Don't Talk to Strange Men

Don't Talk to Strange Men is just what a thriller should be; simple and effective. The film is very short, running at only just over an hour; but this time is put to very good use as director Pat Jackson wastes no time in getting straight to the point. The film would appear to be a cautionary tale for kids and the subject at hand is the idea of a minor being 'groomed' by an adult who plans to take advantage of them. However, the director doesn't preach anything to the audience; instead the story is just allowed to play out. We focus on a small town that has been upset by the murders of some young kids. Jean Painter is the naive daughter of an overprotective father. She works at a local bar and catches the bus home. One day while waiting for the bus, she hears the phone in the booth near the bus stop ringing; and innocently answers the phone. She begins a dialogue with the stranger on the other end, and becomes obsessed with his voice. Eventually, the stranger suggests they meet...and it becomes clear he has sinister motives.

A major reason why this film works so well is down to the fact that all the major characters are easy to get along with. Christina Gregg's character does require the audience to suspend their disbelief somewhat as she is so easily infatuated with the stranger on the phone; but she plays the role well and is easy to root for. Gwen Cherrell's script is serviceable; but at times the dialogue can be a little strange, and it feels unnatural. The story itself also seems a bit hard to believe at first glance; but inadvertently falling for a voice on the phone is no more unbelievable than falling for someone in an internet chat room; and that is a story we hear often today, meaning the film still has meaning almost fifty years since it was made. The film flows well throughout and is always interesting; but the final third is the best of all. The director really cranks up the tension until it becomes nail-biting, and the final conclusion is well worth the effort invested in the film. The actual ending itself is a bit abrupt and too light-hearted for my liking...but this is still an excellent thriller that more than makes up for any flaws. Highly recommended viewing...if you can find a copy.

Absolute gem that apparently went out as a support to 'Loneliness of the Long distance Runner' upon release. In many ways an object lesson in how to make a movie. The performances are all good the cinematography (by Jack Cardiff) is excellent and the simple tale assuredly told thanks to a fine script. It is a tale of girls' vulnerability to 'strange men' or simply the male predator. This is all the more effective for its telling from the perspective of the two girls. Unlikely to be presented in this way today, we see the girls enthusiasm, their welcoming of the attention and in the case of the older girl, her sensing the transition to of her adulthood. Potent stuff indeed and made all the more chilling by completely believable dialogue on all sides, including the parents, and the stunning photography, particularly the night shots. Dandy Nichols is a welcome extra as the bus conductress, but this is a must see for all except those only fascinated by 'blockbusters'. Very redolent of the time but also, as others have pointed out, still pertinent today because of internet chat lines and the like.

I have always liked this film and had the chance recently to see it again as a friend taped it. It is a tale about a young girl who falls for a man she has talked to only by telephone at a remote call box. Lots of period footage of the girl and her young sister with their parents at home in their middle-class English country home. When you view the "over the call box courtship" of the nice fellow who wants to meet the young Christina Gregg you can identify with what you hear in the media today, about the way certain people court youngsters in Internet chat rooms with youngsters of today. Very thought provoking and at times charming little movie.....

I wonder why they never broadcast these movies nowadays - it is still not available on DVD. I sometimes wonder what other little gems like this I am not aware of.

Released as the support feature to The Loneliness of the Long Distance Runner, Don't Talk to Strange Men is a very effective creeper that is worthy of a larger audience. Clocking in at just over an hour in running time, film thrives on tension building and mood without having to spill a drop of blood. Story effectively is about a teenage girl called Jean (Christina Gregg), who whilst waiting for her bus on a secluded country lane, answers the phone ringing at the phone box situated by the stop. The voice on the phone is a charming and well spoken man, he strikes up a conversation with the intrigued girl and it's not long before the two of them are arranging to speak to each other at the same time tomorrow, and the next day Jean begins fantasising about the man, conjuring up images of the perfect male. They are destined to meet up, does she not know these are dangerous times? Where young ladies fall prey to predatory monsters.

The settings are perfect, Jean and her family live in some idyllic country village, the phone box and bus stop that houses the verbal "grooming" is at the junction of two pretty country lanes, and even the pub where Jean goes to help out is the kind of petite "off the beaten track" variety. It's these locations that give off a false sense of security, a normality of easy going life where nothing can go wrong, But as we know all too well these days, nowhere is safe and parents constantly live in fear for their children. With that, Don't Talk to Strange Men is something of a film ahead of its time, substitute naive Jean's phone box "relationship" with that of today's Internet groomers of youngsters, and, well, you get my point I'm sure.

Neatly directed by Pat Jackson (The Feminine Touch), the film is structured in such a way that we the audience get fretful as each day, and each phone conversation, passes. Where once was this attractive young lady framed by countryside and the old fashioned value of the red phone box, now is replaced by surroundings that are too quiet and a big red beacon of impending doom! It's an astute turning of the table, a testament to good writing and excellent directional pacing. And how nice to report that the ending, too, has something up its sleeve to reveal. The cast is minimal but very effective, with Gregg doing well to convince us of her love yearning naivety, Dandy Nicholls (Hue & Cry) memorable (wasn't she always?) as the wise bus conductor and Janina Faye (The Horror of Dracula) stealing the film as Jean's younger, politico activist in waiting, sister.

A lesson in how to get the maximum unease from such a simple premise, Don't Talk to Strange Men comes highly recommended. 8/10

Christina Gregg is waiting for the bus to pick her up at the stop, when the phone rings in the telephone booth. That's all there is, besides her and the road and a few empty fields, so she picks up the phone and tells the cultured sound man on the other end that he has the wrong number. He thanks her, and admires her voice. They chat for a bit, and he asks if she will answer the phone if he calls the number at the same time tomorrow. She says she will. When she goes home, she high-hats her old, worn-out parents with her sophisticated secret admirer.

It's one of those middle-class "Your daughters are in danger!" thrillers that nowadays the Lifetime cable channel turns out by the score. This is very early in the evolution of the form, so there's lots to admire in early examples of what will become standard tropes while they are new and fresh. Miss Gregg is quite good. The overwhelming normality of everything and everyone about her, from her parents, who don't know what she is going on about, to bus conductress Dandy Nichols, to kid sister Janina Faye, who just wants her sister to go the movies with her, make this an early and effective example of the genre.