The Mummy and the Curse of the Jackals

It was 1969 and the movie THE MUMMY AND THE CURSE OF THE JACKAL was about to premiere in Los Angeles Ca with a hope and a prayer that they could find completion funds to be able to finish the movie. Using a Super 8 camera, the staff and crew as extras, you name it, they were forced to stop filming. The film has sentimental value to me as my dad was one of the extras. It was a real treat to see the movie, since it was the first time I've seen it after all the stories my dad told me about it! That was 38 years ago, and who even knows if any of these people are still alive? I give the movie 5 stars for trying, and God bless all the people that were involved.

Star Anthony Eisley once said the director of this film was "quite old and a little bit senile at the time"; yeah but you signed the contract anyway, didn't you Anthony! The story goes that the film was unfinished and sat on a shelf for quite sometime before someone scotch taped the scenes together into something that bore a resemblance to a feature film. That could explain why it begins in the middle with Anthony Eisley as an archaeologist renting a tumbledown house outside Las Vegas with two sarcophagii in his living room. We are told that he saved them both from a plane that was on its way back from Egypt but crashed nearby. The centuries old boxes contain Princess Akanna, a woman put into a deep sleep in ancient Egypt so that she might someday revive and bring the glorious message of the Goddess Isis to a modern world. Along for the ride is her guardian Sirakh, who looks considerably worse than she does after 3,000 years. (Has anyone besides me noticed their names are "Ananka" and "Kharis" re-arranged?) Akanna revives and turns Eisley into a "jackalman" so he can better be her slave. The mask and three fingered paw/hands had been used earlier that year in the Adults Only movie DRACULA THE DIRTY OLD MAN. (Way back in 1960 Boris Karloff said the old monsters were no longer scary. This movie proves him right. There is the inevitable scene of the Mummy and the Jackalman fighting and this scene was shot on location in Las Vegas. Eisley, or his stunt double, and the Mummy do their best to be fierce but people on the street stare at them and laugh!) John Carradine shows up for two scenes to (A.) pick up some quick pocket money and (B.) explain what is going on for everyone who is confused. You will probably stay confused though until the end of the picture where events come to their predictable conclusion even though everything happens with little or no explanation. John Carradine and Anthony Eisley went on to top themselves in modern Poverty Row pictures. Long John starred as THE WIZARD OF MARS and Anthony fought half a giant gorilla (it's a long story!) in THE MIGHTY GORGA.

Inept! Ridiculous! Vapid! Tedious! These are just a few words that might help explain what sitting through The Mummy and the Curse of the Jackal was like. Now, don't get me wrong - I did not sit down to watch the film expecting to see a masterpiece or even a decent horror film. I did, however, expect to see a mildly entertaining film starring John Carradine. The film is roughly an hour and twenty minutes in length, and John Carradine is not seen till after an hour and five minutes(and then is only in roughly 5 minutes of the total film). People pick on poor Bela Lugosi for making a lot of B pictures, but John Carradine went a step further and appeared in numerous Z pictures, and this is surely one of them. The film tells a story of a professor of Egytology who has "stolen" a couple of mummies. He reads about a curse of the jackals on one of the tombs and decides to try and make it happen. Of course, much to the chagrin of the audience and the amazement of the protagonist, it happens and the professor is turned into one of the most ridiculous-looking creatures ever on film. His jackal looks like a fat rabbit on steroids, and is anything but fearsome. Well the story moves along and soon the mummies awake, one a beautiful bosomy princess and the other a fat mummy with a huge lazy eye. Soon the jackal and fat mummy trek all over the lighted streets of Las Vegas, yes that's right they walk up and down the strip in Las Vegas while drawing really little attention to themselves. But that is not all, we also get to see Isis pop up later, and of course there is the climatic battle between the two creatures. Oliver Drake has certainly done something here. He has created a film with little or no merit. The only good thing I really can say about the film is that it has a totally misplaced soundtrack that has kept me humming the past few days. Carradine is good for his very VERY small part, and the princess is pleasant to look at. Other than that, the direction, writing, lighting, acting, special effects, make-up, etc.... are without a doubt truly incompetent.

I should know because he was my father. He was his harshest critic & did not enjoy watching this after it resurfaced on VHS. It is also incorrect that this was the only monster movie he ever made, The Mummy's Curse comes to mind. But I completely disagree with comments by Anthony Eisley that my father was senile during the making of this film! Its true that this film was never finished and sat on the shelf for years. My father went on to write two books, both of which were very well received by critics. He attended many Western Film Festivals as the guest of honor and gave very informative and entertaining speeches about the early days of film-making.

Back in the '80s, Ed Wood's "Plan 9 From Outer Space" was widely considered to be the worst film ever made. Wrong! "The Mummy and the Curse of the Jackals" easily outdistances any Ed Wood or Herschell Gordon Lewis film in the bad movie stakes. The only competition it might have is from some of those wretched Andy Milligan productions. I ran across a copy of "The Mummy..." a few years back and snatched it up eagerly; it starred Anthony Eisley and John Carradine, had a goofy title, and was reputed to be one of the absolute worst movies ever. It had to be fun, right? Not exactly. First of all, the story makes no sense whatsoever, not even by el cheapo monster flick standards. As another reviewer has pointed out, Anthony Eisley commented that the film was unfinished as far as he knew--so it's possible that something more coherent was intended, but never achieved. At any rate, don't get frustrated when you watch it; it's total nonsense. Secondly, Eisley doesn't even look like he's having fun (which is odd for him). He wears a tense, incredulous look throughout the movie, as if he's thinking, "What the hell am I doing here?" Finally, John Carradine's contribution is minimal. I'm guessing that there were supposed to be more scenes with him and the cop...but, again, the film was never finished. There are a few interesting bits: the spooky, enigmatic face of Marliza Pons; the hilarious scenes featuring the Mummy and the "Jackal Man" rampaging through Las Vegas; and, of course, the amazingly catchy theme music. (Was it recorded specifically for the film, or was it just library music? It sounds a bit dated for 1969.) Unfortunately, none of these things makes up for the fact that this is a dull, wearisome film. I pulled "The Mummy and the Curse of the Jackals" out again the other night and actually watched the entire thing, but not without difficulty. It's one of those semi-legendary baddies that you go to a lot of trouble to track down...but when it's over you say, "What a waste!" Too bad. (RIP John Carradine and Anthony Eisley.)