Um dia na vida de um grupo de adolescentes em Nova York, patinando, bebendo, fumando e deflorando virgens.Um dia na vida de um grupo de adolescentes em Nova York, patinando, bebendo, fumando e deflorando virgens.Um dia na vida de um grupo de adolescentes em Nova York, patinando, bebendo, fumando e deflorando virgens.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 5 indicações no total
Chloë Sevigny
- Jennie
- (as Chloe Sevigny)
Johnathan Staci Kim
- Korean Guy
- (as Johnathan S. Kim)
Luis Núñez
- Luis
- (as Luis Nunez)
Avaliações em destaque
A group kids in NYC run wild in a world without adult supervision. Telly (Leo Fitzpatrick) loves to deflower virgins. One of the girls he deflowered in the past is Jennie (Chloë Sevigny). She and her friend Ruby (Rosario Dawson) go to do a STD check. Ruby is clean but Jennie tests positive for HIV despite having had sex with only Telly.
I remember this was edgy at the time. It still is seeing this after 20 years. It has the documentary feel and mostly unknown amateur actors which only adds to its realism. Both Leo Fitzpatrick and Chloë Sevigny are amazing. I do forget that this is also Rosario Dawson's debut. Some of the other kids also put out raw performances. Harmony Korine's script has a real authenticity to it.
I remember this was edgy at the time. It still is seeing this after 20 years. It has the documentary feel and mostly unknown amateur actors which only adds to its realism. Both Leo Fitzpatrick and Chloë Sevigny are amazing. I do forget that this is also Rosario Dawson's debut. Some of the other kids also put out raw performances. Harmony Korine's script has a real authenticity to it.
This is not a super super film, but it stays with you, which was sort of the point - especially if you saw it at the time it was released, before the onslaught of "dark" teen movies over the decade following. This was the granddaddy of the genre and remains one of the darkest and grittiest of them all, in both subject and style. Perhaps in part because the subjects were an urban group of kids, rather than the angsty suburban set we've grown accustomed to seeing, there is a rare and truthful ferocity to the characterizations. The emotive mechanism isn't their redemption as mere children, but their total fallibility as young adults. Though obviously this represents a small sample of teenagers in the united states, it will make you think twice about how much earlier we seem to lose our childhood these days. Great ensemble cast with very believable performances. Its attempt to approximate the reality of a documentary is a unique success. In addition to stong dialogue and direction, credit should be given to the cast for that; obviously, chloe sevigny was a standout here. A really important subject for its time and a very credible portrayal.
Larry Clark has broken the boundaries with this film. Not only is it one of the realist depictions of our nation's youth, but it also brings the fear of the AIDS virus closer to home. This is not a piece of fictitious work, this is brutal honesty in its rawest form. While many will knock this film because of the pornographic nature, I saw past that and witnessed the birth of the next plague. Writer Harmony Korine has taken the world of our children and transferred it to the big screen. I never once saw this as a shock film or disgusting, I saw honesty and truth behind every scene. This is really what is happening in our backyards. Kids are not as young as they used to be, and are growing up in a world with more possibilities and distractions than ever before. This is the modern world, and these are the newest leaders.
While this is not what happens with all of our youth, it does paint a beautiful picture of just a handful. This is not just a story about NYC, it is a message for every city. This is happening all over this country. In the wealthy, poor, and everything in-between, our children are experimenting without any form of education or realization of their actions.
This is not a film that will leave a very good taste in your mouth, but then again it isn't supposed to. This is better and more honest than any reality program out there and it will scare the daylights out of you. This is our world, we must change it.
Grade: ***** out of *****
While this is not what happens with all of our youth, it does paint a beautiful picture of just a handful. This is not just a story about NYC, it is a message for every city. This is happening all over this country. In the wealthy, poor, and everything in-between, our children are experimenting without any form of education or realization of their actions.
This is not a film that will leave a very good taste in your mouth, but then again it isn't supposed to. This is better and more honest than any reality program out there and it will scare the daylights out of you. This is our world, we must change it.
Grade: ***** out of *****
Disturbing, even all these years later. Taking us back in time to some all too relatable scenarios, fears and peer pressures, catapulting in the ultimate horror story, Kids was real life for too many. This movie stays with you long after the credits roll, so be prepared to think it over. A lot.
When I saw this movie I was 13 years old, and back then I manage to understand the message that the movie was trying to send.
Sometimes it doesn't have to be a "why" or a "how" for people get in this kinda life, you just have to grow up in the middle of it...
This movie is all about life, the feeling of emptiness you get near the end credits, and you start to think how did the world become so messed up.
Maybe nowadays kids are much more informed and have different perspective of the real world, back in 95 I dint have a clue, and Kids kinda open my eyes a bit...
Sometimes it doesn't have to be a "why" or a "how" for people get in this kinda life, you just have to grow up in the middle of it...
This movie is all about life, the feeling of emptiness you get near the end credits, and you start to think how did the world become so messed up.
Maybe nowadays kids are much more informed and have different perspective of the real world, back in 95 I dint have a clue, and Kids kinda open my eyes a bit...
Você sabia?
- CuriosidadesJustin Pierce broke his wrist in a fight with a club bouncer during production. He could not get a cast put on until after filming. During the night pool scene, he holds his broken wrist above his head to limit the pain.
- Erros de gravaçãoWhen Jennie and Ruby are talking while waiting in the clinic for their test results, Ruby's lips do not match the audio in one of the shots.
- Cenas durante ou pós-créditosAt the end of the credits it says: "The book 'KIDS' is available from Grove Press and contains photographs from the film, production stills and the original screenplay." and "A portion of the proceeds from this film will be donated to teen crisis organizations."
- Versões alternativasFor the UK cinema version 59 secs was cut by the BBFC to remove shots of young Nick's chest being kissed by an equally young girl and images of a sleeping child during the scene where Casper rapes Jennie, as this footage contravenes the Protection Of Children Act. In August '99 the British Board of Film Classification awarded the film an 18 certificate for video distribution, but with 51 seconds of cuts. The same footage was removed and the scenes re-edited to avoid shots of the child, and this same version was later issued on DVD. The Hungarian DVD also has this version.
- Trilhas sonorasPow
Written by Adam Horovitz, Adam Yauch, Mike D (as Michael Diamond) and Money Mark (as Mark Nishita)
Performed by Beastie Boys (as The Beastie Boys)
Courtesy of Capitol Records
Under License from CEMA Special Markets
Published by PolyGram International Publishing, Inc. and Brooklyn Dust Music
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Kids, vidas perdidas
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 7.412.216
- Fim de semana de estreia nos EUA e Canadá
- US$ 85.709
- 23 de jul. de 1995
- Faturamento bruto mundial
- US$ 7.412.216
- Tempo de duração
- 1 h 31 min(91 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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