Ladrão de Sonhos

The City of Lost Children gets two platinum stars and also moves up to one of my top ten favorite films of all time. This is a confusing story, from beginning to end it expands your mind, reaches into your nightmares, and creates a story that is part Dark City and part of a novel called "The Golden Compass" by Phillip Pullman.

Yes, this film was everything and more. Not only visually beautiful, but the creative and symbolic meaning of the actions and words of the characters are "jaw dropping". Also, there are so many sub-stories in this film that reminded me of the style that Run Lola Run was done. This is the style that due to a connection of unrelated events something extraordinary happens. Let me give you an example from this film: There is a scene where the girl and One (Ron Pearlman-also a very biblical name) are trying to escape from the two women who want their jewels. There are events that lead from a dog finding its female companion to a boat almost hitting/splitting the women in half. Wild coincidences...imagine this times ten, and you have this film.

Keep in mind this is a French film with English subtitles, so you are not only getting the true voice of the film, but seeing the darkness of the cinematography without any American input. This really shows the purpose behind making this film, it really takes you to a new place so dark and dreamlike that you the viewer actually feel like you are in the picture itself. A movie about dreams and nightmares that takes place in a world of dreams and nightmares.

Overall, a heavily religious and symbolic film, The City of Lost Children should be put at the top of your foreign film list. Put it in your DVD player, open your mind, and be ready for a wild and intense ride!!

Grade: ***** out of *****

I'm a fan of fantasy films. It's a mixed bag of a genre on all truth. Very rarely are there any great fantasy films. There are good ones or average ones that can merely get by on their looks. I do love the fact that fantasy films can paint such vivid and imaginative picturesque settings. As an example look at Legend. That was one of the best looking films ever made but the content of the film was not great. It was poorly scripted with hokey dialogue and a storyline aimed at 5 year olds, with creatures and effects that would scare the pants off younger children.

Now you look at the best ones and the rare ones that can be called classics with greats of other genres like Lord Of The Rings and in a more Sci-fi orientation, Star Wars. City Of The Lost C children is a French fantasy aimed at a more mature audience member, from 15 up really. It looks fantastic. The sets, the costumes, the effects, the cinematography turn this 15 million dollar film into something looking far more epic and majestic in scope. Jean Pierre Jeunet and Marc Caro take joint plaudits and credit as directors, Jeunut more responsible visually and Caro for the character and story. This is endlessly imaginative and immensely enjoyable and is very quirky.

The story centres around a mad scientist, Krank, who is unable to dream, because of this he is aging quickly and is old beyond his year. He grows insane and has developed a technique to view and capture children's dreams so he can thereby inject them into his own mind. He kidnaps children from the nearby village and brings them to his lair, a king of oilrig in the middle of surrounding sea. He is aided by his brothers who are four identical clones of each other, unfortunately they all suffer from narcolepsy. Krank himself is a clone. His father who created them is now merely a brain in a tank and Krank was an unfortunate mistake who doesn't dream. The only clone who was right is an enigma called the original who has long since escaped the insanity of this evil lair only to be living underwater and a kind of insane junk collector. One day strong man, One, and his little brother are ambushed by Krank's men and One's little brother is kidnapped. Thus far Krank's captives have proved unsuccessful in his quest for a cure, because they all suffer terrible nightmares, partly due to his own nastiness. All this latest young victim responds to is food, he seems to have no fear and it seems he could be the one, just as long as Krank keeps feeding him. One sets out on a quest to find his brother meeting Miete, a young a troublesome orphan girl in the process. It's all good fun this film and while the story is simplistic it's a kind of delightfully Grimm fairytale sort of story that keeps your interest.

The cast are great. Ron Perlman is one of those cult actors who everyone seems to like and he has hit it big with the recent success Hellboy. He is a strong presence and unlike many musclemen of his stature he can act, something which has held him back somewhat because people have never really cast him as a leading action man, although in truth he's not blessed with good looks. The interestingly named Rufus, a Juenet stalwart is also very good as the clones, while Daniel Emilfork is excellent as Crank. Also good and a charming innocence is Judith Vittet as Miette.

Anyone who loves a visually stunning movie should watch this film it looks amazing. The sets, the impressionistic and exaggerated designs are brilliant. It is typically French in it's verve. This is a fantasy fans wet dream, believe me! ****

The first time I saw this movie I shook my head and wondered why I wasted three dollars renting this movie. It seemed to me that the storyline was worthless. However, I gave this movie a second chance, and this time instead of constantly reading the subtitles I paid more attention to the acting and events taking place on-screen.

I was shocked. The amount of creativity and symbolism blew me away. A lot of questions I had accumulated throughout my first viewing were answered by watching the movie carefully.

I recommend to everyone who thought this a poor movie to watch it again. If you don't speak French (like myself) try not to get so involved in the subtitles that you miss critical detail. It's there, and it's important, trust me!

It's so bizarre that it's beautiful; it's so illogical that it's funny; it's so dark that it's so sweet. That's The City of the Lost Children. The plot it's that the evil -and weird- Krank (Daniel Emilfork) kidnap children to stole their dreams due to the lack of his ability of dream. Or at least he did it, until it came One (Ron Perlman), in the search of his adoptive little brother, aided by Miette (Judith Vittet), a street smart orphan child.

In technical aspects it's a master piece. The decoration give a baroque sensation of always being in small places, yet it's a full city populated of bizarre characters as the story itself.

The acting it's great. I'm quiet impressed for the flawless french that Ron Perlman show us, he's just simply astounding. I cannot say less of Judith Vittet, that being a child in that time she was a tremendous actress. The two have a good chemistry as a girl mature as an adult and a grow up man with the innocence of a kid.

I can't say that this is a movie that everyone would like, because it's not. It have a little of nonsense that might be not of the like of all the public. And all the dark atmosphere might be a little suffocating. So, take the risk and watch it, and then decide: you love it, or you hate it.

The City of Lost Children is my all time favorite movie. It is unlike anything I've ever seen or experienced before. It's a movie that I hold dear to my heart and will never forget. I have to be honest though, the first time I saw this movie, I really didn't like it at all. The story was too confusing, and the characters were extremely weird and twisted. After watching it a second and third time, however, I understood what was going on more, and could spend more time looking at the visuals rather than the subtitles. Speaking of visuals, this movie has it in spades. The environment that Jean-Pierre Jeunet created is out of this world. The city is very dark and the water looks as if there are secrets hidden within. The mood the soundtrack sets is perfect for the scenery and the superb acting by everybody (including the kids) just adds to the greatness of this flick. I highly recommend this movie, it's one of those movies that you will never forget watching, and the images will stay in your head for a very long time. A beautiful, beautiful, movie. 10/10