O advogado criminal Cleaver Greene defende o indefensável, dos bigamistas aos canibais e tudo mais. Ele é o campeão da causa perdida, tanto no tribunal quanto no quarto.O advogado criminal Cleaver Greene defende o indefensável, dos bigamistas aos canibais e tudo mais. Ele é o campeão da causa perdida, tanto no tribunal quanto no quarto.O advogado criminal Cleaver Greene defende o indefensável, dos bigamistas aos canibais e tudo mais. Ele é o campeão da causa perdida, tanto no tribunal quanto no quarto.
- Prêmios
- 9 vitórias e 31 indicações no total
Explorar episódios
Avaliações em destaque
10rven3
The news that Series 4 of "Rake" is to begin on Australian free-to-air TV on 19th May this year has brought me out of the cupboard to comment on this series as a whole (so far.)
Brilliant doesn't even begin to describe it. The names Peter Duncan and Andrew Knight as co-writers of much of the first 3 series' is generally a recipe for classy, tight writing. The concept, the delivery, the moral ambiguities, the lines nudged and then stepped over - it is all very, very Australian, and so typically modern Australia is it that perhaps it should not have been re-made with a US cast. The cast of this is universally brilliant, with Richard Roxburgh receiving a special mention from me, because any other actor may not have been able to walk that fine line between (almost) law-abiding citizen and absolute rogue, coming out after all his scrapes and gaol terms as someone we are prepared to forgive (almost) anything. The writing and acting of Cleaver Greene's relationship with his son is worth a special mention, in particular the odd turn this relationship takes in S.3 - just classic.
I'll make mention also of the subject matter in Ep 5 of S.1, where Sam Neill guest stars with Heather Mitchell. It's the "family dog" episode, and on first viewing I thought, 'did I just see that, or did I imagine it?'. According to Charles Waterstreet, whose experiences as a Barrister in Sydney provided the inspiration for the character of Cleaver Greene, the case of the stolen DVD made by the good doctor and his wife was based upon a real life case. This is an instance of real life being far more outrageous than fiction.
I can give this series - so far, at least - no less that 10/10.
Brilliant doesn't even begin to describe it. The names Peter Duncan and Andrew Knight as co-writers of much of the first 3 series' is generally a recipe for classy, tight writing. The concept, the delivery, the moral ambiguities, the lines nudged and then stepped over - it is all very, very Australian, and so typically modern Australia is it that perhaps it should not have been re-made with a US cast. The cast of this is universally brilliant, with Richard Roxburgh receiving a special mention from me, because any other actor may not have been able to walk that fine line between (almost) law-abiding citizen and absolute rogue, coming out after all his scrapes and gaol terms as someone we are prepared to forgive (almost) anything. The writing and acting of Cleaver Greene's relationship with his son is worth a special mention, in particular the odd turn this relationship takes in S.3 - just classic.
I'll make mention also of the subject matter in Ep 5 of S.1, where Sam Neill guest stars with Heather Mitchell. It's the "family dog" episode, and on first viewing I thought, 'did I just see that, or did I imagine it?'. According to Charles Waterstreet, whose experiences as a Barrister in Sydney provided the inspiration for the character of Cleaver Greene, the case of the stolen DVD made by the good doctor and his wife was based upon a real life case. This is an instance of real life being far more outrageous than fiction.
I can give this series - so far, at least - no less that 10/10.
This TV series tries not to lecture too much in order to recognize that people who are good at their jobs can have many other flaws. In other words, this series is very engaging because it has characters who are not wooden or black and white. Most characters in the show are somewhat dysfunctional and yet they have decent core values. And the most dysfunction is the main character who happens to be an excellent lawyer dealing with very difficult to defend cases or sometimes guilty people.
The acting and the dialog is superb. Every single episode that I have seen has been well written and that is not always the case even for many great TV shows. This show also manages to incorporate comedy, drama and suspense very well.
I love it and I wish that there were more episodes.
