AVALIAÇÃO DA IMDb
7,6/10
5,8 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA woman meets a man who isn't the right man for her - but she hasn't realised it yet...A woman meets a man who isn't the right man for her - but she hasn't realised it yet...A woman meets a man who isn't the right man for her - but she hasn't realised it yet...
- Direção
- Roteirista
- Artistas
- Indicado a 1 Oscar
- 14 vitórias e 12 indicações no total
Mikhail Filipchuk
- Sanya 6 let
- (as Misha Filipchuk)
Yury Belyayev
- Sanya 48 let
- (as Yuriy Belyaev)
Anna Shtukaturova
- Devochka-khromonozhka
- (as Anya Shtukaturova)
Ervand Arzumanyan
- Bukhgalter
- (as Ervant Arzumanyan)
Avaliações em destaque
Pavel Chukhrai does not belong to any list of "Notable" film directors of Russia,nonetheless he has shown some amount of flair through his meek direction and screenplay in drama"vor" a.k.a."The Thief".
The movie is centered upon three characters- a widowed woman, with her little child who envisages his father every now and then and a charming but rakish officer to whom material gain matters most.Like some other hailed Russian movies it deals with grim picture of reality with no magical finishing touch.It certainly won't make you cheer or applaud but will move you a bit that's for sure.
Both acting and cinematography has been brilliant,Though editing and sound mixing could have been better. Acting of Misha Philipchuk as 6 year old sanya is priceless. Flying colors of European cinemas with highest possible proximity to realness are depicted through the wonderfully done cinematography.
Watch it,it won't cost you much !
The movie is centered upon three characters- a widowed woman, with her little child who envisages his father every now and then and a charming but rakish officer to whom material gain matters most.Like some other hailed Russian movies it deals with grim picture of reality with no magical finishing touch.It certainly won't make you cheer or applaud but will move you a bit that's for sure.
Both acting and cinematography has been brilliant,Though editing and sound mixing could have been better. Acting of Misha Philipchuk as 6 year old sanya is priceless. Flying colors of European cinemas with highest possible proximity to realness are depicted through the wonderfully done cinematography.
Watch it,it won't cost you much !
A post war tale of World War II, a woman and her fatherless son get acquainted and affectionate to a soldier, who in turns out to be an imposter. Perhaps the second best Russian language film I've watched after "Kolya," it gives a compassionate and observant account of emotions seen through a child and his mother. It's cold and poignant yet human and witty in its depiction of emotions, which is beautifully filmed and masterly acted taking the story to various cities, citing an epitome to nomadic life imparted by the agonies of war. Not as buyest to "Life Is Beautiful," it still mesmerizes through its impeccable performances and a superb depiction of emotions.
Rating: 3 stars out of 4
Rating: 3 stars out of 4
Pavel Chukhraj's award winning film THE THIEF is one of those special films that should be owned and revisited - like a favorite novel or poem or symphony. Chukhraj both wrote and directed this tale/fable set in Stalinist Russia, a story which encompasses the impact on a child of loss of a father in the war, the appalling living standards in the communes during the 1950s where multiple families and comrades shared space and survived the lack of privacy, and the extents to which people will go to survive what fate has dealt them and the sad sequelae that follow.
The story opens on the cold steppes of Russia where Katya (Yekaterina Rednikova) gives birth to a son Sanya (Misha Philipchuk) in the mud of a country in disrepair in 1946. Narrated by the adult Sanya we next see Katya and Sanya on board a train where they encounter a handsome soldier Tolyan (Vladimir Mashkov), a seemingly gentle man who immediately bonds with the two 'refugees'. The remainder of the story deals with the fact that Tolyan is a thief and causes disruptive moves of his 'family' as he plunges them deeper into the hole of his crimes. At times he is harsh with Sanja, at time he is protective and instructive as a surrogate father, teaching Sanya the cruel rules of survival. He is finally imprisoned, Katya dies from an infection following an abortion, and Sanya grows into his teen years in orphanages, dreaming of his real father, wondering about Tolyan. They two make a final surprise encounter that leads to the ending of the story.
