Os Destemidos não Caem

WWII adventure that veers skillfully between drama and comedy . In War Was Two , captured British soldier Stephen Brooks (Oliver Reed) is on a prison train to Germany . On the train he meets an American prisoner, Packy (tiresomely flacky Michael J. Pollard in a major comic role) , who's obsessed with getaway. On arrival at the POW camp Stalag 7 , Brooks and other fellow POWs are sent to work at the local Munich zoo, to care for the animals .After a devastating bombing raid that kills some of the animals , the zoo staff is decided to evacuate the surviving animals. The prisoner of war , Hannibal Brooks working at the zoo is assigned to look after an elephant named Lucy , to whom he grows devoted , as he gets the chance to escape from the Germans, so he does and he takes with him the elephant that he's been caring for and liberated from Munich zoo . En route with the elephant from Munich to a safer zoo in Innsbruck , Hannibal accidentally kills the Nazi member of the escort and then he sets off with Lucy over the mountains to Switzerland . As he attempts to cross the Alps on the back of the elephant . Together they head for the Swiss border and freedom. Supersoldier in the Super Adventure . It's a suspense story. It's a comedy story. It's a war story. It's a warm story. It's a wild story. It's a love story. It's a moving story. It's an elephant story. It's a super story. Guess who "got the Steve McQueen-Sean Connery-Burt Lancaster-type role" in this super adventure?

A war comedy with adventures , thrills , humor , spectacular battles and a good thrilling climax . It is a sympathetic tale with entertainment and funny enough , featured by some likeable roles who enhance the amusement . It waves from comedy , noisy action to melodrama . Main and support cast are pretty well . British Oliver Reed plays a POW assigned to evacuate valuable elephant from Munich zoo , giving an agreeable acting , forming a peculiar buddie movie with snub-nosed American Michael J. Pollard who steals the the show by delivering comic relief , while the elephant wins all hearts in the emotive final. They're very well accompanied by a fine support cast , such as : Wolfgang Preiss as Colonel Friedrich von Haller , John Alderton as Bernard , Peter Carsten as Kurt , gorgeous Karin Baal as Polish Vronia , Ralf Wolter and brief appearance by James Donald as POW priest.

Hannibal Brooks (1969) contains a sensitive and catching musical score by French composer Francis Lai . As well as colorful cinematography by Robert Paynter , though a perfect remastering being really necessary . The picture was acceptably directed by Michael Winner. He had important commercial success in the mid-70 with his fetish actor, Charles Bronson , achieving various box-office hits, as ¨Deathwish I and II¨, furthermore ¨The mechanics¨ and ¨The stone killer¨. With his obsessive need to work, Winner accepted many inferior projects, including two weak Death Wish sequels , though occasionally he attempted to make more prestigious films, notably ¨The Nightcomers¨ (1971), a prequel to Henry James' The Turn of the Screw, made in Britain with Marlon Brando; and ¨A chorus of disapproval¨ (1989), a satisfying version of Alan Ayckbourn's bittersweet comedy . Hannibal Brooks (1969) rating : 6.5/10 . Fun and enjoyable film that will appeal to Oliver Reed fans and WWII enthusiasts.

As war films go, this one stands alone as the daftest concept I have come across. However, as light entertainment, it has all the mix of goodies and baddies, superheroes, tragedy and comedy. The 'we're here' line never fails to bring a smile to my face. One can excuse the acting [which is a tad wooden and stilted at times] and settle back to enjoy a traditional good yarn. The music, I believe by Francis Lai, remains one of my favourite film scores and superbly compliments the film throughout. To summarise, take time out to watch this film and I'm sure you wont feel time was wasted.

Michael J. Pollard does, to an extent, spoil every scene he is in.

I think that the main problem that Oliver Reed is one of the finest actors of the past thirty years - all brooding menace and power bubbling under the surface. Considering his role as Bill Sykes (the ultimate depiction of a vicious character), he is quite believable here.

However Pollard hams up his role and plays it like a smacked up hippy. I can't imagine that the French Resistance fighters would have followed him for an instance, and I am sorry to say he is badly miscast here.

The film is also, to an extent, a little derivative, with some pretty shoddy direction. It does have some superb cinematography which helps balance this out, but to be honest its a film to watch on December 27th when you have had your fill of Christmas cheer and just fancy something light.

You've already read the plot, where an English POW risks his life to conduct a bombed-out zoo elephant, Lisa, from Germany to a safe haven in Switzerland during World War II. Despite the doubts that plot line might suggest, this is a great movie that held my attention the whole way through. An excellent cast gives life to a wide range of characters; and you really do come to understand their actions and care about them.

Oliver Reed, as "Hannibal" Brooks, brings a light touch and a wry sense of humor to this role that blends both comedy and drama. It pays to listen closely to the by-play between Brooks and his fellow POWs and the zoo staff, and German soldiers he encounters - there's some really funny stuff here. However, as a war film, it's not all comedy - there are fighting sequences and the film includes some spectacular explosions and pyrotechnics.

One thing I liked about the movie is that it portrays the decency of common people; the ordinary people they met along the way who took time to be caring and kind -- in contrast to the horrors of war all around them.

Michael J. Pollard, as Packy, an American POW who has ambitions of military glory, is kind of strange. But, then Michael J. Pollard is always strange, so I guess that's what they wanted for his role. I would have preferred to see it played "straight", but I think the strangeness works in this movie anyway.

This is a very enjoyable movie - I hope it gets wider distribution on video/DVD so that more people can enjoy it.

They simply do not make films like this any longer. Anyone who is reading this probably already knows what the film is essentially about. This particular movie has a truly timeless quality about, and all the various plot twists and surprises never leave the viewer at all bored. Michael J. Pollard and Oliver Reed work very well together on screen, and it is too bad that this is the only film the two them made with one another.

Try your best to locate this film, as it is frequently listed. Again, this movie is great fun and is worth repeated viewings!