Mississippi em Chamas

Not saying this isn't an excellent film, it is just bluntly honest. I remember in English class in high school, we were learning about racism in the 60's, and how horrible it was. The worst part was that I am from a very racist town, unfortunately, and watching the beginning of the film terrified me because I felt like this world hadn't changed since I felt like I was living that film. Being one voice sometimes can either be helpful or get you into a lot of trouble.

I didn't want to see this film again because of the awful situations I saw or heard of. Now, I am out on my own, and I had the chance to see the movie once again, and felt that I could see it. It's a terrific and very powerful movie that can get anyone to cry unbearably. It's not just the actors, but Gene and William's characters, I wanted to be just like them, they were able to stand up even though the many times of being knocked down and caring so much just to try to in some way save that town.

I honestly feel that everyone should see this movie, it can change your life or make you look around and want to change things. I know this comment feels more like a lecture than a comment, but that's how much this movie got to me. I think we all can do something right in this world, it's just a matter or standing up. Even if this film isn't historically accurate, it's accurate enough to see how people treat other people. Hopefully, we will have a better future for generations to come.

9/10

This film takes place in the 60s, in the state of Mississipi, known for its ruthless discrimination suffered by the black people. Two FBI officers investigtate the mysterious disappearance of three civil rights activists, one is a young idealistic college kid (played by Willem Dafoe) under whom works a middle-aged man who's an ex-sheriff and was born and raised in a small Mississippi town (played by Gene Hackman). Now this plot may seem a bit ordinary these days even back in the day with many films addressing the same subject like Guess Who's Coming to Dinner (1967) and the beloved To Kill a Mockingbird (1962), but this film takes it to another level with its incredible acting, good writing and beautiful directing. The actors made me enjoy this movie, especially Gene Hackman, seriously this man is a legend, supported by a promising Dafoe and a young Frances McDormand. The contrast between the leading actors made the film pleasant to watch as they gave satisfying performances. The film itself was intense but touching and the story was effective, this is thanks to the director Alan Parker that has done a beautiful job.

Great movies are ones that invoke a strong emotional response that lingers long after the movie is over. Mississippi Burning is that kind of film. You may love it, you may hate it. You may think that it is an accurate depiction of the south in 1964, you may think its pure fiction. No matter what you will respond strongly.

Director Alan Parker has been down this road before with Midnight Express, another crushing, gut-wrenching tale based on a true story. In both cases, a great deal of liberty is taken with the facts, but that doesn't matter. Mississippi Burning is not a docudrama or an A & E special, it is at its heart, a police drama, and a near perfect one at that.

It is criticized by some for its depiction of southerners of the time as a group of brain-dead racists with no moral fiber whatsoever. I don't believe that is the movie's intention, but it spends time showing this side of society to make us understand how hate breeds itself, and how it becomes a way of life and an accepted standard. As one character states, "When we were seven years old, they told us that segregation was in the bible. You hear that long enough, you start to believe it".

Mississippi Burning won a (well-deserved) Oscar for cinematography, but sat and watched Rain Main take home the majors. It was clearly the best film of 1988 and stands as one of the great works of American cinema of the 80's. Hackman and Dafoe are at their best, and Frances McDormand delivers a beautifully understated, powerful performance as the deputy's wife - a woman at war with her sense of right and wrong, struggling with fear and loyalty. Her character is the centerpiece of the movie.

This is not a preachy or melodramatic movie. You won't get a lecture on why racism is wrong. You will get an rich, engaging crime drama depicting a pivotal time in American History, and you will never forget it.

