A Fuga das Galinhas

This movie is all you could hope for in summer film fare. It had action, suspense, romance and a large helping of comedy. I was predisposed to love the movie, being a great fan of Wallace and Gromit, and the movie lived up to those other award-winning works. The movie works on every level, and was fun for all ages viewing it. Even my husband, who disdains children's movies, was truly enjoying himself. Needless to say, the children loved it, despite one rather gruesome off-screen moment, but that seemed not to matter too much. All in all, I can't recommend this movie too highly, it was incredibly entertaining and well-done.

'Chicken Run' is a delighted little film about...well, chickens. I've always loved the claymation of Aardman. 'Creature Comforts' and 'Wallace and Gromit' are among many of my favorites. Aardman Studios have come up with a brilliant cast, a funny and smart script, fine cinematography and production design. The inspiration of films like 'The Great Escape' shows. The female characters are so strong and yet they have their own sense of humour and Brit-wit. Aardman's claymation is splendid. The large eyes, body size and shape and movements create this a unique class of comedy. The writing is very sharp and crisp but I disliked the obvious symbolism (of British and America joining hands to save the world and fight evil) which looked a little forced. I don't see the need to make the Rocky character an American rooster (as if it's an ingredient to have an American on board). Yet, that does not take away the sheer pleasure and entertainment one derives from the film. The voice cast is suitably chosen. Gibson plays the typical hero with charisma but it's the Brit cast, which includes names like Imelda Staunton, Lynn Ferguson, Jane Horrocks and Julia Sawalha that did it for me. Their sharp witty humour and strong will just put them on a league of their own. 'Chicken Run' is a cute, heartwarming, uplifting and hilarious little film. To quote another user, it is eggcellent!

Disney and Pixar held such a firm grip on animation that somehow our expectations seem to have been conditioned by their standards. This is why enjoying a Hayao Miyazaki film or anything outside the 'Dream Factory' is capital to prevent a certain creative monopoly... for the sake of creativity itself. And to call "Chicken Run" creative is an understatement.

I have never been into claymation or stop-motion, "Wallace and Gromit" are household names but I'm not sure I ever watched any of their cartoons, but I admire the legacy, the patience with which Nick Park and Peter Lord gave life to these characters with unmistakable ovoid smile. They made their own style like Parker and Stone did with "South Park", animation starts with style, guts, a touch of zaniness and... a good story. Park and Lord designed it, Karey Kirkpatrick wrote the screenplay.

In 1995, having made names of themselves with two Oscars for Best Animated Shorts, the duo figured it was time to join the big league. After four years, was released "Chicken Run", a tale of chicken trying to escape from a big farm designed like a German POW camp with undertones that recall the darkest chapters of history. That the film maintain a jolly and goofy attitude is admirable because never the gags (and there are plenty of them) conceal what's in jeopardy here; not just freedom but survival.

In what might be the film's most disturbing scene, hens are aligned in the manner of prisoners waiting for the Kommandantur officer to give his orders and then a tall and thin woman almost goose-stepping with long and ominous black boots, checks her notebook and finds that one of her hens hasn't laid eggs in five days. There's a strange contrast between the poor hen's cartoonish gulp and the following scene where Mrs. Tweedy (voiced by Miranda Richardson) becomes the executioner.

That scene doesn't set the tone as much as the stakes. The opening credits treated the heroine's failing escape attempts as a 'running gag' (no pun intended) ending with her being thrown in solitary (a funny nod to "The Great Escape" shows her playing with a Brussels sprout like Steve McQueen's baseball) but when the poor hen is killed off-screen -we do hear the thud and we see the raising axe- we understand that it's a matter of life and death and these hens' lives hang on their capability to lay eggs, in fact, on economical viability to the money-driven owner.

Later she'd rent a new machine designed to make automated pies to increase her profits and so eggs will lose their life values. I guess one who had visited a farm or these industrial complexes where animals are mechanically stuffed and killed, won't find the historical parallels too far-fetched. Park and Lord humanized the hens and gave each one distinct personalities. It's perhaps the one concession to formula that had to be made, but it works. You know you have a leader, a brainiac, a reluctant one and a goofball in a community, but to call these hens archetypal would really diminish the effort pulled in the writing. At the very least they're war film archetypes not cute animated characters.

Ginger (Julia Sawalha) is the intrepid leader and the embodiment of "getting free or die trying", she's the voice of reason and her heroism leaves no doubt since her failing escapes are collective, if it was up to her, she would have been free already. She is supported by Mac, the scientific one (and ever since I watched that "What's My Line" episode, I know chicken can wear glasses), there's the most productive one Bunty (Imelda Stanton) whose skepticism is never overplayed, I actually loved her retort to Ginger's , "what haven't we tried before?" "we haven't tried not trying to escape" and there's Fowler (Benjamin Whitrow), an elderly rooster who keeps rambling about his experience at the RAF and youth's lack of discipline. And there's Babs (Jane Horrocks), the dim-witted champion knitter, one of these you can't help thinking 'God I wish nothing happens to her".

