Lisa

i was pleasantly surprised by this movie.i thought it was terrific.it's got loads of suspense and tension.i also liked the atmosphere over the movie overall.it's well acted.i found the interaction between the mother and her teenage daughter to be very authentic.the movie is not boring at all.in fact,it movies along at a very nice clip.there is one great ironic scene,which i thought was brilliant.it may not have been original,but it works in this case,regardless.the general premise isn't wholly original,but i like what they did with the material.to me,this movie is quite above average for the suspense/thriller genre.i caught this movie on cable,so it didn't cost me anything(other than my monthly cable bill,of course).i think it's well worth the two hours or so spent watching.for me,Lisa,AKA The Candle Light Killer is an 8/10

"Lisa" takes me back when I was about 11 or 12 years old. Sometimes bad movies can be good if you grew up watching them. I watch this movie now and I say: "Ok it was kind of stupid, but I still like it". I don't know, I guess I am hooked on the whole fact of Lisa being this stupid kid doing the exact opposite of what I would have done. I get a kick out of watching movies; especially if it is dealing with other people's problems,it makes me feel better if I am having a bad day. Still the movie has it's suspense, and charm, and its about a 14 year old girl making really stupid mistakes, and of course paying for them! Haven't we all! I still love this movie and I'm still going to buy it!

Staci Keanan of 'My Two Dads' and 'Step by Step' stars as the title character, a girl in her early teens. She's a little too eager to grow up, especially since her mother Katherine (Cheryl Ladd), doesn't want her dating for at least another two years. One night, Staci literally runs into older man Richard (D. W. Moffett), and is struck by his good looks. She develops an obsession with Richard that includes following him to see where he works (he runs a restaurant). This escalates to a point where she goes ahead and phones him, and they engage in some seductive calls, with him not knowing that this mystery caller is the young girl whom he's just met. Ultimately, she's playing with fire: we learn early in the movie that Richard is the evil Candle Light Killer who has been offing various unlucky local women.

People who love the other works of director Gary Sherman, such as his horror features "Deathline" (a.k.a. "Raw Meat") and "Dead & Buried", and his sleaze drama "Vice Squad", may be caught a little off guard at first with the tamer nature of this film. But in his own words, he basically made this for teenage girls, having also co- written it with Karen Clark. Taking it for what it is, it's watchable enough, with some adequate suspense and a climax that actually doesn't go overboard with violence. Joe Renzettis' music is good, and the lighting by Alex Nepomniaschy is appropriate from scene to scene.

Keanans' appealing performance does go a long way towards making this work as well as it does. Moffett is similarly effective - he's charming when he needs to be, and refrains from being an over the top bogeyman, playing the part with some restraint. Ladd is good as the overprotective mom who believes to have the best interests of her daughter at heart; she doesn't want her to make the same mistakes she did as a kid. Tanya Fenmore is engaging as the best friend, and a rather under utilized Jeffrey Tambor gets little to do as the best friends' father.

Even if "Lisa" is not really anything special, one could also do a lot worse.

Six out of 10.

Lisa (the lovely Staci Keanan) is 14 and boy-crazy, but Katherine, her overprotective single mother, refuses to let her date until she turns 16. While Lisa is out getting groceries one night, she literally runs into Richard and instantly develops a crush on the much older man. Along with her best friend, she finds out where he works and uses sneaky tactics to get his phone number. She begins calling him repeatedly, engaging in seductive conversations without revealing her identity. When Lisa's stalking gets more and more risky, her friend convinces her that if she revealed herself to Richard, he'd be furious about the age difference. Lisa then devises a plan to push Richard and Katherine together in an attempt to get her mother's mind on something other than controlling her life. What Lisa doesn't know is that Richard is a serial killer who was leaving the scene of his latest crime when she bumped into him.

Director Gary Sherman's output has always been largely ignored. Even "Dead & Buried", which is one of my absolute favorite horror films, wasn't widely known for the longest time. "Lisa" is no different. Unlike the aforementioned gem, however, it doesn't have a DVD or Blu-ray release to help it gain more viewers. That said, it is certainly worth seeking out.

The film contains some strong performances. Staci Keanan, who was the sole reason to watch popular sitcom, "Step by Step", carries the picture. She is infinitely charming with a quick wit and my kind of quirkiness. She's also great at portraying this naive, vulnerable girl who thinks she's tougher than she is. Lisa and her mother share a good relationship, but we see the wedge that is driven between them as the former grows increasingly bitter due to the rules placed over her. It doesn't help that she witnesses Katherine spurn a friendly guy at the local bowling alley, an act which leads Lisa to believe that she's being punished for her mother's past mistakes. Cheryl Ladd is well-cast as Katherine, and her chemistry with Keanan is palpable. Short of casting Jordan Ladd herself in the titular role, I don't think we could have seen a more believable mother and daughter pairing. D.W. Moffet makes for an interesting maniac. Rich, good-looking and suave, he could easily get women, but he would rather slaughter them. Dubbed the "Candlelight Killer" by the press, he leaves messages on his victims' answering machines warning them of what he's about to do before he does it. Jeffrey Tambor is in the film too, but he's underused in a throwaway role.

We get some solid suspense here, particularly during a scene where Lisa finds herself stuck in Richard's vehicle. It's made worse by the fact that she doesn't know just how bad it would be if he found her. The film's climax is also tense and surprisingly violent. We also get an amusing bit, be it intentional or unintentional, where Richard uses Katherine to head-butt her own daughter. I will say that the film falters a bit towards the end, mainly due to a poor decision made by one of the characters. This in turn makes for a predictable finale. I also thought that the look of the film wasn't as impressive as it could have been, especially taking into account the eerie, fog-drenched photography of "Dead & Buried". The score sort of made up for the generic look, being moody whereas the atmosphere wasn't.

In the end, this is a worthwhile effort thanks in large part to the performances on display. It's a well-acted film, and the suspense benefits as a result.

Lisa is a lesser-known seductive thriller that toys with the perils of connecting with a stranger over the phone (back then, a landline) in the late 80s. When 14-year-old Lisa (a cute Staci Keanan) falls for the much older, outwardly charming Richard (D.W Moffett), she stalks him and connects with him virtually over phonecalls. This is particularly fueled by the fact that Lisa's (single) mom Katherine (the lovely Cheryl Ladd) doesn't want her to date until she's 16, while her bestie Wendy is allowed by her parents to do so. Little does she know that Richard is a serial killer targeting young women, and he gives chase to Lisa, thinking she's her mother.

The film hasn't exactly aged well and is filled with questionable logic but it delivers pretty solidly as a cat-and-mouse thriller. The horror is minimal - if you think a killer leaving recorded messages and jumping out of the shadows leaving a trail of violence in his wake is good enough, it does alright. But in terms of building an atmosphere, it's pretty far behind. We're introduced to Richard's antics early on, and by the time the second kill happens, we already know his pattern and it really doesn't build any further layers of mystery. And the way the character has been written too is quite ordinary.

What works in the film are the following: the uneasy mother-daughter chemistry between Keanan and Ladd, the charming 80s Los Angeles setting, the pulpy elements (like Lisa getting unexpectedly stuck in Richard's car), and the blood-soaked finale.