**** out of ****.

With some certainty, Mississippi Burning was the best film of 1988. I watched it recently, as I do from time to time, and in reading other viewer comments, I was dismayed to read such unwarranted and unintelligent criticism of a film that has done so much to expose the realities of the Black experience in the Deep South during the 1960's. On more than one occasion, a viewer (usually anonymous) has pinpointed the film as racist, in that it offers a view of the Civil Rights movement involving whites and government agents as key instigators of change. They feel that it portrays blacks in a negative light, downplaying the roles blacks played in the acquisition of their own equality. These people are either unaware, or just plain ignorant. There is a reason that this film focuses on the efforts of White FBI agents to locate the three missing boys. To begin with, this film focuses on a true story (slightly fictionalized for cinematic effect). During Freedom Summer of 1964, many white college students and black students as well worked under the guidance of groups like the Student Non-violent Coordinating Committee, in an effort to set up voter registration drives for blacks that had been historically disenfranchised. The three missing boys (two white, one black) received much attention during that summer from a Federal standpoint. This is a fact. Yet the reason for governmental interest in the murder of these boys exemplifies the attitudes of the era. Historically, murdered civil rights workers did not garner much attention. Yet because this case involved two northern whites, suddenly The FBI took interest. This is the reason for FBI involvement in the story. The fact that blacks are shown quite often as scared and unwilling to cause a stir in this film also is historically accurate. While there were many blacks that made great inroads and took huge risks to their personal well-being, the citizenry of blacks in this film is an accurate portrayal of the times. How many of us today would be willing to talk, inform, and be seen attempting to use our constitutional rights if we knew that such actions might get us killed? The seeming disinterest of blacks in this film is a result of years of Jim Crow legislation, of lynch law, and of outright terror tactics brought upon the black population by racist whites.It is a picture of a population that wants to stand up and scream, but is reluctant for very justifiable reasons. To stay alive often meant keeping your mouth shut. To make a film in which all black citizens of Philadelphia, Mississippi stood collectively against the perpetrators of these murders would be historically incongruent. Try to look past the overriding white involvement in this film and understand that this is the way the events unfurled. Perhaps it is a sad commentary on white involvement in Civil rights that was too little, too late. It took the death of two whites to spark interest in the events in Phil. Mississippi. This much is obvious. But as the search for these boys made headlines daily, just remember that many blacks were pulled from rivers that summer, in the search for the three civil rights workers. Unfortunately, these discoveries never made the headlines. A murdered white was cause for alarm. But a lynched black pulled from a swamp was merely accepted. Take this film as a lesson, and be glad that many things have changed since 1964.

On June 21, 1964 three young men drove a CORE (Congress of Racial Equality) station wagon from Meridian to Longview, Mississippi. On the return trip to Neshoba County Deputy Sheriff Cecil Price arrested them for speeding. He jailed them in Philadelphia, MS. Then finally released them a little after 10 p.m. And told them to leave town. A few miles outside of Philadelphia the deputy stopped their car again--this time after a wild chase--and turned them over to a group of Neshoba County Klansmen. Their bodies wouldn't be found until over a month later by FBI agents.

That's the real story. "Mississippi Burning" is a close dramatization of it.

I watched in both disgust and surprise. I was disgusted by the actions of the proud citizens of Mississippi and I was surprised to see actors that I knew nothing about when the movie came out in 1989--the likes of Willem Dafoe, Frances McDormand (Three Billboards...), R. Lee Ermey (Full Metal Jacket), Michael Rooker (Merle from The Walking Dead), Frankie Faison (commissioner on The Wire), and Darius McCrary (Eddie Winslow on Family Matters). I was surprised, not in a bad way, but in a "Whoa! He's in this?!" way. Sure these names aren't A-listers but they are all familiar faces to me that I never knew culminated on a 1989 project.

As for the movie itself, there was some creative license taken but it was very close to the real events. In fact, the FBI knew so much about the murders because one of their informants was with the guilty party. The movie does evoke strong feelings and it is unavoidable. How do you depict 1960's deep south without raising the hairs on the back of someone's neck? Because this movie wasn't a through-and-through tragedy there was a modicum of justice served. I thought all the actors did a good job (too good in fact in some cases) and the script was well written. I still file this movie under "hard to watch".