Adicionar um enredo no seu idiomaA homosexual man is forced to hide his sexuality by day while living his secret life by night.A homosexual man is forced to hide his sexuality by day while living his secret life by night.A homosexual man is forced to hide his sexuality by day while living his secret life by night.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
Stuart Turton
- Neal
- (as Stuart Craig Turton)
Avaliações em destaque
5sol-
Finding a steady boyfriend proves challenging for a gay geography teacher in prejudiced 1970s London in this British drama starring Ken Robertson. The film was considered daring in its day with its suggestion that something is wrong with a society in which it is so hard for homosexual men to be themselves. Viewed nowadays though, the impact is not the same. There are some admirable techniques at hand, like the absence of audible dialogue for the first six minutes and a shot that gradually zooms into his nervous face at a gay bar, and some of the dialogue resonates (some believe "you're not even human" if you do not "like birds"). For all these positives though, there are many repetitive shots of men dancing for ages on end. A new teacher at Robertson's school also provides a too obvious outlet for him to ramble on about the difficulties of being gay and while a scene in which his prejudiced students grill him about their misconceptions of homosexuality is great, it comes too late in the piece. The film additionally shies over how its protagonist has so much spare time or can turn up to class two hours late without repercussion - but, for all its drawbacks, the film does at least have its heart in the right place.
I know this is the wrong credit for kris Watson Cos I am Kris Watson and I can 100% tell you I wasn't in it.
This extraordinary film was made in 1978 - almost forty years ago. The Sexual Offences Act in Britain had come into effect in 1967 decriminalizing sexual acts between two men in private at the age of 21.
Clearly, seven years on from then, a huge liberation had occurred, but homosexuality was still hampered by amazing ignorance and intolerance in general British society. There was still the fear of being branded 'queer' or 'bent', and becoming bereft of a livelihood and an income, and viewed as repugnant by family and those around where you lived.
This film cannot be valued enough. It's breathtaking in its lack of polemic. It's just about gay men getting on with their lives in their particular period. What's so interesting is that their sad search for love then is no different to the search now.
Clearly, seven years on from then, a huge liberation had occurred, but homosexuality was still hampered by amazing ignorance and intolerance in general British society. There was still the fear of being branded 'queer' or 'bent', and becoming bereft of a livelihood and an income, and viewed as repugnant by family and those around where you lived.
This film cannot be valued enough. It's breathtaking in its lack of polemic. It's just about gay men getting on with their lives in their particular period. What's so interesting is that their sad search for love then is no different to the search now.
The problem with this look at late 70's British gay lifestyle, is that it is a little too realistic to carry off with any sort of interest. Like most stories about people on the hunt for romance/sex etc., it is incredibly introspective. Ken Robertson is a really quite dull, full of himself "Jim" - a teacher by day who looks for love in gay pubs/clubs at night. He picks up an array of folks, sometimes he has sex, sometimes not.... same old, same old... (regardless of your sexuality). If it weren't for the fact that it was set just before the dawn of Mrs. Thatcher's Clause 28 Britain, which at the time of course, this Ron Peck story would not have been able to anticipate - it would constitute little more than a melodrama with some very dodgy music and lacklustre tales of one night stands... As a semi-anthropological study of a gay man in London it is vaguely interesting, but any claims it may make to take a deeper look at the sociological themes of the time, or of attitudes are just bridges too far. It does have quite a telling Q&A style discourse at the end that illustrates the stereotypical attitudes of teenage kids that could have been made much more of, had the film itself not focused so much on the rather dreary existence of the subject.
This film is the story of Jim, a man who's a comprehensive (middle) school teacher by day and gay man by night in the late 80's. It was the time before AIDS when Men wore Levi's and mustaches and before Calvin Klein made tighty whities sexy again.
Jim does the rounds, going to bars to meet men. The string of men lengthens one after the other; some attracted to him some he's attracted to. But, there's never a mutual attraction. As with so many bar-met men, getting to bed is easy, getting to a second date is not.
The film takes an interesting turn when one day in class, he's asked if he's ` Bent'. He answers yes and then proceeds to answer the other questions that the students pose.
Like most things in life, this film doesn't end with all the loose threads tied up neatly. However, for those of us that lived through this period, it is an interesting film.
Jim does the rounds, going to bars to meet men. The string of men lengthens one after the other; some attracted to him some he's attracted to. But, there's never a mutual attraction. As with so many bar-met men, getting to bed is easy, getting to a second date is not.
The film takes an interesting turn when one day in class, he's asked if he's ` Bent'. He answers yes and then proceeds to answer the other questions that the students pose.
Like most things in life, this film doesn't end with all the loose threads tied up neatly. However, for those of us that lived through this period, it is an interesting film.
Você sabia?
- CuriosidadesWidely considered the first "commercial" or "commercially released" gay feature film ever made in the U.K., where the story was directly about gay relationships and themes, but which was not about crime (blackmail or murder), or purely stereotypical.
- Cenas durante ou pós-créditosThis film was made possible by a number of individuals and organisations.
- ConexõesFeatured in Strip Jack Naked (1991)
- Trilhas sonorasSo Long
Lyrics by Stuart Turton (as Stuart Craig Turton)
Sung by Pinky Steede
Recording engineer Gwyn Mathias
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Detalhes
- Data de lançamento
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- Também conhecido como
- Nachtfalken
- Locações de filme
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- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 53 min(113 min)
- Mixagem de som
- Proporção
- 1.37 : 1
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