Peixe Verde

Green Fish is not a real gangster movie, but more an illustration of the battle between good and evil, between innocence and depravity, between the righteous one and those who only believe in the law of the strongest, between the city (and all its poisons) and the countryside (with its green fish). The law of the strongest is not only a matter of physical forces (strength, number), but also of mental ones (deception, manipulation, ambush, cynicism of the individual). The film has also a socio-economic dimension: the protagonist of the movie is a young man who has been released from the army. He has no job, but is hired by the immoral leader of a gang who appreciates his courage, his sincerity and his 'morality' (his sense of justice). And the women in all that? They have no other choice but to follow the strongest, if, and only if, they are young and beautiful. As for the unborn child, there is more than serious doubt about the real father…

The first film by Lee Chang-dong contains already many ingredients of his later movies: a train, spasticity, gratuitous violence or exploitation of innocence. It says a lot about the director's vision on the way of the world.

I see this as a film about how hard it is to do the right thing in the complex modern world. Makdong's family used to own acres of farmland that are now covered in ugly apartment buildings and now they get by selling eggs to the residents. All Makdong wants to do is make this easier for his family and in the process he becomes a gangster just to get by. Even the gangsters are between doing the right thing and doing what they must to survive. Makdong's "Big Brother" likes to think of himself as different from the other thieves and killers that make up the underworld but in the end he is no better.

Lee Chang-dong's debut film reflects a changing Korea, one where apartment high rises have sprung up in the outskirts of Seoul while a young man has been away for his compulsory military service. He's as powerless to stop it as he is to stop the assault of woman on the train he comes in on, and that's one of the themes here, powerlessness coming along with the loss of innocence in a Korea that dehumanizes as it modernizes. He can't get a decent job and he can't stop his family from devolving into chaos, with one brother drinking too much. He's soon sucked in to a gang with a rigid power structure, more than once having to just stand there and take physical punishment, though we see that even "big brother" has a "big brother," making one wonder where the hierarchy ends. The film is well made and almost certainly more meaningful to Koreans in the late 90's, but to me it was dreary and uninspiring, with too much emphasis on the gangster element, even if it was nice to see Song Kang-ho in just his second film. I could have done without the chicken beheading though.

For a debut movie, then Chang-Dong Lee really hit it right on the head with "Green Fish". This movie was really beautiful and captivating.

The story is interesting and picks you up right from the very beginning and takes you on a very emotional ride through hope, love, frustration, anger, remorse and pity. The story is about Mak Dong who has been released from the army, returning back to his home village, finding it a completely new place, no longer a village, but now a bustling town. Struggling to find his place in a different environment, Mak Dong happens to fall upon a chance to work for Bae Tse-Yong, who isn't particularly running business according to the law.

Chang-Dong Lee is really a great storyteller, and he is great at portraying people that aren't exactly "normal". His characters in his movies are very vibrant and full of personality and life, despite them having been dealt a bad hand from life. And if you enjoyed "Green Fish", then you definitely need to watch "Oasis" as well.

It never ceases to amaze me the amount of amazingly beautiful movies that come out of Asia. "Green Fish" will stay with you for a long time after you have seen it. And it had the most memorable death scene in a movie that I have seen since Willem Dafoe's death scene in "Platoon".

"Green Fish" is really a brutally honest movie that plays high on emotion and empathy. I enjoyed this movie quite a lot and highly recommend you to watch it if you like Asian cinema.

Lee Chang-Dong's movie have common themes I have noticed as I move backwards through his oeuvre. Male protagonists romance story tied up in a class system or one hierarchical social structure or another. Its about the indignation and class struggle, being mislead by the bright lights, whether it be women fame or fortune. The good are seldom rewarded and success is not won by having principles. Its more like a 'dogme 95' movie than a hollywood affair. Its not overly violent and the overall tone is kinda light considering the bleak outcome of the story, conveying the absurdity of life rather than looking at it in a nihilistic way. City scapes contrast with rural city outskirts as do the inhabitants; this again puts it in similar ground to his latest movie Burning, which has alot in common with this one in many thematic ways. I would say that his fim making skills have grown and Burning was better, the cinematography for one thing is superior in the latter.