AVALIAÇÃO DA IMDb
6,5/10
9,6 mil
SUA AVALIAÇÃO
Na esperança de um grande resultado, dois casais de drogados se unem para cometer vários roubos de drogas que dão desastrosamente errado, levando à dissidência, violência e ao assassinato.Na esperança de um grande resultado, dois casais de drogados se unem para cometer vários roubos de drogas que dão desastrosamente errado, levando à dissidência, violência e ao assassinato.Na esperança de um grande resultado, dois casais de drogados se unem para cometer vários roubos de drogas que dão desastrosamente errado, levando à dissidência, violência e ao assassinato.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 1 indicação no total
Karen Sheperd
- Big Man's Wife
- (as Karen Lee Sheperd)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This one worked for me. The superb acting and fine camera work made this very believable. The scenes are some of the most realistic I've seen. Particularly noteworthy are the scenes involving extreme tension.
Throughout the picture I felt an urging to like these characters, sensing that they were, deep down, decent people who somehow got wrapped up in this type of life.
I'm not generally a fan of Griffith, but this role suits her well and her acting is top-notch. Woods is almost always exceptional, and his work here is no exception. The younger stars also perform quite well with this challenging, emotional material. And I thought the acting of the minor characters was excellent, suggesting the director had his act together on this one.
You have to acclimate to the language and level of tension early on or the movie will drive you nuts. But if you do, it begins to involve you deeply in the characters' situations and lives.
Throughout the picture I felt an urging to like these characters, sensing that they were, deep down, decent people who somehow got wrapped up in this type of life.
I'm not generally a fan of Griffith, but this role suits her well and her acting is top-notch. Woods is almost always exceptional, and his work here is no exception. The younger stars also perform quite well with this challenging, emotional material. And I thought the acting of the minor characters was excellent, suggesting the director had his act together on this one.
You have to acclimate to the language and level of tension early on or the movie will drive you nuts. But if you do, it begins to involve you deeply in the characters' situations and lives.
Another film of the drug/gangster sub-genre, ANOTHER DAY IN PARADISE is upper echelon material as far as these pictures go. It is also a sibling to DRUGSTORE COWBOY unintentionally. There are so many similarities because it is impossible to make this type of movie nowadays without being repetitive. No matter. Director Larry Clarke (KIDS, ew!) and main booster James Woods himself dive into that disgusting and sometimes frantically hilarious world of sex, drugs, and driving around. The film works because there are some good characterizations here and people who actually show some concern for each other throughout the haze of it all.
Melanie Griffith plays "Sid", James Woods' girlfriend in the story and delivers some of the finest moments of her career. Not since WORKING GIRL have I seen such a likeable and ballsy portrayal from Griffith, who is a junkie with a knack for mothering the 2 teen runaways and a potent trigger finger when one is needed. The runaways are the children Woods and Griffith parent vicariously through in the most unusual of ways. The kids (Vincent Kartheiser, Natasha Wagner) are a version of Bonnie and Clyde, while the adults resemble a warped Ozzie and Harriett. It all adds up to a group of 4 remembering DRUGSTORE COWBOY. This crew needs drugs and they get them by stealing from pharmacists just as Matt Dillon's crew did.
The setting is the early 1970's I guess, and the music reflects the period well. Funk and blues reign over the film's violent and illegal activities while adding a sense of romance to it. You get that feeling in your heart that it won't last (a la BONNIE AND CLYDE, DRUGSTORE COWBOY). Woods character starts out cynical and wise to the "life", but turns ugly as you figure him to do. The young kids who looked up to him throughout grow tired naturally, but his reluctance to grow old possesses him to keep them around. This is where Melanie Griffith is able to shine. She is a sweet, attractive woman who happens to stick needles in her neck. Nobody's perfect.
James Woods was born to play the creep. He has some great lines in ANOTHER DAY IN PARADISE. His stories are funny, his trademarks are constant (booyah!), and his fits are worth the price of admission. He is so good at coming across initially confident, eventually desperate and evil. Woods must have had much faith in director Clarke's abilities and the casting of Natalie Wood's daughter, Natasha is a nice, offbeat touch. This is low-budget, nasty fare, a descendant of the countless druggie flicks of the 70's, 80's and PULP FICTION. It is sometimes amazing to see how low actors will go to capture this wild world of fun and drugs in the dark.
