AVALIAÇÃO DA IMDb
5,9/10
35 mil
SUA AVALIAÇÃO
A famosa boate da cidade de Nova York dos anos 70 vista e contada pelos olhos de um jovem empregado.A famosa boate da cidade de Nova York dos anos 70 vista e contada pelos olhos de um jovem empregado.A famosa boate da cidade de Nova York dos anos 70 vista e contada pelos olhos de um jovem empregado.
- Prêmios
- 9 indicações no total
Avaliações em destaque
This movie is a gem.
If you can get your hands on the Directors Cut, do it! It's brilliant, and you can see what the film was meant to be.
I made my own edit with the Directors cut, and I added all the additional Neve Campbell scenes they filmed for the theatrical version.
All in all, I think it's a great look at what the 54 nightclub must have been like. But seriously, get the Directors cut.
All in all, I think it's a great look at what the 54 nightclub must have been like. But seriously, get the Directors cut.
It's unknown to me why this movie got such a bad review from critics. There are alot of factual errors about the club, yes. But this seemed to be a great movie. Mike Myers was an excellent pick for Steve Rubell, he had the same personality as Rubell in the movie.
Another thing is the story is so interesting about Studio 54, it was a fad, hip, and unusual place for it's time. Not only that, the story of the controversial club is one that really is unknown to some.
The story might not be dead on accurate, and some of the characters might be factual, and there could be alot of mistakes in the movie, but it's still a great one to watch when you get past it.
I would suggest watching VH-1's Behind The Music on Studio 54 first before seeing the movie, for a clear understanding on the club. That way you don't get freaked out.
Another thing is the story is so interesting about Studio 54, it was a fad, hip, and unusual place for it's time. Not only that, the story of the controversial club is one that really is unknown to some.
The story might not be dead on accurate, and some of the characters might be factual, and there could be alot of mistakes in the movie, but it's still a great one to watch when you get past it.
I would suggest watching VH-1's Behind The Music on Studio 54 first before seeing the movie, for a clear understanding on the club. That way you don't get freaked out.
While the acting is pretty dull in this movie, Mike Myers proved that he can handle serious drama. Shortly after this movie came out, it was rumored that Mike Myers would receive an Oscar nomination for Best Supporting Actor for playing the Studio 54 owner. I would have strongly agreed with this nomination, and I only recommend 54 to anyone curious about the serious side of Mike Myers.
Why the poor box office performance? Why the bad reviews? Why the bad word of mouth? I really didn't see anything horrible about this movie! First of all, it's a character-driven story. There's little subplots involving jealousy and philandering, but it's not handled in a soapy fashion. I didn't feel any of the characters were one-dimensional.
Of course, Mike Myers steals the show as the homosexual club owner Steve Rubell. I don't know the real Steve Rubell, so you be the judge whether or not his performance was accurate, but I have to say that Myers did an incredible job! And I'm not overstating the least bit! You watch him in this movie and you totally forget that this is the same guy who played Austin Powers. Not to say I didn't realize Myers had talent prior to watching this film. He has definitely proven that he has talent as a comic actor, but I didn't know he had the chops to pull off a straight, dramatic role. Even his accent sounds real, not the least bit phony. I'm surprised Myers didn't even get an Oscar nod. He should've at least gotten the nomination for Best Supporting Actor. Trust me--you will be blown away by his performance in this movie!
The music is great. It's always great to reminisce to the great songs from the seventies. Mark Christopher nicely captured the whole rebellious atmosphere of 54. We're given a taste of the drug addiction and even the sexual promiscuity that made the place famous--there's a scene where a couple shamelessly pounds away on the balcony. I read one person's review, saying that this movie should've been an hour longer. I find it ironic that people watch movies that are two and a half to three hours long and complain, "Oh, this movie dragged! Oh, this movie needed more editing!" Yet they watch a succintly timed film like this and complain it's too short. This may not have been the most thorough examination of the famous nightclub, but I think it got to the point. No reason why we have to go into every tiny detail.
This is a serious, dramatic film but it's also very entertaining. I actually had a smile on my face when the movie ended. It ended on a happy note without having that forced, schmaltzy Hollywood feel. Plus, I really like that song "Knock on Wood" that they played over the credits.
My score: 7 (out of 10)
Of course, Mike Myers steals the show as the homosexual club owner Steve Rubell. I don't know the real Steve Rubell, so you be the judge whether or not his performance was accurate, but I have to say that Myers did an incredible job! And I'm not overstating the least bit! You watch him in this movie and you totally forget that this is the same guy who played Austin Powers. Not to say I didn't realize Myers had talent prior to watching this film. He has definitely proven that he has talent as a comic actor, but I didn't know he had the chops to pull off a straight, dramatic role. Even his accent sounds real, not the least bit phony. I'm surprised Myers didn't even get an Oscar nod. He should've at least gotten the nomination for Best Supporting Actor. Trust me--you will be blown away by his performance in this movie!
