Peixe Verde

I purchased this movie after reading some of the very positive reviews found on this site but what a disappointment it was. It is not that the film is terribly bad, it's simply one of the many stories focused on innocent people entering the gangster world and their struggle to remain true to themselves and what they stand for in life.

GREEN FISH, just simply is not very unique or particularly moving. Yes, there are a few subplots and themes that make you want to follow the story and promise it to be an interesting one, but somehow, I feel the narrative does not gather the strength that it could have achieved to make it a remarkable story. At this stage and age it is very difficult to exploit the exploited, and a simple change of setting does not work miracles. If there is something that works well for the film, it must be the character insight, however, this does not make up for all of its weaknesses. In all, not a bad movie but I would not really recommend it as enthusiastically as others have done. Korean cinema has much higher quality representatives than this one.

Lee Chang-dong's debut film reflects a changing Korea, one where apartment high rises have sprung up in the outskirts of Seoul while a young man has been away for his compulsory military service. He's as powerless to stop it as he is to stop the assault of woman on the train he comes in on, and that's one of the themes here, powerlessness coming along with the loss of innocence in a Korea that dehumanizes as it modernizes. He can't get a decent job and he can't stop his family from devolving into chaos, with one brother drinking too much. He's soon sucked in to a gang with a rigid power structure, more than once having to just stand there and take physical punishment, though we see that even "big brother" has a "big brother," making one wonder where the hierarchy ends. The film is well made and almost certainly more meaningful to Koreans in the late 90's, but to me it was dreary and uninspiring, with too much emphasis on the gangster element, even if it was nice to see Song Kang-ho in just his second film. I could have done without the chicken beheading though.

Green Fish is not a real gangster movie, but more an illustration of the battle between good and evil, between innocence and depravity, between the righteous one and those who only believe in the law of the strongest, between the city (and all its poisons) and the countryside (with its green fish). The law of the strongest is not only a matter of physical forces (strength, number), but also of mental ones (deception, manipulation, ambush, cynicism of the individual). The film has also a socio-economic dimension: the protagonist of the movie is a young man who has been released from the army. He has no job, but is hired by the immoral leader of a gang who appreciates his courage, his sincerity and his 'morality' (his sense of justice). And the women in all that? They have no other choice but to follow the strongest, if, and only if, they are young and beautiful. As for the unborn child, there is more than serious doubt about the real father…

The first film by Lee Chang-dong contains already many ingredients of his later movies: a train, spasticity, gratuitous violence or exploitation of innocence. It says a lot about the director's vision on the way of the world.

If you're looking for a good story that'll leave you awe-stricken or at least satisfied, then you've chosen the wrong film. How a man in his mid twenties can be naive on the par with a 14 or 15 year old just isn't plausible in the real world, especially in the late 90s, unless he is retarded. And the lead character is not retarded. Another idiocy of the film is that the lead who is, and looks obviously to be, in his mid 30s is playing a naive, almost moronic 24 year old. The film is hogwash, and I was annoyed after wasting almost 2 hours watching it.

I saw this a few years ago and remember it as sad, graceful and often funny, with a few strikingly memorable images, like the one of the glowering night club singer. Its story of a young Korean man from a loving but troubled home who ends up working for the local hoods is not wildly original, but it's well done. It is kind of unassuming and low-key, so that when the credits trekked over the final scene (which the audience rightly applauded) I was surprised at how touched I was, and I remember it overall with more clarity than most films I see.