Adicionar um enredo no seu idiomaOrdinary people's lives are documented in comic style by an off-screen narrator.Ordinary people's lives are documented in comic style by an off-screen narrator.Ordinary people's lives are documented in comic style by an off-screen narrator.
- Indicado para 1 prêmio BAFTA
- 2 vitórias e 2 indicações no total
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Mark Hadfield
• 1999–2001
Mike Haley
• 1999–2001
Ewan Bailey
• 1999–2001
Iain Rogerson
• 1999–2001
Jilly Bond
• 1999
Beth Chalmers
• 2001
Colin Murphy
• 2001
David Roper
• 2001
Avaliações em destaque
I really love this sitcom. It´s a breath of fresh air from all those stupid moronic American trash proggies (with exception of Seinfeld, that is). For starters, there is no laugh track. Nobody laughs in the show. I simply love that. It´s great! You don´t hear those damn idiotic laughs that are crammed all over other sitcoms. Second, it´s filmed as a documentary. The basic premise is this guy, Roy Mallard, that walks around interviewing people at work. For example, a headmaster of a nice school, a freelance fotographer, people like that. So, in the beginning, every thing seems quite Unfunny, but then stupid things start to happen. People do mistakes, and funny things, altough they don´t even understand it. For instance, Roy is always saying "Hum" and "Hun hun" in order to advance in the interview. The show is excellent, and I really can´t describe accurately. You have to see it for yourself.
What appears to be a serious documentary about 'a day in the life' of some member of a profession (policeman, priest, bank manager etc.) is actually a very clever spoof of a documentary. If you listen carefully you realize that most of what the commentator is saying is gibberish and very funny. The commentator (Roy Mallard) is mostly off camera (except for the occasional hand when requested) and is a fine example of how not to do an interview. Some examples of his commentary 'X is 2 hours from London both by rail and train', 'It's 4pm and everybody has left school except for those who have stayed behind', 'It's 2 p.m. and already the Japanese are on time' and 'the world of financial money'. That's not all. The people whom he interviews are also prone to mangling the English language with many misstatements and misunderstandings. This is not the brash, crude humour that many Americans enjoy but more subtle and laid back. American humour tends overdo the one-liners in order to make sure the audience 'gets it'. This is the type of humour that has to be experienced more than once as it is very easy to miss the subtleties the first time around. Overall, an acquired taste, but much to my liking.
The other comments have covered this series very well but I just had to post my comments.
There has been a new wave of comedy recently, the office, people like us and to a lesser extent Unnovations. They are all packed with jokes but its always left to the viewer to pick up on them.
People like us seems to have an amazing number of jokes in every episode. Roy's commentary is inspired and many times you have to think carefull about what he has said until you realise that it's total gibberish. My example is "he has worked in such diverse places as Yeovil".
Chris Langham has perfect timing, I've never laughed so much as someone just saying "oh" before. Each episode Roy manages to put in foot in every possible cowpat in sight. In fact, in the entire series, Roy is the only normal person. Everyone he interviews misunderstands his questions in an amazingly stupid way. They all tend to be tragic characters who put on a brave face.
The sad thing is that many of the jokes are just thrown away and pass the viewer by.
"she worked on an oil rig just off Norway, then, after servere weather, just off Denmark"
I don't think there will be another series and to be honest I hope there isn't. This series is perfect as it is, any more and the jokes will run thin or they will use the same jokes again. 12 episodes is impressive enough.
Chris Langham has been around for quite a while, he was in Life of Brian and I'm pleased his talent has found a platform at last.
There has been a new wave of comedy recently, the office, people like us and to a lesser extent Unnovations. They are all packed with jokes but its always left to the viewer to pick up on them.
People like us seems to have an amazing number of jokes in every episode. Roy's commentary is inspired and many times you have to think carefull about what he has said until you realise that it's total gibberish. My example is "he has worked in such diverse places as Yeovil".
Chris Langham has perfect timing, I've never laughed so much as someone just saying "oh" before. Each episode Roy manages to put in foot in every possible cowpat in sight. In fact, in the entire series, Roy is the only normal person. Everyone he interviews misunderstands his questions in an amazingly stupid way. They all tend to be tragic characters who put on a brave face.
The sad thing is that many of the jokes are just thrown away and pass the viewer by.
"she worked on an oil rig just off Norway, then, after servere weather, just off Denmark"
I don't think there will be another series and to be honest I hope there isn't. This series is perfect as it is, any more and the jokes will run thin or they will use the same jokes again. 12 episodes is impressive enough.
Chris Langham has been around for quite a while, he was in Life of Brian and I'm pleased his talent has found a platform at last.
Chris Langham's fictional documentarian "Roy Mallard" follows people in various professions for a day in their life, to show that they are "just like us". Some of the episodes are extremely funny (the befuddled photographer or the dysfunctional police station are quite good). The humor is often based on embarrassment and, unfortunately, in some of the episodes, the embarrassment and the tension simply mount up and make it as unpleasant as a family argument caught on video.
In the best episodes, the humor rises more from sheer incompetence than tension -- not only from the professionals who have no notion of what they're doing, but from Mallard himself, an utterly inept film maker and interviewer. His voice-overs are pointless. His questions are insipid, and as often as not he'll receive a question answering a question and he'll wind up doing most of the talking. He also gets too involved, bumping into things and sometimes causing the very problems he films.
