O advogado criminal Cleaver Greene defende o indefensável, dos bigamistas aos canibais e tudo mais. Ele é o campeão da causa perdida, tanto no tribunal quanto no quarto.O advogado criminal Cleaver Greene defende o indefensável, dos bigamistas aos canibais e tudo mais. Ele é o campeão da causa perdida, tanto no tribunal quanto no quarto.O advogado criminal Cleaver Greene defende o indefensável, dos bigamistas aos canibais e tudo mais. Ele é o campeão da causa perdida, tanto no tribunal quanto no quarto.
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10fung0
I tripped over this show on my way to the US remake, which caught my attention because of the presence of the always-likable Greg Kinnear. I'm very glad I tried the Australian original first. The US version is derivative and downright dreary; the original sparkles, with both razor-sharp satire and equally sharp-edged drama.
Rake manages to fuse comedy, courtroom trickery, human drama and even some odd moral allegory. All these facets are apparent in the first show, when Greene must defend a cannibal (brilliantly played by Hugo Weaving) - who just happens to be a free-market economist, and who (like most free-market economists) sees nothing wrong with what he has done. In the next show, Greene tries to get an innocent woman convicted, then is forced to switch and get a guilty one acquitted. Then he defends a bigamist, who just happens to be a model husband - more than once.
Greene's approach to the defence in each case is both clever and believable, in a way that most courtroom fiction is not. It reminds me of the best of Rumpole, with that series' ability to feel sympathy even for the guilty, and its reliance on astute legal trickery to make things come out 'right' in the end. Not to mention its ability to make us question just what 'right' means, in each case.
Rake has immediately leaped onto my list of top ten TV shows *ever*. It's as funny, vulgar and painfully real as the brilliant British sitcom Still Game. Yet it's equally compelling dramatically. It definitely has things to say, but it slips these points in subtly, slyly, when you're not looking.
Jack Lemon (speaking about The Apartment) said his ideal role was one that was both comedy and drama. That describes Rake perfectly. Richard Roxburgh may not be the equal of Lemon (who is?), but he comes through superbly as Cleaver Greene. The other roles are similarly well-handled, many of them by actors who will be very familiar to fans of Australian cinema.
The US version of Rake seems like a quality production, and I may give it another try, though I admit I was unable to get through the first episode. The show seems predictably gutless, unable to embrace the moral ambiguity of the Greene character. Kinnear ends up playing a dysfunctional loser, where Roxburgh scintillates as exactly what he should be: a rake - an utterly likable rogue, a womanizer, a vagabond. A man who has no choice but to live by his own rules, and who adheres to no moral code but his own.
I don't register a 10/10 rating very often, but in this case I felt like it was barely high enough. My advice: track down this show by whatever means necessary, and see it immediately.
UPDATE: Rake is back for a 4th season. There's no question that the original brilliance has dimmed just a bit. The first season focused on legal shenanigans. Successive seasons have become more of an improbably Rake-ish soap opera. They're still a load of fun, but maybe in the 8-9/10 range. Still, the approach remains unique, and it's always a pleasure to see Roxburgh chewing up the scenery as the quintessentially Australian anti-hero, Cleaver Greene.
Rake manages to fuse comedy, courtroom trickery, human drama and even some odd moral allegory. All these facets are apparent in the first show, when Greene must defend a cannibal (brilliantly played by Hugo Weaving) - who just happens to be a free-market economist, and who (like most free-market economists) sees nothing wrong with what he has done. In the next show, Greene tries to get an innocent woman convicted, then is forced to switch and get a guilty one acquitted. Then he defends a bigamist, who just happens to be a model husband - more than once.
Greene's approach to the defence in each case is both clever and believable, in a way that most courtroom fiction is not. It reminds me of the best of Rumpole, with that series' ability to feel sympathy even for the guilty, and its reliance on astute legal trickery to make things come out 'right' in the end. Not to mention its ability to make us question just what 'right' means, in each case.
Rake has immediately leaped onto my list of top ten TV shows *ever*. It's as funny, vulgar and painfully real as the brilliant British sitcom Still Game. Yet it's equally compelling dramatically. It definitely has things to say, but it slips these points in subtly, slyly, when you're not looking.