The acting and the dialog is superb. Every single episode that I have seen has been well written and that is not always the case even for many great TV shows. This show also manages to incorporate comedy, drama and suspense very well.
I love it and I wish that there were more episodes.
10kimmoth
I was overjoyed to hear this show is back, and stunned to realise I'd forgotten about it (although it's been a year without a season).
Being reminded of its existence, let alone the prospect of another season, was enough to cause uncontrollable grinning.
I love everything about it. The production values, the writing, the casting, the acting, it's all superb. But what I love most about it is the show's timbre; its aim and stance; its beautifully human angle. Many bonus points also for the regular moments of absolute hilarity.
After watching the first episode of the second season, I can't wait for next week... this will get the long months waiting for the final instalment of Breaking Bad off to a good start.
Being reminded of its existence, let alone the prospect of another season, was enough to cause uncontrollable grinning.
I love everything about it. The production values, the writing, the casting, the acting, it's all superb. But what I love most about it is the show's timbre; its aim and stance; its beautifully human angle. Many bonus points also for the regular moments of absolute hilarity.
After watching the first episode of the second season, I can't wait for next week... this will get the long months waiting for the final instalment of Breaking Bad off to a good start.
10fung0
I tripped over this show on my way to the US remake, which caught my attention because of the presence of the always-likable Greg Kinnear. I'm very glad I tried the Australian original first. The US version is derivative and downright dreary; the original sparkles, with both razor-sharp satire and equally sharp-edged drama.
Rake manages to fuse comedy, courtroom trickery, human drama and even some odd moral allegory. All these facets are apparent in the first show, when Greene must defend a cannibal (brilliantly played by Hugo Weaving) - who just happens to be a free-market economist, and who (like most free-market economists) sees nothing wrong with what he has done. In the next show, Greene tries to get an innocent woman convicted, then is forced to switch and get a guilty one acquitted. Then he defends a bigamist, who just happens to be a model husband - more than once.
Greene's approach to the defence in each case is both clever and believable, in a way that most courtroom fiction is not. It reminds me of the best of Rumpole, with that series' ability to feel sympathy even for the guilty, and its reliance on astute legal trickery to make things come out 'right' in the end. Not to mention its ability to make us question just what 'right' means, in each case.
Rake has immediately leaped onto my list of top ten TV shows *ever*. It's as funny, vulgar and painfully real as the brilliant British sitcom Still Game. Yet it's equally compelling dramatically. It definitely has things to say, but it slips these points in subtly, slyly, when you're not looking.
Jack Lemon (speaking about The Apartment) said his ideal role was one that was both comedy and drama. That describes Rake perfectly. Richard Roxburgh may not be the equal of Lemon (who is?), but he comes through superbly as Cleaver Greene. The other roles are similarly well-handled, many of them by actors who will be very familiar to fans of Australian cinema.
The US version of Rake seems like a quality production, and I may give it another try, though I admit I was unable to get through the first episode. The show seems predictably gutless, unable to embrace the moral ambiguity of the Greene character. Kinnear ends up playing a dysfunctional loser, where Roxburgh scintillates as exactly what he should be: a rake - an utterly likable rogue, a womanizer, a vagabond. A man who has no choice but to live by his own rules, and who adheres to no moral code but his own.
I don't register a 10/10 rating very often, but in this case I felt like it was barely high enough. My advice: track down this show by whatever means necessary, and see it immediately.
UPDATE: Rake is back for a 4th season. There's no question that the original brilliance has dimmed just a bit. The first season focused on legal shenanigans. Successive seasons have become more of an improbably Rake-ish soap opera. They're still a load of fun, but maybe in the 8-9/10 range. Still, the approach remains unique, and it's always a pleasure to see Roxburgh chewing up the scenery as the quintessentially Australian anti-hero, Cleaver Greene.