RATING: ***
Melanie Griffith plays "Sid", James Woods' girlfriend in the story and delivers some of the finest moments of her career. Not since WORKING GIRL have I seen such a likeable and ballsy portrayal from Griffith, who is a junkie with a knack for mothering the 2 teen runaways and a potent trigger finger when one is needed. The runaways are the children Woods and Griffith parent vicariously through in the most unusual of ways. The kids (Vincent Kartheiser, Natasha Wagner) are a version of Bonnie and Clyde, while the adults resemble a warped Ozzie and Harriett. It all adds up to a group of 4 remembering DRUGSTORE COWBOY. This crew needs drugs and they get them by stealing from pharmacists just as Matt Dillon's crew did.
The setting is the early 1970's I guess, and the music reflects the period well. Funk and blues reign over the film's violent and illegal activities while adding a sense of romance to it. You get that feeling in your heart that it won't last (a la BONNIE AND CLYDE, DRUGSTORE COWBOY). Woods character starts out cynical and wise to the "life", but turns ugly as you figure him to do. The young kids who looked up to him throughout grow tired naturally, but his reluctance to grow old possesses him to keep them around. This is where Melanie Griffith is able to shine. She is a sweet, attractive woman who happens to stick needles in her neck. Nobody's perfect.
James Woods was born to play the creep. He has some great lines in ANOTHER DAY IN PARADISE. His stories are funny, his trademarks are constant (booyah!), and his fits are worth the price of admission. He is so good at coming across initially confident, eventually desperate and evil. Woods must have had much faith in director Clarke's abilities and the casting of Natalie Wood's daughter, Natasha is a nice, offbeat touch. This is low-budget, nasty fare, a descendant of the countless druggie flicks of the 70's, 80's and PULP FICTION. It is sometimes amazing to see how low actors will go to capture this wild world of fun and drugs in the dark.
RATING: ***
Larry Clark's (KIDS) second film, ANOTHER DAY IN PARADISE features an explosive performance by James Woods as a "professional" thief/junkie, who along with his girlfriend (a well cast Melanie Griffith) adopt two young lovers (Vincent Kartheiser and Natasha Gregson Wagner) and hit the road in search of drugs and money. Mel (Woods) and Sid (Griffith), who see Rosie (Wagner) and Bobbie (Kartheiser) as younger versions of themselves, teach them the ropes of criminal life.
It is a familiar story, and there is no doubt the characters' vision of paradise shown in the beginning of the film, with its endless supply of drugs and feeling of family, is quickly going to deteriorate into violence and death. I am reminded of the superior DRUGSTORE COWBOY, which also follows a "family" of junkies who rob to pay for their habits, but fine performances by the four leads, especially Woods, make PARADISE worth a look.
Clark's cinema vérité style of direction (a la KIDS) supplies the feeling of uneasiness throughout the film and heightens the impact of the jarring violence. The soundtrack of great soul tunes effectively mirrors the contradictory feelings of despair and hope that plague the characters. The film is not without flaws but recommended to fans of the road/lovers on the lam movies like BADLANDS, TRUE ROMANCE etc.
It is a familiar story, and there is no doubt the characters' vision of paradise shown in the beginning of the film, with its endless supply of drugs and feeling of family, is quickly going to deteriorate into violence and death. I am reminded of the superior DRUGSTORE COWBOY, which also follows a "family" of junkies who rob to pay for their habits, but fine performances by the four leads, especially Woods, make PARADISE worth a look.
Clark's cinema vérité style of direction (a la KIDS) supplies the feeling of uneasiness throughout the film and heightens the impact of the jarring violence. The soundtrack of great soul tunes effectively mirrors the contradictory feelings of despair and hope that plague the characters. The film is not without flaws but recommended to fans of the road/lovers on the lam movies like BADLANDS, TRUE ROMANCE etc.
While vastly superior to Larry Clark's other films, "Another Day in Paradise" shares with them a brazen directness which makes it uneasy viewing, particular the many scenes picturing graphic violence. However it's a powerful and moving film with some exceptional acting talent on display.
Clark's obsession with teenagers of the wilder variety is prevalent as always but is balanced by the older surrogate parent couple played by James Woods and Melanie Griffith. Woods once again brings his famed intensity in a well rounded portrayal in which he's not only called upon to play a hardened, ruthless criminal, but also to reveal the more human qualities albeit buried very deep within.
Melanie Griffith is surprisingly effective as Wood's partner in crime. Clark's interest in them as people first and then as criminals, places this movie in a category well above the usual criminals on the run fare.
The younger criminal counterparts are played excellently by Natasha Gregson Wagner and Vincent Kartheiser. There is an almost documentary sense of authenticity to their acting. Oddly enough neither seemed to have as yet progressed to roles of much importance. Kartheiser in particular is an actor to watch out for. (He was superb in the somewhat flawed "The Unsaid").
The complexity of the relationship between the older childless couple and the teenage couple, while not overtly examined, is explored with subtlety which allows the viewer to make his own evaluation.
