Samurai Ficção

"Samurai Fiction": Definitely worth watching - I thought it was a little slow at first (and a little sparse and inconsistent with the humour), but it definitely got better at the end. It won't make you more of a Hotei Tomoyasu fan (boy, he looks weird - almost like a manga character... like "Jei" in Stan Sakai's "Usagi Yojimbo"), and the swordplay won't exactly blow you away, but the adaptation of the black & white (with selective colour, a la "Rumblefish") genre is excellent. Being a Kurosawa fan, I especially liked the general "feel" of the cinematography and the video transfer, as it was digitally modified to add graininess and capture that circa-1950's TOHO ambiance. Critical attention was paid to camera angles, set design, character development and mannerisms, all playing true to the Kurosawa-esque model and at the same time sparing no opportunity for the sight gag and comedic element. Yes, for the Hirosue Ryoko fans-in-denial, the female lead (Ogawa Tamaki) bears a somewhat close resemblance (slightly less boyish), but that's besides the point. The movie felt like it was part of an Ulfuls music video at times (I think it was "Guts Daze"), which was exactly what made it so good. Highly recommended.

A very positive movie, with excellent music, on the theme of how to be free as a samurai. Almost all characters are oddballs in some way: a master swordsman who does not want to kill anyone, incompetent ninjas, a son of feudal lord incapable to be a warrior, a bad guy who does not desire any profits of being bad.

There are numerous plays on Akira Kurosawa and Masashiro Shinoda movies, moreover two minor characters bear their names. There will be also a "Zatoichi" blind man who will appear in the midst of the biggest battle to do absolutely nothing.

The title says all: it is what the samurai world could or should be but wasn't; in this sense it is a kind of fable with a good ending for all leading characters (even the bad guy will have his dream fulfilled and will die with a smile on his face). It is a pity that it stayed as "Episode One", though.

The Japanese b/w movie "Samurai Fiction" is neither a typical martial arts movie nor a classical "old school" samurai drama like the ones of Akira Kurosawa. It's rather a collage of different impressions about the life of a Japanese samurai some hundred years ago who becomes involved in a bloody revenge story.

In the beginning the spectators have to get used to the strange mixture of b/w action scenes, narrations, dances, wild editing and a rock and dance music sound track. After a certain time, director Hiroyuki Nakano seems to remember what a story is and tells an interesting plot about a proud samurai struggling between revenge, fight, death and love.

During movie there are always comedy situations such as the witty dialogue between the samurai and his servant or a really beautiful striptease dance Japanese-style by stunning actress Mari Natsuki to an Asian canton pop version of Peggy Lee's hit "Sway".

If you're into Asian hardcore action movies you may be bored by this unusual movie, but if you're open-minded enough for experiments, "Samurai Fiction" is a good and entertaining example for modern Japanese underground cinema.

If only every samurai flick from Japan is this cool, then I'd be a very happy man. But then again here lies the greatness of Samurai Fiction. It does not conform to the common rules of period film making. In fact, director Hiroyuki Nakano creates a genuinely fresh look at that age-old jidaigeki genre, by doing everything in the opposite direction. His sense of humour is slick, his presentation stylish and by the end of the movie you can not avoid being moved by the heart of the story. It's actually cathartic for me, a fan of samurai films and Japanese drama/comedy.

Don't be misled by the trailer though, Nakano takes on the film is far from creating a parody of the likes of Kurosawa. SF is essentially a fresh comedy which happens to be set in the Edo period, because it works so well in conveying his message to the audience.

The casting is pitch-perfect, characterization is sublime, editing is effective and smartly executed, while the direction is top-notch and funky. You would also love the art direction, cinematography and best of all the soundtrack of the film. The music pieces themselves are melody narrator of the story, as they carry you throughout the journey and mark transitions of the scenes so effectively.

I must say Samurai Fiction will be half as good without the music, so a special praise should go the the talented Tomoyasu Hotei, who himself turned in such a cool performance as the ronin Kazamatsuri. He's probably the most suave renegade on film after the great Toshiro Mifune.

The film directly opens with a promise of a sequel by directly entitling the movie Episode One: Samurai Fiction. Then we jump backward all the way to the year 1696, the Edo Period. The narrator then states that the character you see on the screen was the narrator himself, 300 years ago. The film then closes with the same narrator saying that it would take him a long time to learn the lesson of love. Enter the sequel: Episode 2002: Stereo Future. Can't wait to watch it!!!

SAMURAI FICTION (4 outta 5 stars) What a terrific movie! It's described as a comedy but, while it does have a lot of humour in it, I think it holds up pretty well with any of the classic samurai stories. The movie is in black and white (with select use of colored images throughout) and I found the visual style very reminiscent of early Kurosawa. In fact, if I had been told that this was an early Kurosawa movie I would have believed it completely. Except for the soundtrack, that is! As old fashioned as the look of the movie is, it has a very modern rock soundtrack by the great Tomayasu Hotei (you know his music from "Kill Bill"). Tomayasu even co-stars in the movie.. playing Kazamatsuri, the badass samurai who steals a clan's revered ceremonial sword and triggers some strong (violent) emotions. After nearly killing a trio of young men bent on recovering the sword, Kazamatsuri becomes obsessed with fighting a peace-loving samurai master who has given up the idea of violence and killing. But maybe he will change his tune if his daughter is threatened...? Great plot, great performances... the actual swordplay may seem a little less flashy than most modern epics but its still exciting stuff, especially when backed by Tomayasu's stirring rock score! The soundtrack might be the one thing that puts people off this movie... personally I didn't find it distracting or "wrong" at all. The old-style movie directing and the "MTV Music" style melded perfectly.