Jack Lemon (speaking about The Apartment) said his ideal role was one that was both comedy and drama. That describes Rake perfectly. Richard Roxburgh may not be the equal of Lemon (who is?), but he comes through superbly as Cleaver Greene. The other roles are similarly well-handled, many of them by actors who will be very familiar to fans of Australian cinema.
The US version of Rake seems like a quality production, and I may give it another try, though I admit I was unable to get through the first episode. The show seems predictably gutless, unable to embrace the moral ambiguity of the Greene character. Kinnear ends up playing a dysfunctional loser, where Roxburgh scintillates as exactly what he should be: a rake - an utterly likable rogue, a womanizer, a vagabond. A man who has no choice but to live by his own rules, and who adheres to no moral code but his own.
I don't register a 10/10 rating very often, but in this case I felt like it was barely high enough. My advice: track down this show by whatever means necessary, and see it immediately.
UPDATE: Rake is back for a 4th season. There's no question that the original brilliance has dimmed just a bit. The first season focused on legal shenanigans. Successive seasons have become more of an improbably Rake-ish soap opera. They're still a load of fun, but maybe in the 8-9/10 range. Still, the approach remains unique, and it's always a pleasure to see Roxburgh chewing up the scenery as the quintessentially Australian anti-hero, Cleaver Greene.
This TV series tries not to lecture too much in order to recognize that people who are good at their jobs can have many other flaws. In other words, this series is very engaging because it has characters who are not wooden or black and white. Most characters in the show are somewhat dysfunctional and yet they have decent core values. And the most dysfunction is the main character who happens to be an excellent lawyer dealing with very difficult to defend cases or sometimes guilty people.
The acting and the dialog is superb. Every single episode that I have seen has been well written and that is not always the case even for many great TV shows. This show also manages to incorporate comedy, drama and suspense very well.
I love it and I wish that there were more episodes.
The acting and the dialog is superb. Every single episode that I have seen has been well written and that is not always the case even for many great TV shows. This show also manages to incorporate comedy, drama and suspense very well.
I love it and I wish that there were more episodes.
but have rectified that with desperate anticipation driven out of absolute addiction.
It is magnificently written, cast, structured and performed.
What makes it most riveting to those of us blessed with living in and around the actual locations and situations, is that lots of the stories are absolutely true (given a few exaggerations here and there) with "only the names changed to protect the guilty".
I can't imagine how they got filming permission for the scenes in the actual NSW parliament, when the story line revolved around the rottenness of our recently evicted government.
If only the real party hacks were as funny as their corruption is real. Maybe we could actually forgive them. Instead they are dull, boring, incompetent and corrupt, very little amusement value there.
Hard to imagine anyone ever playing the role of Cleaver Green to the hilt the way Richard Roxborough has. Having seen the dull, American rendition, makes Richard's performance only shine the more brilliantly.
I hope there are many more series in the pipeline. This show is honestly the best I have seen in decades. Right up there with Boardwalk Empire and Game of Thrones. And a whole lot funnier! :)
It is magnificently written, cast, structured and performed.
What makes it most riveting to those of us blessed with living in and around the actual locations and situations, is that lots of the stories are absolutely true (given a few exaggerations here and there) with "only the names changed to protect the guilty".
I can't imagine how they got filming permission for the scenes in the actual NSW parliament, when the story line revolved around the rottenness of our recently evicted government.
If only the real party hacks were as funny as their corruption is real. Maybe we could actually forgive them. Instead they are dull, boring, incompetent and corrupt, very little amusement value there.
Hard to imagine anyone ever playing the role of Cleaver Green to the hilt the way Richard Roxborough has. Having seen the dull, American rendition, makes Richard's performance only shine the more brilliantly.
I hope there are many more series in the pipeline. This show is honestly the best I have seen in decades. Right up there with Boardwalk Empire and Game of Thrones. And a whole lot funnier! :)
Just two eps into season three, "Rake" was looking like one of the best TV series from anywhere, ever. I was dimly aware of Richard Roxburgh as a veteran Aussie actor who's done a lot of action flicks; he's a revelation here as Cleaver Greene, a Sydney trial lawyer with a gambling habit, multiple substance-abuse issues and a private life that can only be described as a f---in trinewrick.
