Código para o Inferno

I haven't read the novel that this is based upon. In fact, I didn't know there was one. This happened to be on TV, I had no set in stone plans, so I decided to give it a shot. I'm honestly not sure why this is rated so low. Sure, there are some clichés. Yes, the idea of the government putting out a hit(with rather sloppy killers, at that) on a kid for a code is silly(besides, what if another one cracks it? How high a body-count is acceptable, exactly?). Look past those aspects. I haven't watched anything else by this director except for Malice, which was also a nice piece of work. This is put together quite well, with the editing and cinematography building tension and doing a decent job of conveying Simon's "ability". I've had experiences with Autistic people of different ages and varied severity of condition, and the depiction here is convincing and fairly respectful(do note that far from all who have the syndrome are as distant and/or helpless on their own as seen here), and this serves to explain and demystify it a tad(certainly more than I remember Rain Man doing). Miko researched for his role, and he does a great job. Willis is good(when isn't he?), and they do well together. Baldwin is as delightfully detestable as we know he can be. There is a nice amount of talent in the cast, if not all of it is allowed to shine. Granted, there could be more action. There is a little brutal, bloody violence in this. I recommend this to fans of thrillers. 6/10

There are two great acting performances in this film. Bruce Willis plays Art Jeffries, an FBI agent with attitude. Miko Hughes plays Simon Lynch, an autistic savant with a gift for codebreaking. Both are believable but Miko Hughes is astonishing – one of the best ever screen performances by a child. The scenes between the pair of them are really touching and you can believe that Willis really likes kids. Perhaps he does.

The US government's pursuit of Lynch in this film may at first appear overly far-fetched and scaremongering. Then you remember the US attitude towards the British savant, Gary McKinnon, who was accused of perpetrating the biggest military computer hack of all time by hacking into 97 US military and NASA computers in 2002. Well, they didn't kill his mum and dad, and hunt him like an animal. But after 10 years of attempted extradition, and speculation of a 70-year jail term, maybe this story is just an exaggeration of reality, and not quite as ridiculous as some commentators have suggested.

It's not really a downside but if you come to this film expecting a shoot-em-up action movie, you may be disappointed. It's much more than that and consequently slower – it's a touching drama with action scenes, and so we can forgive, just about, the pace through the middle of the film. The writing is actually very good and Pearson, Konner and Rosenthal all deserve credit.

I did find the score a bit distracting. Sort of 'too big' and too 'James Bond' for the film. Scenes without music were better. Though the music being played at the club Jeffries visits was really good and I would have liked to have heard more of Koko Taylor (now no longer with us) belting out some blues.

I was finding it difficult to see where this film was going. When Wills is with a kid, like in 16 blocks or Die Hard 4, you expect a visible end point, and there wasn't one. There was a sense of going around in circles. Until the last 5 minutes. Ultimately that cost it a couple of stars and the score lost another one. So seven out of ten for this.

Mercury Rising, was a loved/hated movie for quite a few viewers, especially the critics who were unapologetic in delivering a 'Razzie' award to Bruce for three films, that he was a part of in that same year. pretty harsh, well for one I feel that Bruce Willis always brings something controversial to any project he does...himself. Mercury Rising, I was happy with and entertained, which was what this government cover-up story was all about. As the sort of troubled outcast on somewhat good-terms Willis is a master. This is a lock-fit for him, he does it so well and on the other hand he slips out and accomplishes other performances with just the same skill. I.e. "The Sixth Sense" (1999) creepy-good story that he brings that Ole' Willis insight to and gives a leveled measure of believable acting that makes you say "Wow". This given, I liked the original working title to the film, Mercury Falling would have worked well too. The autistic boy, (Miko ) is really outstanding at bringing in the over/under balanced brain of Autism to understated believability. He brought that character to it's living end. That is impressive for such young actors to have so much meddle that they can use in their craft. Then there is the one who makes 'hating heavies' a way of life, Alec Baldwin, who always can appear meaner that a bull- rattle snake. His F.B.I man is as solid and scary {as the I would think} the real mean ones come. All in all fairness, this lacked totally connecting everything for a perfect film, but if you watch it uninterrupted and settle in to enjoy what this is, you should get a lot of story entertainment out of it, no problem. There is a lot of garbage made these days, and it is refreshing to see a story that you can watch and take something else away, the next viewing as well.

Bruce has the juice...(****) Recommended for Willis fans, but not limited to.

Mercury Rising is a very conventional "government bad guys" story about evil agents out to kill an autistic boy who can break their top code. Of course, the premise of the movie, that the government would rather kill someone who can break their code rather than fixing the problems with the code, is incredibly stupid. If one boy can break the code, isn't is reasonable that some other boy in Russia or wherever can also break it? If it has a flaw that allows the kid to find the pattern, doesn't it need to be fixed? Of course, not. We just kill the kid and pretend nothing ever happened.

But, what is really sad is that there is a grain of truth in this story. It is the policy of the US Government that TRYING to break codes is illegal. If you are smart enough to figure out that the DVD encryption has a major flaw, it's not the fault of the designers, it's your fault. Researchers who have discovered flaws in codes, watermarks, etc, have been arrested. This "head in the sand" policy has been around for a long time.

So, next time you see this movie, just think how easy it would be to combine this attitude with someone a bit too gung ho.

The novel 'Simple Simon' was written by Ryne Pearson and easily transferred to the silver screen, where it was directed expertly by Harold Becker. The movie tells the story of an autistic boy named Simon Lynch (Miko Hughes) who incredibly is able to decipher a top secret code created by the N.S.A. When the secret is uncovered, the top executive, Nick Kudrow (Alec Baldwin) believes his network of undercover agents and their identifies are in danger of being compromised and therefor orders a top assassin to execute Simon and his parents. The only defense for the boy is Art Jeffries (Bruce Willis) a burned-out F.B.I agent who despite his short-comings is a tough-as-nails individual who learns Simon is a very special child and soon bonds with him. Along the way and amid the encroaching danger Jeffries receives help from Stacey a coffee shop patron (Kim Dickens) and fellow FBI agent Tommy B. Jordan (Chi McBride) The film is a combination of intrigue, murder and suspense with excitement filling in all the gaps. Willis and Hughes give a heartwarming and endearing performance. Recommended. ****