Um mafioso viaja para Hollywood para cobrar uma dívida e descobre que o negócio do cinema é muito semelhante ao seu trabalho atual.Um mafioso viaja para Hollywood para cobrar uma dívida e descobre que o negócio do cinema é muito semelhante ao seu trabalho atual.Um mafioso viaja para Hollywood para cobrar uma dívida e descobre que o negócio do cinema é muito semelhante ao seu trabalho atual.
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- 6 vitórias e 16 indicações no total
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- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This film is based on the Elmore Leonard book of the same name. This is a hilarious satire of Hollywood. Chili Palmer (John Travolta) is a loan shark from Miami tracking down a deadbeat who has run off. Palmer's travels take him to Hollywood, where he meets Harry Zimm (Gene Hackman). Zimm is a producer of major motion pictures (read B horror flicks). His lover is Karen (Rene Russo). His meetings give Palmer the "movie bug."
Already a huge movie fan, Palmer decides to produce "Mr. Lovejoy" a script that Zimm proclaims will be hs "Driving Miss Daisy." The plot centers around efforts to raise the necessary money and land Martin Weir (Danny DeVito) in the lead role. Fortunately Weir is Karen's es-husband. And Palmer has access to $300,000 generated from Las Vegas winnings of the missing deadbeat, Leo. As a further complication there is a drug dealer (Delroy Lindo) who has invested in one of Zimm's pictures. But he has gotten in trouble with his supplier for $500,000 and a missing nephew.
DeVito does a wonderful job playing the self-involved, pretentious Weir. There are wonderful comments about screen writers. Spelling is optional, not necessary. The role of a screenwriter is just to put the commas in where they belong. Travolta is delightful as a "nice guy" wiseguy. In fact, the entire cast is just great.
The plot lines never overwhelm the film, and they fit together like a jigsaw puzzle. (Note: Thanks to Pulp Fiction, studios are willing now to use non-linear plot lines on occasion.). The ending is terrific (watch for the cameo by Harvey Keitel). I saw this in the theatre and have seen it several times on video. This one is definitely a keeper.
Already a huge movie fan, Palmer decides to produce "Mr. Lovejoy" a script that Zimm proclaims will be hs "Driving Miss Daisy." The plot centers around efforts to raise the necessary money and land Martin Weir (Danny DeVito) in the lead role. Fortunately Weir is Karen's es-husband. And Palmer has access to $300,000 generated from Las Vegas winnings of the missing deadbeat, Leo. As a further complication there is a drug dealer (Delroy Lindo) who has invested in one of Zimm's pictures. But he has gotten in trouble with his supplier for $500,000 and a missing nephew.
DeVito does a wonderful job playing the self-involved, pretentious Weir. There are wonderful comments about screen writers. Spelling is optional, not necessary. The role of a screenwriter is just to put the commas in where they belong. Travolta is delightful as a "nice guy" wiseguy. In fact, the entire cast is just great.
The plot lines never overwhelm the film, and they fit together like a jigsaw puzzle. (Note: Thanks to Pulp Fiction, studios are willing now to use non-linear plot lines on occasion.). The ending is terrific (watch for the cameo by Harvey Keitel). I saw this in the theatre and have seen it several times on video. This one is definitely a keeper.
Barry Sonnenfeld was and maybe wasn't the right choice to make Get Shorty. He's a great visualist, and his films (Adams Family, Men in Black) are also very funny, but it's hard to say whether or not another director might've taken Elmore Leonard's sly comic novel more seriously or with less depth. As it is, however, Get Shorty is a cool little treat that doesn't over-stay its welcome, and provides its cast a plethora of witty dialog. John Travolta brings on some sharp attitude, knowing the angles and wanting, as his character Chili Palmer, to get into Hollywood and out of loan sharking. Gene Hackman's funny as a fledgling producer with his first, true big hit in his lap. And supporting parts from Delroy Lindo, Renne Russo, Danny De Vito (as 'Hollywood' as you'll ever see him), and James Gandolfini, are all very worthy. It's a worthwhile watch, with a dead-on score from John Lurie. But I would reccomend Out of Sight or Jackie Brown to Leonard fans looking for a great adaptation. It's a very good Hollywood picture (reflective of what it's about), though it's not a masterpiece. A-
I am not sure whether I liked the movie or just John Travolta and his character Chili Palmer. I had a lot of fun watching 'Get Shorty', based on the novel by Elmore Leonard, so it doesn't really matter. The movie is about a mobster from Miami, Chili Palmer, who ends up in Los Angeles. After meeting a movie producer named Harry Zimm (Gene Hackman) he gets interested in the movie business. This is the main story, but this movie is based on an Elmore Leonard story so there are a lot of sub-plots with lots of interesting characters, all with great dialogue.