Occasionally a recognizable face surfaces -- Bill Nighy as the photographer, for instance. Most of the actors are suitably unknown and do a very good job playing real people.
This show is not for people who don't appreciate subtle humor and can't follow a running gag (a joke may be set up in passing in the first few minutes, with the payoff coming much later). The shows are mostly low-key, and Mallard may be sleep-inducing for some. "People Like Us" is at its best is letter-perfect but drags in the episodes where the jokes aren't working.
In the best episodes, the humor rises more from sheer incompetence than tension -- not only from the professionals who have no notion of what they're doing, but from Mallard himself, an utterly inept film maker and interviewer. His voice-overs are pointless. His questions are insipid, and as often as not he'll receive a question answering a question and he'll wind up doing most of the talking. He also gets too involved, bumping into things and sometimes causing the very problems he films.
Occasionally a recognizable face surfaces -- Bill Nighy as the photographer, for instance. Most of the actors are suitably unknown and do a very good job playing real people.
This show is not for people who don't appreciate subtle humor and can't follow a running gag (a joke may be set up in passing in the first few minutes, with the payoff coming much later). The shows are mostly low-key, and Mallard may be sleep-inducing for some. "People Like Us" is at its best is letter-perfect but drags in the episodes where the jokes aren't working.
Hapless Roy Mallard (the almost entirely unseen Chris Langham) makes documentaries about 'people like us': bank manager, estate agent, mother, vicar, photographer, pilot, etc. These half hour episodes are as droll as anything you'll see or hear.
The droning narration is a masterpiece of nonsense. Almost every sentence has a misunderstanding, a mixed metaphor or something downright silly. If you like lines like: 'if John and Mary are still together in two years they'll both have been married to the other person, as husband and wife, for the same period of four years', make sure you watch 'People Like Us'. But if you prefer to snigger at custard pies, painful blows to the groin or creepy Benny Hill chasing bikini babes, this won't be your cup of tea.
This is cerebral rather than visceral comedy. There are some running jokes, mainly about the appearance, marital status and name of Roy/Ray Mallard/Nolland/Mattard and the succession of faux pas he commits.
The acting is excellent throughout. Even the credits play the game by not linking performers with their roles. All we see is that the BBC wishes to thank Tom, Dick and Harriet, etc.
Each episode is superficially pedestrian and boring, as we appear to follow a typical day of 'people like us' in the time-honoured 'fly-on-the-wall' manner. But this isn't wham, bam, in your face comedy. You have to concentrate very hard to get everything. Watch out for the flustered mother loading slices of uneaten toast into the dishwasher. Listen to the flight attendant, Susan Churchfield, switching to French, introducing herself as Suzanne Eglisechamp and later asking passengers to return to their assiettes. Note the plane reflected in the office block windows flying backwards.
'People Like Us' is a wonderful series, for those who like that kind of thing. For aficionados, it could hardly be bettered. Rarely has humour been so clever and concentrated. For others, reruns of Benny Hill, Paul Hogan and too many others of that ilk can always be found. I know what I prefer.
The droning narration is a masterpiece of nonsense. Almost every sentence has a misunderstanding, a mixed metaphor or something downright silly. If you like lines like: 'if John and Mary are still together in two years they'll both have been married to the other person, as husband and wife, for the same period of four years', make sure you watch 'People Like Us'. But if you prefer to snigger at custard pies, painful blows to the groin or creepy Benny Hill chasing bikini babes, this won't be your cup of tea.
This is cerebral rather than visceral comedy. There are some running jokes, mainly about the appearance, marital status and name of Roy/Ray Mallard/Nolland/Mattard and the succession of faux pas he commits.
The acting is excellent throughout. Even the credits play the game by not linking performers with their roles. All we see is that the BBC wishes to thank Tom, Dick and Harriet, etc.
Each episode is superficially pedestrian and boring, as we appear to follow a typical day of 'people like us' in the time-honoured 'fly-on-the-wall' manner. But this isn't wham, bam, in your face comedy. You have to concentrate very hard to get everything. Watch out for the flustered mother loading slices of uneaten toast into the dishwasher. Listen to the flight attendant, Susan Churchfield, switching to French, introducing herself as Suzanne Eglisechamp and later asking passengers to return to their assiettes. Note the plane reflected in the office block windows flying backwards.
'People Like Us' is a wonderful series, for those who like that kind of thing. For aficionados, it could hardly be bettered. Rarely has humour been so clever and concentrated. For others, reruns of Benny Hill, Paul Hogan and too many others of that ilk can always be found. I know what I prefer.
Você sabia?
- CuriosidadesThough host Roy Mallard (voiced by Chris Langham) is never actually seen on-screen, a part of him will be seen in each episode, either a body-part or a reflection - a glass sliding door in episode 1.2, 'The Estate Agent', on the CCTV in 1.3 'The Police Officer' and in a shop window in episode 1.5, 'The Photographer' as well as seen briefly in a badly developed photo. In 1.4 'The Solicitor' his cheek and nose are seen when he spills his tea.
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Alison: This is going to be it now, isn't it?
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