It's interesting that the film is mostly an all-female cast where even the villain 'Mrs Tweedy" illustrates a sort of female power by being so dominant on her hen-pecked (literally) husband Mr Tweedy (Tony Haygart). Female characters are so prevalent that there had to be a reverse 'Smurfette effect', besides the two helpful rats (Phil Daniels and Timothy Spall). There's where the cocky (literally) Rocky Rhodes (Mel Gibson), a rooster with flying powers (so it seems) crashes into the farm. One can imagine how a rooster would feel surrounded by so many groupies, but Ginger has no time for courting, she offers him a shelter in exchange of flying lessons. It's not much the training session or Rocky's morale-boosting actions but his hidden flaws that make him such an endearing character. In a funny coincidence, the same year Gibson played a similar role in "What Women Want". Rocky knows what hens want but will he live up to his premise?

As the plot advances, we understand that heroism is a dish often served with a share of bluff and the two roosters in fact have their shameful secrets. "Chicken Run" never runs out of ideas and gratifies us with great moments: a dancing party, hens trying to hide from Mr. Tweedy, and a spectacular climax. One of the film's greatest momentums is the trip inside the infernal pie-making contraption with some clever nods to Indiana Jones. And just imagine that the creators made four seconds of the film each day, just as if the hens dug a tunnel with toothpicks.

It's a credit to the authors to have made a film with such dark undertones so fun. It is mature but never at the expenses of entertainment. And hens are so believable as characters that we cheer for them not because we're required so but because we want to.

Hailing from the animation house that brought us such jems as Morph, the Wallace and Gromit series and Rex the Runt, Chicken Run is the first ever feature length claymation ever attempted.

Set on a chicken farm in Yorkshire some time in the middle of the century, our plucky (sorry) heroines face a lifetime of hard labor laying for the farmers, and if their performance is not up to par they quite literally face the chop. Ginger, making her way to the top of the pecking order (sorry again) attempts jailbreak after farcical jailbreak, but success is less than forthcoming.

Enter Rocky The Rhode Island Red, (Rocky Rhodes for short, and you can't blame me for that one, the writers came up with it) apparently able to fly, the chickens look to him to help them bust this chicken coup, but Rocky is not what he may appear to be.

That's the plot in a nut (egg?) shell, and as you can imagine the subject matter made for perfect "salutes" to the classic world war 2 escape movies, references to which abound throughout. From Ginger tossing a baseball (actually a sprout) in the "cooler" (coal bunker), to Fowler's incessant ramblings about his old RAF days.

The lead characters are deep and endearing enough for you to care about what happens to them, if a little stereotypical at times. The interaction between them is fluid and believable, all the more amazing considering that Mel Gibson never even set foot in the same recording studio as the other actors, reading his lines in a studio in America instead. The supporting cast provide plenty of humour and Mrs. Tweedy substitutes quite nicely for the Nazi camp commandant.

The animation is lively and colourful the characters wonderfully expressive in that unmistakable style developed in the Wallace and Gromit shorts, and thanks to the fact the sets are real models there is plenty of scope for dramatic lighting effects.

The only real fault I could find in the film was that it just seemed a little too... American at times. Hollywood's involvement showed through the English setting to some degree, especially as you get to the movie's climax which seems to go a bit overboard, especially compared to the utterly hysterical ending to The Wrong Trousers. But all in all I have to say I really enjoyed this movie. Now all we need is a Wallace and Gromit movie.

Watching Peter Lord and Nick Park's glorious animation story of a group of chickens escaping from a repressive farm in 1950s Britain, one comes to understand how the script draws on a whole raft of classic war films of the period, including THE COLDITZ STORY (1955), STALAG 17 (1953), and most obviously THE GREAT ESCAPE (1963).

All of the elements are there, treated with a tongue-in-cheek reverence that makes the film a memorable experience. Ginger (voiced by Julia Sawalha) is the lead chicken, desperately trying to devise escape plans from the farm policed by Mr. Tweedy (Tony Haygarth) and his shrewish spouse (Miranda Richardson). The need to escape is paramount; all the chickens have to hope for instead is a life dedicated to laying eggs and a violent death by strangulation, as the Tweedies cook yet another tasty Sunday dinner. The only problem is that Ginger's task is hampered by the well-meaning yet rather clueless inmates, led by Babs (Jane Horrocks) and Mac (Lynn Ferguson). The entire group are 'supervised' (?) by the Brigadier Fowler (Benjamin Whitrow), using the kind of Fifties Received Pronunciation accent that immediately recalls the war films of that period.

Enter Rocky the Rooster (Mel Gibson), a self-assured refugee from the circus, with a cockiness (pun intended) recalling Steve McQueen in THE GREAT ESCAPE. Although eventually helping to create a successful escape, Rocky has to learn how to co-exist with a group of Brits, that requires both races to become more accommodating, and less xenophobic. The script allows for some jokes familiar to viewers acquainted with World War II history (all Americans are "overpaid, oversexed, and over here."

Although only just over eighty minutes long, the film is packed with incident as well as some really funny jokes. CHICKEN RUN is a joyous experience, a tribute both to the talents of animators and script-writers alike.