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Michael Winner's Parting Shots is a quite appalling, unfunny 'comedy' with the worst acting performance that you are ever likely to see. For those who think Keanu Reeves is wooden, have a look at this and see what you think of Chris Rea.

I won't go into the plot because it is so hackneyed but instead, I'll make a few observations. Firstly, the 'twist' is laughable and we guessed it during the first act. Next, the concept of a 'gun pub' is frankly laughable - the police refer to a pub in the film by saying 'that's a gun pub, isn't it'. If they knew this, why haven't they closed it down. Obviously this leads to our hero (a man with one facial expression) being able to walk into a pub and literally say that he wants to buy a gun - I don't think so.

In fact, the role of the police beggars belief - at one point, about forty arrive to arrest the perpetrator of the murders. He tells the guy in charge that it wasn't him and then evades them all by slipping out the back. If our police really were this useless, there would be mass anarchy on the streets.

Finally, it is a sad final film for Oliver Reed (who clearly looks ill). He surely deserves much better despite wasting a lot of his career. Don't be tempted by the fact that the likes of John Cleese and Ben Kingsley are in this either - Cleese reprises his role from the Sainsbury's ads while Kingsley clearly couldn't care.

Thankfully, I didn't part with any money to watch it.

Foremost in my mind when approaching Parting Shots was the fact that I had never seen a Michael Winner film before. Nope, not even Death Wish. I was aware of his reputation, though. Tory, tabloid columnist, worst director ever, restaurant critic (most pointless occupation ever). Bearing all this in mind, I was confidently expecting to begin this review with the words, "Michael Winner must die."

But... no can do. It's not that Parting Shots is any good - it's certainly pretty weak stuff, by any standards. It's just that it's nowhere near as unwatchably awful as so many have insisted. I've seen any number of films this year alone that are far worse than this, and the film's dated, 70's cheesiness has a certain naive appeal. Besides, any director who can get John Cleese, Bob Hoskins, Joanna Lumley, Oliver Reed and Diana Rigg, to name but a few, to appear in material of this (sub)standard must have something going for him, surely?

Parting Shots isn't the worst film ever. It's not even the worst film ever to star Bob Hoskins. It's just an utterly harmless instance of a bunch of ageing luvvies getting together, having a few laughs, and making a little film to show the grandkids. Not a menace, just an irrelevance, so ignore it and it'll soon go away.

This really is quite an entertaining romp. The cast is 'all-star' from a British perspective and generally put to good use. It's not laugh out loud funny but it is fun. The general idea of bumping off those who've upset you in life when you know you're going to die is a nice one. It got me thinking about my 'list' anyhow! I guess as a Micael Winner film it could be seen as a kind of comedy 'Death Wish'!. Oliver Reed is particularly good fun as a world-weary assassin. Chris Rea in the lead role is not at all bad in a down-beat kind of way and it's a mild surprise that we've not seen him in anything else since (at least I haven't). I don't think you'd be disappointed if you see this film.

More power to the genius that is Michael Winner. He is so far ahead of the game it is incredible. In `Shots' he has managed to create the first cult film of the next millennium. No one likes this film at all, but there is a huge enjoyment to be had by anyone who views it with an open mind. I for one look forward to his next movie.

Oh, to be a film critic.

To be able to make pompous, uninformed statements about anything created by Michael Winner.

Critic I am not, neither am I a blinkered devotee of Mr. Winner, but I loved this movie.

Lots of fun from beginning to end, with Chris Rea as an understatedly bewildered and reluctant serial killer and with Felicity Kendal as his less than innocent accomplice.

Unfavourable comparisons have been made with 'Kind Hearts & Coronets' but those of us who love the Ealing comedies are by no means uncomfortable with 'Parting Shots'; it maintains a ruthless tradition.

Mr. Winner also borrows freely from his own greatest movie, 'The Jokers' (1967) in certain scenes, and the presence of Oliver Reed reinforces that sense of history.

'Parting Shots' is a very funny movie with a great cast, all of whom do their stuff excellently.