13º Andar

For some time I have been hearing people refer to to The 13th Floor, mostly when comparing to other movies of the genre like The Matrix. I finally got around to view it myself, and I was positively surprised. After seeing Matrix I and II, its hard to imagine a film that can be on par. The 13th Floor is it. Not in action, stunts or CG, but by presenting an old, yet interesting idea in wonderful pictures and a genre between sci-fi and mystery. The main protagonists "calmness and integrity" contrasts with the absurd situation the characters are in. Camera, lighting and the "textures" are excellent and the sound track perfectly completes the unique atmosphere.

Very recommended!

I am a child of the 50's, and spent my preteen years feasting on all the classic sifi gems, such as " The day the earth stood still", "Forbidden Planet' etc. The 13th floor reminds me of those movies. This movie has been compared to the matrix, and that is unfair, Special effects are fine, but when they become the focal point of the movie, I think film suffers because of it. I liked the 13th floor because it didn't get caught up in all that technology and reallied on a great script, and a wonderful ensemble cast. I would highly recommend this movie to all, especially if you prefer the old "War of the Worlds" over the new one.

As the last millennium comes to a close and a new one opens, the science fiction genre seems to have latched onto a brand new narrative format - the cyber/techno thriller, wherein characters are free to wander in and out of virtual reality worlds and are even forced to call into question the validity of the world we have hitherto smugly referred to as "reality."

In 1999 alone, this theme has been explored in "The Matrix", "eXistenZ" and "The Thirteenth Floor." Actually, of the three, this is probably the most intriguing, intelligent and involving, successfully combining the elements of a whodunit with a clever sci-fi tale of a group of characters who drift in and out of a simulated version of Los Angeles in 1937. The plot, though complex, is spun out with coherence and ever-increasing clarity as the layers of information are slowly peeled back to reveal the larger picture. The filmmakers manage to create a sense of unbalance in the audience as we and the characters become more and more unclear as to what is reality and what is a simulation. Because the writers never lose their way, the result is a work of considerable mystery and intrigue.

In terms of art direction and cinematography, the film is a total triumph. The Los Angeles of 1937 the moviemakers have visualized on screen actually has a slight studio backlot, artificial feel to it - perfectly befitting just the kind of world a simulator would create. The photography in these sections also utilizes a slightly off color cast, nicely reflecting the tone found in color pictures of that era.

"The Thirteenth Floor" may not be a very "deep" movie, but it is an honorable addition to a newly formed genre that has not yet had time to ossify in its own conventions. Time alone will tell if filmmakers will be able to expand on this theme or whether, as with most genres, it will fall victim to its own inevitable cliches.

The Thirteenth Floor is one of those films that has gotten lost under all the more well-known films of the late nineties; and this is a shame, because it's a damn sight better than a lot of the films that always receive praise from the critics. Not everything in this film works, and for that reason and others; it's no masterpiece, but you've got to admire The Thirteenth Floor for it's originality, and it's ability to pull a coherent plot out of a scenario that has 'disaster' written all over it. The film is based on the book "Simulacron-3" by Daniel F. Galouye, which is the same book that inspired Rainer Werner Fassbinder's "World on a Wire". Whether or not this version is better, I can't tell you having not seen Fassbinder's version; but I can tell you that this version is worth seeing. The film follows the death of a computer programmer. He was working on a computer simulated world before his death, and his colleague; Douglas Hall, believes that the programmer left the key to discovering his murderer inside the virtual world...prompting him to go in search of it.

The film works both as an entertaining science fiction flick, and a thought provoking drama. The film asks questions about the value of life and the ills of playing God; and although these questions have been asked by many films many times before; here, it's done so well that you forget that and ask yourself these questions all over again. The twist at the centre of the movie extremely well worked, and after it hits you'll ask yourself how you didn't guess it sooner - and that is testament to the excellent plotting preceding it. Despite being a science fiction film, there is very little in the way of special effects in this film. However, the movie makes up for this with the excellent way that 1937 Los Angeles is created - it's easy to buy into the film's multi-world plot, and for that reason; it doesn't need special effects to work. The acting is largely good, with Craig Bierko impressing in the lead role. Vincent D'Onofrio, Gretchen Mol and 24's Dennis Haysbert, who is excellent in his small role, support him. On the whole, this isn't brilliant or a masterpiece; but as far as modern Sci-Fi goes; this is one of the best I've seen.

"The Thirteenth Floor" is among the best and most thoughtful sci-fi ever made. The plot is intelligent and unfortunately many said "professional critics" did not understand the complex story and wrote bad reviews (Metacritic 3.6?). Yesterday I watched this film for the second time, and it is still impressive and engaging. Disregard the bad reviews and enjoy this underrated gem. My vote is eight.

Title (Brazil): "13º Andar" ("13º Floor")