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Frustrated with the lack of opportunities in his hometown, young Jess Harker( Robert Wagner) plans to leave, but sympathetic stagecoach armed guard Race Crim (Dale Robertson) persuades his boss to give Jess the stage driver job. He accepts and gives the kid a chance to drive the stagecoach's main-line carrying $27000 dollars in gold dust and two important passengers. Crim rides as a guard, but when they arrive at a waystation, a gang of outlaws is waiting to ambush the coach. Jess panics and disobeys orders, resulting in the death of both coach passengers and the theft of the gold. Crim's love is among the dead, and he swears vengeance on Slater's gang, heading off after them. Jess is ordered back, but instead joins the posse led by Rory Calhoun's sheriff Tom Davisson, eager to make up for his mistakes. Crim however has turned vigilante, and shows no mercy for Slater's men as a hunts them down, before Tom and Jess apprehend Slater before Crim can hang him. Tom wants justice done, but not the frontier justice that the townsfolk have in mind, and as tensions simmer, friends will clash as doing the right thing becomes the unpopular option.

A fresh-faced Robert Wagner does well as a cocky man who soon goes through trial and tribulations before growing up and becoming someone, and that with the help of Dale Robertson and Rory Calhoun who both went on to have a successful career in westerns. Dale Robertson went on to make Tales of Wells Fargo. This western has plenty of Stagecoach chases, shootouts and they are quite excitingly shot, which gives this decent western a boost. Characterisation is fine, too.

Robert Wagner, thirty years before Hart to Hart. Here, he's young Jess Harker, waiting to leave his quiet little hometown, in one of his early roles. the stagecoach company lets him drive the stage, but of course, there will be obstacles along the way. when they get held up, they go after the gang. co-stars Dale Robertson and Rory Calhoun. Some scenes filmed in the hills east of modesto. GIANT trees on the ponderosa. Directed by Harmon Jones.. his first film as director was As Young As You Feel, with some huge hollywood names; he directed a bunch of big films, but moved into Television pretty quickly. It's good! no real surprises, but it's good.

"The Silver Whip" has a very good cast for a western. Rory Calhoun, Dale Robertson and a very young Robert Wagner star in this one.

Jess (Wagner) is very young but capable...so much so that Race (Robertson) recommends the stage company hire him to be their driver. But on his first run, the stage coach wanders into an ambush. Race yells at Jess to leave him behind to fight off the bandits but Jess refuses and stays to help. In the process, Jess gets himself shot (not badly) but his passengers are killed. Later, when he returns to town, Jess is fired for not listening to Race and not leaving with the coach.

Following this robbery, Race sticks behind and tracks the band of killers...all on his own. Jess goes back to town and after being fired, he's hired by the Sheriff (Calhoun) to be his deputy. Obviously Sheriff Davisson still has confidence in the young guy. Soon, the Sheriff and Deputy set out to find Race and the killers. What's next? See the film.

There's nothing great about this film but the script has some original ideas AND the acting is quite nice. After all, while not exactly A-listers, Robertson and Calhoun made some mighty good westerns during the 50s....and Wagner was just fine in one of his earliest roles. Overall, if you like westerns, you're bound to like this one...and seeing Jess grow and change through the course of the story was quite nice as well.

Character-driven western whose guiding idea unfortunately is better than the result. Sheriff Tom, tough guy Race, and young man Jess, are friends in a small frontier town. Jess, however, wants a chance to prove himself a man, so he gets trial run as a stage driver. Trouble is he screws up by not driving off to protect doomed passengers when stage is ambushed at a way station. Instead he stays behind to help his friend Race. Now Jess needs to redeem himself by helping Sheriff Tom and posse track down stage robbers before vengeful Race guns them all down. Climax occurs in town when lynch mob gathers to head for Tom's jail.

It's really Wagner's film. As the untried Jess, he shows his acting chops in a vivid performance still early in his lengthy career. Robertson (Race) and Calhoun (Tom) also get a lot of screen time as self-assured westerners. Oddly, they look so much alike, I got confused at times. The oater's unusual since no bad guy gets focal time, while the girls are strictly peripheral. Instead, the highlight is a well-photographed and lengthy chase scene across scenic rocks and hills. There's one unexpectedly jarring occurrence that I guess Hollywood convention couldn't let stand without smoothing out. Had they instead let it go extreme, the movie would be memorable. One key point, I wish Robertson's ambiguous character (Race) were more intense. That would have injected needed emotion to the movie as a whole There's a dramatic potential in the key conflict between Race and Tom that's unfortunately underplayed.

All in all, it's an interesting western with an unusual plot and some riveting scenery, but drains too much story potential.

Three of the stars became major television stars as well. And Rory Calhoun, Dale Robertson, and Robert Wagner made an excellent trio.

Accompanied by two of the loveliest ladies, Lola Albright and Kathleen Crowley, as well as by some un-credited high-caliber performers such as the great John Doucette, George Cheesbro, and Edmund Cobb, they give us a tense western drama.

Anger and revenge for cold-blooded killing always make for drama, and usually the audience, the viewers know which side to take. Here, though, there becomes a question of the right and wrong of lynch law. Who will defend the "official" law, and who will support the old "eye for an eye" law?

The denouement is not what we expect.

Until then, we are torn, because all the protagonists are good people and it is hard to decide for whom to root.

Un-billed is Chuck Connors, but billed is the superb James Millican, as is J.M. Kerrigan in an undemanding but literate and important role.

"The Silver Whip" is available at YouTube and I highly recommend it.