Hudson Hawk, o Falcão Está à Solta

A movie that I've never understood the critics' response against. Yes, it's primarily a Bruce Willis ego-trip. Who cares? It's a _fun_ Bruce Willis ego-trip. He smirks, smartmouths, struts, sings, and strides through every scene. But he still doesn't manage to steal the thunder of Danny Aiello, James Coburn and his band of covert agents, and Sandra Bernhard and Richard Grant in a truly bizarre series of sequences as eccentric (to put it mildly) billionaires. Andie MacDowell doesn't make much of a romantic lead, but even she gets a goofball sequence when she starts speaking in Dolphin-ish.

Is this a great movie? Not really. Will I absolutely stop and watch it if I happen to see it's on? Yes, I will. It's truly an oddball comedy, most definitely not every joke works, but its manic energy and silliness still manage to crack me up.

The real credit, for me, goes to the movie's two ridiculous scene-chewing villains, Minerva and Darwin Mayflower who pretty well have to be seen to be believed. If you looked up over the top in a dictionary I think you could possibly see a picture of them, and yet they're played with such conviction and flair that I love every scene they're in. For me, without them, the movie wouldn't be anywhere near as fun.

...no, don't take it seriously, as the movie doesn't take seriously itself. It's as funny as it's silly, and that's what makes it enjoyable. Characters are all dumb, the good guys are no saner than the cartoon-looking bad guys, the story is just the basement for a set of somehow childish jokes that, even being a grown up, I really enjoyed when I watched it a couple of decades ago. I decided to watch it again today, to find that it's still funny enough to have a nice time in the couch.

This was one of the first films that I saw when I came back from the Persian Gulf War. It is listed as among the biggest money losers of all time and when it came out it generated some of the most scathing reviews of all time. When Bruce Willis made The Last Boy Scout later that year, one reviewer said "He gets punched in the mouth so many times, he must feel like he's still reading reviews of Hudson Hawk" Willis wrote the story for this film, so I'm sure this must have particularly hurt him, this film put his career in the toilet before Pulp Fiction revived it. I don't think the film was all that bad myself, even though it wasn't Citizen Kane and wont go down in history as a classic I am at least hoping that it might generate a cult following. At least it attempts to be original, you have to give it credit for that. So many movies these days are just rip offs. Willis gives an engaging performance as the cappachino-drinking, wise-cracking cat burglar who is forced to pull off one last hiest. I really laughed at the scene where he and Danny Aiello pull off that robbery while doing such a wonderful rendition of "Would You Like To Swing On A Star". Aiello is a great actor as is Andie McDowell and James Coburn who also give great supporting performances. Coburn has a lot of fun spoofing his tough guy image. It sort of reminds me of In Like Flynt. My best advice is leave your brain at the beginning of the movie and just have a good time. Yes this film wont cure cancer or anything like that, but its still a lot of fun if you just give it a chance.

This movie was on my list of movies generated by actors as personal projects. That's because you really get to know these guys when you see what they really want to do. Bruce worked on this for a very long time.

If you check out Willis' acting stuff, it is a particular style, very much like Mel Gibson's. The idea is to focus on the character in a serious way, but always let the audience know that there is a carefree guy doing it. The formula is subtle and depends on the genuine take on life that the actor has.

If you allow for the incompetent editing and execrable score, this is a very clever movie. In particular, it is a very clever placement of a movie about other movies. It walks through the various motions of a real movie, with lots of references to remind you. But it is really a bunch of jokes that make the broadest fun of movies. The position and distance that this film has to real movies is precisely the same as Bruce's acting stance to the job he does in portraying the character.

Check it out. It's got some problems, but it tells you a lot about Bruce in whatever of his other films you like, and will likely enhance that film.