to young people without the boring political side.

Josie and the Pussycats is lively and funny at points. I would recommend this movie to anyone who likes movie's like Mean girls, Legally Blonde etc as it is humorous and meaningful, without being overly politically correct.

I never saw the original cartoon or read the comics on which it was based, but "Josie and the Pussycats" (2001) is fun and the three protagonists are attractive & enthusiastic (Rachael Leigh Cook, Tara Reid & Rosario Dawson). Yet the movie shoots for something deeper as this is an amusing and potent satire on the influence and manipulation of the entertainment industry.

Alan Cumming is outstanding as the villainous band manager who uses bands, abuses them and throws them away at whim. His opening scene with the fictional boyband Du Jour is worth the price of admission. Parker Posey is also good as his diabolical superior. Curvy and towering Missi Pyle is also on hand as Alexandra.

Ever wonder why all those musicians die in mysterious plane crashes, overdoses, etc. at the height of their fame? How about all those successful government cover-ups? How do artists with little actual talent and songwriting abilities become hugely popular, usually overnight, while the truly talented artists languish in obscurity? Why do you sometimes have this insane drive for a Big Mac or Coke? "Josie and the Pussycats" explains all, lol.

As for those who complain about the product placement, they all live on Aduh Street.

Unfortunately, the great set-up of the first hour sorta peters out in the last act. It's okay, just not up to the quality of the first two acts, as far as compelling writing goes.

The film runs 98 minutes.

GRADE: B

I can't believe this movie was made in 2001. It seriously has a sense of humor that feels so modern. You can just picture the memes and gifs that would come from this nowadays.

Anyways, the plot is absurd, but pretty funny. The music is catchy. The characters are ridiculous and the villains are amazing. Only thing that holds this back from being a perfect movie is Tara Reid. They needed a smart actor to play someone so dumb, but, you know, it's just Tara Reid being Tara Reid..

I never saw the original cartoon but decided to pick up 2001's "Josey and the Pussycats" because Tara Reid's such a cutie and it looked like some fun entertainment.

Yes, it's fun and the girls are attractive (also featuring Rachael Leigh Cook & Rosario Dawson) but, surprisingly, "Josey and the Pussycats" shoots for something deeper. As my title blurb points out, this is an amusing and potent satire on the power and manipulation of the entertainment industry.

Alan Cumming is outstanding as the villainous band manager who uses, abuses and throws away at whim. His opening scene with the fictional boyband Du Jour is worth the price of admission! Parker Posey is also good as his diabolical superior.

Ever wonder why all those musicians die in mysterious plane crashes, overdoses, etc. at the height of their fame? How about all those successful government cover-ups? How do artists with little actual talent and songwriting abilities become hugely popular while the truly talented artists languish in obscurity (like Meliah Rage)? Why do you sometimes have this insane drive for a Big Mac or Coke? "Josie and the Pussycats" explains all, lol.

As for the doofuses who complain about the product placement, they all live on Aduh Street.

The film runs 98 minutes.

GRADE: B