The actors are exceptional, the supporting cast is particularly fine, and the cinematography and set designs are something beyond description. The eyes of Sanya (those of Misha Philipchuk) will haunt you and beckon return to this most impressive and touching film. Highly recommended. Grady Harp
The story opens on the cold steppes of Russia where Katya (Yekaterina Rednikova) gives birth to a son Sanya (Misha Philipchuk) in the mud of a country in disrepair in 1946. Narrated by the adult Sanya we next see Katya and Sanya on board a train where they encounter a handsome soldier Tolyan (Vladimir Mashkov), a seemingly gentle man who immediately bonds with the two 'refugees'. The remainder of the story deals with the fact that Tolyan is a thief and causes disruptive moves of his 'family' as he plunges them deeper into the hole of his crimes. At times he is harsh with Sanja, at time he is protective and instructive as a surrogate father, teaching Sanya the cruel rules of survival. He is finally imprisoned, Katya dies from an infection following an abortion, and Sanya grows into his teen years in orphanages, dreaming of his real father, wondering about Tolyan. They two make a final surprise encounter that leads to the ending of the story.
The actors are exceptional, the supporting cast is particularly fine, and the cinematography and set designs are something beyond description. The eyes of Sanya (those of Misha Philipchuk) will haunt you and beckon return to this most impressive and touching film. Highly recommended. Grady Harp
This is one of the most ambitious films I have ever seen done; it is an extremely painful movie to watch in places, beautifully photographed, with understated direction that does not get in the way of the story.
A lot will be lost on the small screen, but if you enjoy foreign films (or films in general) you will not find a better one than this. If you are in the mood for lighthearted entertainment, do not rent this film; you will feel sad for a long time after it ends. (It is a Russian story, after all.) Images from the film are guaranteed to haunt for a long time; it reminds the viewer of the power film can have to affect an audience.
Nine stars for me.
A lot will be lost on the small screen, but if you enjoy foreign films (or films in general) you will not find a better one than this. If you are in the mood for lighthearted entertainment, do not rent this film; you will feel sad for a long time after it ends. (It is a Russian story, after all.) Images from the film are guaranteed to haunt for a long time; it reminds the viewer of the power film can have to affect an audience.
Nine stars for me.
I thoroughly enjoyed this film and would recommend it to anyone just for the fantastic expressions of little Sanya's big blue eyes! For those who enjoy high caliber independent and foreign films, this is a piece of gold not to be missed.
Você sabia?
- CuriosidadesFinal film of Lidiya Savchenko.
- Citações
[first lines]
Sanya - 48 Years Old: [voiceover] I was born right after the war, in 1946. My mother was going to the village where her relatives lived and gave birth to me right on the road. I never saw my father. He was covered with wounds when he returned from the war and died six months before I was born, but throughtout my childhood I kept thinking of him, trying to imagine him.
- Versões alternativasThe Russian release features an additional 14 minutes at the end which depict Sanya as an adult. After he shoots Tolyan, the film cuts directly to modern times where Sanya is a colonel of the Russian army. He explains that he has had to kill many times since that day and that his profession justifies it. In a war-torn village, he mistakes an old man for Tolyan. He embraces the old vagrant, who dies in his arms. Upon inspection of his back, he finds that there is no Panther tattoo. It is not Tolyan. As he leaves the village in his own personal staff car, he takes off his shirt. At this point Russian audiences see for the first time that Sanya has a Panther tattoo identical to Tolyan's on his back. (Some non-Russian versions finished the film with a shot of Sanya at 12 lying in his bunk with this tattoo. Russians did not see that scene.) The original Russian version ends with a flashback to Sanya at 6 peering out the window of the train and seeing his father waving to him on the back of a passing railcar. It is rumored that 'Pavel Chukhraj' cut the non-Russian versions for two reasons. First, he wanted to make it shorter and more attractive to foreign critics and film festivals. He also felt it might confuse and complicate the meaning of the film for viewers not familiar with modern Russia.
- ConexõesFeatured in The 55th Annual Golden Globe Awards (1998)
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- How long is The Thief?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 2.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.126.506
- Fim de semana de estreia nos EUA e Canadá
- US$ 33.340
- 19 de jul. de 1998
- Faturamento bruto mundial
- US$ 1.126.602
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