Rake manages to fuse comedy, courtroom trickery, human drama and even some odd moral allegory. All these facets are apparent in the first show, when Greene must defend a cannibal (brilliantly played by Hugo Weaving) - who just happens to be a free-market economist, and who (like most free-market economists) sees nothing wrong with what he has done. In the next show, Greene tries to get an innocent woman convicted, then is forced to switch and get a guilty one acquitted. Then he defends a bigamist, who just happens to be a model husband - more than once.
Greene's approach to the defence in each case is both clever and believable, in a way that most courtroom fiction is not. It reminds me of the best of Rumpole, with that series' ability to feel sympathy even for the guilty, and its reliance on astute legal trickery to make things come out 'right' in the end. Not to mention its ability to make us question just what 'right' means, in each case.
Rake has immediately leaped onto my list of top ten TV shows *ever*. It's as funny, vulgar and painfully real as the brilliant British sitcom Still Game. Yet it's equally compelling dramatically. It definitely has things to say, but it slips these points in subtly, slyly, when you're not looking.
Jack Lemon (speaking about The Apartment) said his ideal role was one that was both comedy and drama. That describes Rake perfectly. Richard Roxburgh may not be the equal of Lemon (who is?), but he comes through superbly as Cleaver Greene. The other roles are similarly well-handled, many of them by actors who will be very familiar to fans of Australian cinema.
The US version of Rake seems like a quality production, and I may give it another try, though I admit I was unable to get through the first episode. The show seems predictably gutless, unable to embrace the moral ambiguity of the Greene character. Kinnear ends up playing a dysfunctional loser, where Roxburgh scintillates as exactly what he should be: a rake - an utterly likable rogue, a womanizer, a vagabond. A man who has no choice but to live by his own rules, and who adheres to no moral code but his own.
I don't register a 10/10 rating very often, but in this case I felt like it was barely high enough. My advice: track down this show by whatever means necessary, and see it immediately.
UPDATE: Rake is back for a 4th season. There's no question that the original brilliance has dimmed just a bit. The first season focused on legal shenanigans. Successive seasons have become more of an improbably Rake-ish soap opera. They're still a load of fun, but maybe in the 8-9/10 range. Still, the approach remains unique, and it's always a pleasure to see Roxburgh chewing up the scenery as the quintessentially Australian anti-hero, Cleaver Greene.
Not being Australian and completely unfamiliar with Australian TV, I came to Rake without any expectations or preconceived notions. I find the show is hilarious and mesmerizing at the same time, in no small part due to Roxburgh's performance. He's terrific as a cad with a heart of 14K gold plated brass.
In some ways, Rake is reminiscent of, but doesn't imitate, the great Robbie Coltrane series, Cracker, with both lead characters brilliant in their professional lives, yet exasperatingly self-destructive train wrecks once they're off the clock.
The show's been Americanized by Fox, starring Greg Kinnear (an actor of whom I'm a big fan), but I'm avoiding the Fox series because I've been told the edge of the Australian original was sanded down for American audiences. But, it's the sharp edge that I enjoy. If you can get your hands on the OZ version of Rake, you ought to watch it. It's really good TV.
In some ways, Rake is reminiscent of, but doesn't imitate, the great Robbie Coltrane series, Cracker, with both lead characters brilliant in their professional lives, yet exasperatingly self-destructive train wrecks once they're off the clock.
The show's been Americanized by Fox, starring Greg Kinnear (an actor of whom I'm a big fan), but I'm avoiding the Fox series because I've been told the edge of the Australian original was sanded down for American audiences. But, it's the sharp edge that I enjoy. If you can get your hands on the OZ version of Rake, you ought to watch it. It's really good TV.
Você sabia?
- CuriosidadesCleaver Greene's character is loosely based on one of Sydney's most colourful barristers, an author and co-creator of Rake, Charles Waterstreet. Both (fictional) Greene and Waterstreet have a Bachelor of Law from the University of New South Wales.
- ConexõesFeatured in The 7PM Project: Episode dated 12 June 2024 (2024)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How many seasons does Rake have?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Рейк
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
- 16:9 HD
- 576i (SDTV)
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente