AVALIAÇÃO DA IMDb
6,4/10
57 mil
SUA AVALIAÇÃO
Um estudante de Direito torna-se tenente durante a Segunda Guerra Mundial, é capturado e convidado a defender um prisioneiro negro de guerra falsamente acusado de homicídio.Um estudante de Direito torna-se tenente durante a Segunda Guerra Mundial, é capturado e convidado a defender um prisioneiro negro de guerra falsamente acusado de homicídio.Um estudante de Direito torna-se tenente durante a Segunda Guerra Mundial, é capturado e convidado a defender um prisioneiro negro de guerra falsamente acusado de homicídio.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 1 indicação no total
Jonathan Brandis
- Pvt. Lewis P. Wakely
- (cenas deletadas)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
If you're looking for action in your war film skip this one. But if you don't mind an interesting drama about prejudice among Americans in a German POW camp, which although slow at times, leads to an interesting pay-off with a twist that (kinda) makes the whole thing worth it, then check it out. I especially enjoyed the subdued though "grizzled" looking Bruce Willis as Colonel McNamara and Marcel Iures as the camps' German commander.
This takes place in a POW camp during WWII, and follows the events that transpire after a few black enlisted men are captured and put among the white prisoners. This has a well-written script, lines are great and well-delivered, the plot is interesting, engaging and develops quite nicely throughout. The editing and cinematography have some inspired moments, and are always marvelous. This is rather exciting and entertaining.
I haven't read the novel, nor did I realize that this was based upon one until I watched it. This is the third of Hoblit's films I've seen, the other two being Frequency and Primal Fear, both of which I find to be excellent. Thus, in comparison, this is a little less impressive. I wouldn't call it poor, however. It certainly has a point to it, something to say, and it communicates it fairly well. The message is good, too.
The performances are impeccable, Willis does as well as we expect, Farrell makes reasonable use of his chance at doing a role that can prove he can do more than project his "bad boy" persona onto the screen, and Howard shines. This meeting and conflict between the experienced master and the up-and-coming student is further infused with the clever juxtaposition of that relationship being not only of their characters – but of the actors, as well.
The DVD comes with two informational, compelling and amusing commentaries: one by Gregory Hoblit, writer Billy Ray and Bruce Willis, and one by producer David Foster, 10 minutes of good deleted scenes with or without director commentary and several photo galleries. There is relatively infrequent strong violence and language. I recommend this to any fan of dramas, and who enjoy movies that deal with history. 7/10
I haven't read the novel, nor did I realize that this was based upon one until I watched it. This is the third of Hoblit's films I've seen, the other two being Frequency and Primal Fear, both of which I find to be excellent. Thus, in comparison, this is a little less impressive. I wouldn't call it poor, however. It certainly has a point to it, something to say, and it communicates it fairly well. The message is good, too.
The performances are impeccable, Willis does as well as we expect, Farrell makes reasonable use of his chance at doing a role that can prove he can do more than project his "bad boy" persona onto the screen, and Howard shines. This meeting and conflict between the experienced master and the up-and-coming student is further infused with the clever juxtaposition of that relationship being not only of their characters – but of the actors, as well.
The DVD comes with two informational, compelling and amusing commentaries: one by Gregory Hoblit, writer Billy Ray and Bruce Willis, and one by producer David Foster, 10 minutes of good deleted scenes with or without director commentary and several photo galleries. There is relatively infrequent strong violence and language. I recommend this to any fan of dramas, and who enjoy movies that deal with history. 7/10
This film has its moments. But, to buy into it, you have to suspend any knowledge about WW2, Nazi POW stockades or likely situations. The action focuses on Willis as the brooding leading officer in a POW camp, Colin Farrell is the law student pressed into becoming a defender for a Black Pilot wrongly accused of murder. What transpires is a Machiavellian game with the Commandant, well played by Rumanian Actor, Marcel Iures, with plots and subplots, motifs and counterplots. But, it really does not go anywhere. There are some nice twists at the end but the ending before the final credits I found to be cheesy and unsatisfying (I've always found it irritating to switch to an ending narrative when there was none to introduce the story). Viewers who like Willis will not be disappointed and Colin Farrell is sure to delight the ladies with his Irish good looks, dark "little boy" eyes and expressions. Cole Hauser, back from getting eaten by an alien in Pitch Black, makes a wonderful sleazy villain but the rest of the cast seems to walk through their parts. Also, Look for Joe Spano from NYPD in a bit part in the opening, but don't expect a lot from the rest of the show.
Having grown tired of the typical action packed glorified war films (Pearl Harbor for example), I sought out more of a human interest story. I wanted something that delved past the cliché romances, battle wounds, and graphic violence we have become accustomed to. To me, Hart's War exemplified exactly what others have failed to do. It was an inside glimpse into the lives of a WW2 POW camp, but more so. It dealt with the struggle for power, respect, and honor in an unlikely situation. The stellar performances by Bruce Willis and Marcel Lures stole the show away from the title character, Lt. Hart (played well by Colin Farrel). There are times when you don't know who the token hero or villain is, just by the way that each commands their region. If you missed this movie in theaters (as I am guilty of), easiest way is to catch it is on pay per view - it's still going to be running for a while. Enjoy!
If one were to place too great an emphasis on many of the smug and self-serving views expressed by various contributors here, it may well appear somewhat of an enigma that HART'S WAR still rates 6.3 overall. Obviously many who have voted have not posted a review. Equally obviously, to offset its many detractors...a significant number of people must have liked it. I'm one of them!
Let us agree immediately, anyone looking for a sequel to THE GUNS OF NAVARONE can expect to be disappointed. A screen adaptation of John Katzenbach's excellent novel, this late WW2 flick tackles racism, POW life and honor...and not necessarily in that order. A re-hash of the plot is unnecessary as every second reviewer has covered this aspect. It is a film to LISTEN to and to take from it what you are able. Negative comments such that the events portrayed are "unlikely," that Bruce Willis isn't the "star," that "nothing happens except lots of people keep talking," are a sad indictment of viewers with a limited attention span. A lot of what is uttered during the "court-room" sequences has great relevance in all facets of life - IF you care to listen. Farrell is excellent as is Willis in what admittedly IS a far smaller role. Willis' presence however is felt throughout the movie in much the same way as was Jack Nicholson's in A FEW GOOD MEN. (Another military court room flick)
Yes its longish and it would be fair to say it is extremely dark for the greater part of the film. It is ultimately though a worthwhile addition to other POW films. You could do a lot worse.
Let us agree immediately, anyone looking for a sequel to THE GUNS OF NAVARONE can expect to be disappointed. A screen adaptation of John Katzenbach's excellent novel, this late WW2 flick tackles racism, POW life and honor...and not necessarily in that order. A re-hash of the plot is unnecessary as every second reviewer has covered this aspect. It is a film to LISTEN to and to take from it what you are able. Negative comments such that the events portrayed are "unlikely," that Bruce Willis isn't the "star," that "nothing happens except lots of people keep talking," are a sad indictment of viewers with a limited attention span. A lot of what is uttered during the "court-room" sequences has great relevance in all facets of life - IF you care to listen. Farrell is excellent as is Willis in what admittedly IS a far smaller role. Willis' presence however is felt throughout the movie in much the same way as was Jack Nicholson's in A FEW GOOD MEN. (Another military court room flick)
Yes its longish and it would be fair to say it is extremely dark for the greater part of the film. It is ultimately though a worthwhile addition to other POW films. You could do a lot worse.
Você sabia?
- CuriosidadesFormer teen hearthrob Jonathan Brandis hoped to revive his stalled career after being cast in a serious, dramatic role in the film. He was reportedly devastated when almost all of his scenes were removed in the final cut. He fell into a deep depression, began drinking heavily, and killed himself the next year.
- Erros de gravaçãoThere is no way that Col.McNamara could allocate which hut men went into. The Germans controlled this. Also there is no way he could just turn up at the Camp Kommandant's office unannounced and talk to him.
- Citações
Col. Werner Visser: Strange thing about war wounds- the older you get, the less proud of them you become.
- Trilhas sonorasDeutschland Uber Alles
Music by Joseph Haydn (uncredited)
Performed by The Musikkorps Liebstandarte-SS 'Adolf Hitler'
Courtesy of the Tomahawk Films WW-II German Archive
Principais escolhas
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- How long is Hart's War?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- En defensa del honor
- Locações de filme
- Milovice, Nymburk District, República Tcheca(Stalag VIa)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 70.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 19.077.641
- Fim de semana de estreia nos EUA e Canadá
- US$ 7.771.753
- 17 de fev. de 2002
- Faturamento bruto mundial
- US$ 32.287.044
- Tempo de duração
- 2 h 5 min(125 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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