The scripts are inventive and very funny, Cleaver's drunken harangues in inappropriate venues especially so; the cases are sometimes based on real-world causes célèbres (like the cannibal who advertised online for a dinner partner), the ongoing dramedy of Cleaver's personal life is involving (and very funny), and the ep where Cleaver gets out of a slump by defending an Assange-like activist who's charged with treason is positively uplifting.
The supporting cast is amazing; Australian TV seems to have a very deep bench of beautiful actresses who can really act, starting with Adrienne Pickering as Cleaver's love interest and onetime Xena sidekick Danielle Cormack as a cougar prosecutor. Guest spots by Aussie notables like Rachel Griffiths as a race-baiting shock jock, Toni Collette as a randy politician and Hugo Weaving as the cannibal--and those crispy accents with the foot-long vowel sounds--make this fabulous show even more delightful.
2018 update: All five seasons are now available for streaming on Netflix. Some of the later eps are a bit loosely plotted, to put it mildly, but the kangaroo court scene from season three (Rake makes the best jailhouse lawyer ever) is truly one of the funniest things I've ever seen!
The scripts are inventive and very funny, Cleaver's drunken harangues in inappropriate venues especially so; the cases are sometimes based on real-world causes célèbres (like the cannibal who advertised online for a dinner partner), the ongoing dramedy of Cleaver's personal life is involving (and very funny), and the ep where Cleaver gets out of a slump by defending an Assange-like activist who's charged with treason is positively uplifting.
The supporting cast is amazing; Australian TV seems to have a very deep bench of beautiful actresses who can really act, starting with Adrienne Pickering as Cleaver's love interest and onetime Xena sidekick Danielle Cormack as a cougar prosecutor. Guest spots by Aussie notables like Rachel Griffiths as a race-baiting shock jock, Toni Collette as a randy politician and Hugo Weaving as the cannibal--and those crispy accents with the foot-long vowel sounds--make this fabulous show even more delightful.
2018 update: All five seasons are now available for streaming on Netflix. Some of the later eps are a bit loosely plotted, to put it mildly, but the kangaroo court scene from season three (Rake makes the best jailhouse lawyer ever) is truly one of the funniest things I've ever seen!
Not being Australian and completely unfamiliar with Australian TV, I came to Rake without any expectations or preconceived notions. I find the show is hilarious and mesmerizing at the same time, in no small part due to Roxburgh's performance. He's terrific as a cad with a heart of 14K gold plated brass.
In some ways, Rake is reminiscent of, but doesn't imitate, the great Robbie Coltrane series, Cracker, with both lead characters brilliant in their professional lives, yet exasperatingly self-destructive train wrecks once they're off the clock.
The show's been Americanized by Fox, starring Greg Kinnear (an actor of whom I'm a big fan), but I'm avoiding the Fox series because I've been told the edge of the Australian original was sanded down for American audiences. But, it's the sharp edge that I enjoy. If you can get your hands on the OZ version of Rake, you ought to watch it. It's really good TV.
In some ways, Rake is reminiscent of, but doesn't imitate, the great Robbie Coltrane series, Cracker, with both lead characters brilliant in their professional lives, yet exasperatingly self-destructive train wrecks once they're off the clock.
The show's been Americanized by Fox, starring Greg Kinnear (an actor of whom I'm a big fan), but I'm avoiding the Fox series because I've been told the edge of the Australian original was sanded down for American audiences. But, it's the sharp edge that I enjoy. If you can get your hands on the OZ version of Rake, you ought to watch it. It's really good TV.
Você sabia?
- CuriosidadesCleaver Greene's character is loosely based on one of Sydney's most colourful barristers, an author and co-creator of Rake, Charles Waterstreet. Both (fictional) Greene and Waterstreet have a Bachelor of Law from the University of New South Wales.
- ConexõesFeatured in The 7PM Project: Episode dated 12 June 2024 (2024)
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Рейк
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
- 16:9 HD
- 576i (SDTV)
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