The music is great. It's always great to reminisce to the great songs from the seventies. Mark Christopher nicely captured the whole rebellious atmosphere of 54. We're given a taste of the drug addiction and even the sexual promiscuity that made the place famous--there's a scene where a couple shamelessly pounds away on the balcony. I read one person's review, saying that this movie should've been an hour longer. I find it ironic that people watch movies that are two and a half to three hours long and complain, "Oh, this movie dragged! Oh, this movie needed more editing!" Yet they watch a succintly timed film like this and complain it's too short. This may not have been the most thorough examination of the famous nightclub, but I think it got to the point. No reason why we have to go into every tiny detail.
This is a serious, dramatic film but it's also very entertaining. I actually had a smile on my face when the movie ended. It ended on a happy note without having that forced, schmaltzy Hollywood feel. Plus, I really like that song "Knock on Wood" that they played over the credits.
My score: 7 (out of 10)
The studio executives who ruined the first release version of this film in 1998 have a lot to answer for, but the director has had the last word and proved he was right all along, with the new Director's Cut (which I saw at the Sydney Film Festival tonight), which is an ENTIRELY different and improved experience. From now on, I don't think there should be any reason for anyone to watch the original release version again, the improvement is that dramatic. The one aspect that may irritate some viewers is that a few of the 'new' scenes have slightly lower image & sound quality than the rest of the film, as they obviously weren't able to find perfect quality footage for every restored scene, and the editing between some scenes doesn't always feel entirely smooth. And some weaknesses in the film still remain - such as Ryan Philippe, who is a bit limp despite being more than pretty enough for the role. But in so many other ways this is a far far better film, taking a film I'd only have rated maybe a 4 in the past, to at least a 7 now. About 40% of the film feels entirely changed, all for the better. There's a lot more life to the nights at the club, now that they've been able to put back the sex & drugs the studio removed (no movie about 1980-era disco makes any sense once you remove them). The parties are wild and bisexual and very disco. And the whole direction of the drama has been altered, now that the dull studio-imposed romance with Neve Campbell has been removed. Neve is still there in a small role, but the film now focuses on Ryan's love triangle with Salma Hayek & Breckin Meyer instead, which is far more interesting. Everyone who worked on the film should be happy with the Director's Cut, which proves they were making something pretty decent (until the studio stuffed it up).
Você sabia?
- CuriosidadesIn 2008, about a decade after its original theatrical debut, writer and director Mark Christopher assembled a bootleg Director's Cut of the film, with 45 minutes of never before seen footage, and unofficially screened it at New York's Outfest around July-August 2008. This version reinstated the blatant promiscuity and bisexuality of Ryan Phillippe's character, as well as the film's core love triangle between Phillippe, Salma Hayek, and Breckin Meyer which the Miramax studio forced him to cut from the original release.
- Erros de gravaçãoWhen Shane is driving in his Camaro Z28 to his father's home to drop off Christmas presents, a New York City cab can be seen in the rear window. The cab is a 1997 Ford Crown Victoria.
- Citações
Steve Rubell: Not with that shirt.
[Shane turns to leave, Steve grabs his arm]
Steve Rubell: I said, not with that shirt.
[Shane pauses, then takes his shirt off, showing his six-pack]
Steve Rubell: Welcome to my party, handsome.
- Cenas durante ou pós-créditosAs the credits roll, photographs are shown, first of visiting celebrities (e.g., Brooke Shields, George Burns, Arnold Schwarzenegger), then candid shots of unidentified customers.
- Versões alternativasA 40 second scene at 1:46 on the DVD showing Ryan having sex in a car was not seen on the PPV telecast nor in theaters but was on the DVD. A promotional clip showing Shane and Julie discussing her status as his girlfriend was edited out of the film after the line where she says "You're Sweet". Another promotional clip had Bell & James "Livin' It Up (Friday Night)" playing when Shane was trying to get into 54. In the film no song was playing at the time.
- ConexõesFeatured in The Rise & Fall of Studio 54 (1998)
- Trilhas sonorasKeep On Dancin'
Performed by Gary's Gang
Written by Eric Matthews, Gary Turnier
Courtesy of Sam Records, Inc./Nervous Inc.
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- How long is 54?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Estudio 54
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 13.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 16.757.163
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.611.532
- 30 de ago. de 1998
- Faturamento bruto mundial
- US$ 16.757.163
- Tempo de duração1 hora 33 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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