With large doses of drugs and violence this is clearly not a movie for all tastes. It is however a work of distinction.
Clark's obsession with teenagers of the wilder variety is prevalent as always but is balanced by the older surrogate parent couple played by James Woods and Melanie Griffith. Woods once again brings his famed intensity in a well rounded portrayal in which he's not only called upon to play a hardened, ruthless criminal, but also to reveal the more human qualities albeit buried very deep within.
Melanie Griffith is surprisingly effective as Wood's partner in crime. Clark's interest in them as people first and then as criminals, places this movie in a category well above the usual criminals on the run fare.
The younger criminal counterparts are played excellently by Natasha Gregson Wagner and Vincent Kartheiser. There is an almost documentary sense of authenticity to their acting. Oddly enough neither seemed to have as yet progressed to roles of much importance. Kartheiser in particular is an actor to watch out for. (He was superb in the somewhat flawed "The Unsaid").
The complexity of the relationship between the older childless couple and the teenage couple, while not overtly examined, is explored with subtlety which allows the viewer to make his own evaluation.
With large doses of drugs and violence this is clearly not a movie for all tastes. It is however a work of distinction.
While Watching 'Another Day In Paradise', I was Stunned, Mesmerized & Awed by it's Lead Actor James Woods. Woods, One Of My All-Time Favorite Actors, Delivers an Outstanding Performance over-here. He actually left me Stunned, Mesmerized & Awed with his Performance. Woods, has had a thriving film-career, he has delivered remarkable performances all through his journey & 'Another Day In Paradise' is among his milestone works.
'Another Day in Paradise' Synopsis: In the hope of a big score, two junkie couples team up to commit various drug robberies which go disastrously wrong leading to dissent, violence and murder.
'As a film, 'Another Day In Paradise' appealed to me in parts, not in totality. The Screenplay is a bit erratic here, but at times, it's definitely arresting. The Characters, in particular, I thought, were nicely defined. Larry Clark Directs This Drama with command. Cinematography is perfect. Editing & Art Design are fair.
Performance-Wise: It's Woods All The Way. He's Outstanding in his portrayal of a junkie who wants to make it big. It's a pleasure to watch an actor perform with such precision & such style. Melanie Griffith does well. Vincent Kartheiser gives his best shot. Natasha Gregson Wagner is adequate, while James Otis is decent.
On the whole, 'Another Day In Paradise' works prominently due to Woods's performance. An Actor Par Excellence!
'Another Day in Paradise' Synopsis: In the hope of a big score, two junkie couples team up to commit various drug robberies which go disastrously wrong leading to dissent, violence and murder.
'As a film, 'Another Day In Paradise' appealed to me in parts, not in totality. The Screenplay is a bit erratic here, but at times, it's definitely arresting. The Characters, in particular, I thought, were nicely defined. Larry Clark Directs This Drama with command. Cinematography is perfect. Editing & Art Design are fair.
Performance-Wise: It's Woods All The Way. He's Outstanding in his portrayal of a junkie who wants to make it big. It's a pleasure to watch an actor perform with such precision & such style. Melanie Griffith does well. Vincent Kartheiser gives his best shot. Natasha Gregson Wagner is adequate, while James Otis is decent.
On the whole, 'Another Day In Paradise' works prominently due to Woods's performance. An Actor Par Excellence!
Você sabia?
- CuriosidadesThe scene in the woods with James Woods and Vincent Kartheiser was completely improvised and involved Woods hitting Kartheiser repeatedly with his fingers. The gestures are so rough and sudden that you can hear each hit and see Kartheiser's genuine surprise, respectively. Afterwards, Kartheiser went up to director Larry Clark and said, simply, "I didn't know that motherfucker was going to hit me."
- Erros de gravaçãoWhen Vincent Kartheiser, alone in a toilet cubicle, climbs into the roof cavity through the overhead access hole. The hand of a crew member can be seen coming up from bottom of frame, giving him a boost.
- Versões alternativasR1 DVD version includes both the R-rated theatrical version and an unrated director's cut.
- ConexõesFeatured in Late Night with Conan O'Brien: James Woods/Wayne Newton/Brian Kiley (1999)
- Trilhas sonorasBoogaloo Down Broadway
Written by Jesse James
Performed by The Fantastic Johnny C (as Fantastic Johnny C)
Principais escolhas
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- How long is Another Day in Paradise?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Another Day in Paradise
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 4.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.036.818
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.900
- 3 de jan. de 1999
- Faturamento bruto mundial
- US$ 1.036.818
- Tempo de duração
- 1 h 41 min(101 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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