Besides Chili Palmer and Harry Zimm we meet Karen Flores (Rene Russo), an actress known for her screaming, Martin Weir (Danny DeVito) who is the hot actor of the moment, Ray Bones (Dennis Farina) who wants to collect some money that Chili has, Bo Catlett (Delroy Lindo) who wants money fro Harry Zimm, Bear (James Gandolfini) who was a stuntman but now is Bo's bodyguard, Leo Devoe (David Paymer) who stole the money that brought Chili to Los Angeles and Doris (Bette Midler). All characters are colorful, have great dialogue and an interesting part in the story, but all those great things are there together with Chili. For every nice moment Travolta is present.
The actors play their characters very well. Again, Travolta is great and owns the movie, but especially Farina and Hackman do a great job as well. The movie is well directed by Barry Sonnenfeld (from 'The Addams Family'), knowing how to avoid boring moments. The story with its dialogue would be enough to make a nice movie out of it. Fortunately we have the actors and direction to make it even better and definitely more entertaining.
Besides Chili Palmer and Harry Zimm we meet Karen Flores (Rene Russo), an actress known for her screaming, Martin Weir (Danny DeVito) who is the hot actor of the moment, Ray Bones (Dennis Farina) who wants to collect some money that Chili has, Bo Catlett (Delroy Lindo) who wants money fro Harry Zimm, Bear (James Gandolfini) who was a stuntman but now is Bo's bodyguard, Leo Devoe (David Paymer) who stole the money that brought Chili to Los Angeles and Doris (Bette Midler). All characters are colorful, have great dialogue and an interesting part in the story, but all those great things are there together with Chili. For every nice moment Travolta is present.
The actors play their characters very well. Again, Travolta is great and owns the movie, but especially Farina and Hackman do a great job as well. The movie is well directed by Barry Sonnenfeld (from 'The Addams Family'), knowing how to avoid boring moments. The story with its dialogue would be enough to make a nice movie out of it. Fortunately we have the actors and direction to make it even better and definitely more entertaining.
John Travolta followed up his "Pulp Fiction" comeback with "Get Shorty", in which he plays Miami hit-man Chili Palmer. Moving to Hollywood to collect a debt, he finds that show biz isn't much different from the mafia, and he decides to get involved. But of course, once there's anything mafia-related involved, things start to get ugly. Not that they weren't already seedy.
This movie has its strengths mainly in the script, but also in the strong performances from Travolta, Gene Hackman, Rene Russo and Danny DeVito. I guess that any time that someone gets a chance to show Hollywood's unseemly side, they take it. Of course, there's plenty of reasons to do so. The sequel, "Be Cool", wasn't quite as good, but still worth seeing.
This movie has its strengths mainly in the script, but also in the strong performances from Travolta, Gene Hackman, Rene Russo and Danny DeVito. I guess that any time that someone gets a chance to show Hollywood's unseemly side, they take it. Of course, there's plenty of reasons to do so. The sequel, "Be Cool", wasn't quite as good, but still worth seeing.
Get Shorty is a hilariously funny, brilliantly written and colorfully acted satire of how hard it is to get a Hollywood movie made. All the moving pieces and different parties, each with their own motivations and goals, make it a natural fit for a film-loving gangster. Leonard is the man, as the movie totally depends on his script, and every part of it is awesome (dialogue, characters, story webbing).
Você sabia?
- CuriosidadesElmore Leonard said that this is the best film adapted from one of his books.
- Erros de gravaçãoAfter he visits Martin Weir's house, Chili's minivan is pointing in a different direction.
- Citações
Harry Zimm: I once asked this literary agent, uh, what kind of writing paid the best... he said, "Ransom notes."
- Versões alternativasA line of dialogue from John Travolta is missing from the UK 2-disc edition. The line "So You're Trying to Say You're Never Gonna Sleep Again?" comes directly after the credits as a question to Martin Ferrero's character. The line is dubbed and subtitled, and the music plays out as usual, so it's not an audio glitch. The line is present on the first UK MGM-release.
- Trilhas sonorasA Woman, A Lover, A Friend
Written by Syd Wyche
Performed by Booker T. & the M.G.s (as Booker T. & The MG's)
Courtesy of Atlantic Recording Corporation
By Arrangement with Warner Special Products
Principais escolhas
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- How long is Get Shorty?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- El nombre del juego
- Locações de filme
- 1017 N Crescent Drive, Beverly Hills, Califórnia, EUA(Martin Weir's house)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.250.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 72.101.622
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.700.007
- 22 de out. de 1995
- Faturamento bruto mundial
- US$ 115.101.622
- Tempo de duração
- 1 h 45 min(105 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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