The Debt Collector

My title isn't to imply that this movie isn't worth seeing. If you can stand the despair, this movie is fantastic.

I found that the words of the Greeks came back to me as I was watching The Debt Collector. "Those whom the gods will destroy, they first make mad". It seemed apt for a modern tragedy in the tradition of Sophocles.

The best technique that Neilson used was lighting. It's rare to have a movie that goes from such brightness to such gloom. The wedding scene, for instance, was as bright and cheerful as you expect such a scene to be, but after Keltie's parting shot, we are outside, in the rain, the dark, the gloom... perfect!

The violence is something that others have commented on. It is so unlike the Hollywood violence that we are accustomed to seeing. This violence is very real, and more shocking and horrifying because of it. All the male lead characters were capable of violence, and it made me wonder how close we all are from such displays.

The Debt Collector is a story of hatred gone to extremes. It spoke to me of how hatred and revenge are empty ideas... and how it is much more important, if difficult to forgive those who have harmed you, and not to live in the past.

This movie is not for everyone, but if you are interested in tragedy, then you should see this film.

The Debt Collector is a brilliant study of one man's attempt to escape his past without fully paying for his sins and one man's obsession which eventually takes over his life. Nicky Dryden (Billy Connelly) is the man with the past, a vicious debt collector. Keltie (Ken Stott) is the cop who ensnares him and puts him away. When Dryden is released he starts to make a name for himself as an artist and marries a beautiful reporter. Keltie cannot bear to see a man like Dryden living a lifestyle like that after all the horror he created. Dryden of course is a reformed man but is haunted by his past. His wife Val (Francesca Annis) seems to be the only one who understands. All Keltie had is his mother (Annette Crosbie) who is starting to suffer from dementia. When Keltie seeks revenge on Dryden on behalf of all his victims it becomes an obsession. Then Flipper (Iain Robertson) a young thug who hero-worships Dryden, becomes the catalyst for tragic events to unfold and nobodies life is untouched. You will never see a more intense study of obsession. The closest film comparison would be TAXI DRIVER, but that is the story of a loner. The men in Debt Collector both have responsibilities toward family and that is the source of the tragedy in the film. The performances are brilliant, Connelly, Stott, Robertson and Annis are perfect, with Stott deserving a special mention for creating one of the most complicated characters in Scottish Screen History. The Direction is tight, Neilson never once showing his TV roots. This is a film well worth seeking out.

I really can't believe how highly rated this film is on these pages. The plot seemed to be unnecessarily full of very obvious twists (who actually thought that the policeman had killed Dryden's son?) The climactic stabbing scene was too awful to watch apart from on fast forward, and the attempt at a happy ending just lodged in the throat. All the male participants were mentally unstable which ment that there was no sympathy for any of them. I can't believe that my local paper described it as "funny", surely some mistake?

I have just seen this movie and thought I should make a comment on it. The performances by Billy Connolly and Ken Stott deserve accolades,Connolly is just as good as he was in Mrs.Brown,playing a man who after spending years in jail is determined to go straight. Newcomer Iain Robertson also gives a very good performance as a gangster wannabee. This film is a must see movie for Connolly fans,and just for people who like to watch a good quality movie.

An excellent film, though what a bleak view of human nature. Connolly's character is trying to live a good life and the psychotic policeman is determined that it won't happen.

Real Shakespearian tragedy, the wilful misunderstanding of the others characters motives by virtually everyone in the film made the outcome inevitable. The fight in Edinburgh Castle was a wee bit on the unbelievable side, but definitely fitted into the dramatic tradition.

At the end you were left wondering who had actually benefited from the whole sordid mess?